科学实证与文化阐释:中国新史学之双轨

中国新史学中最常见的两种历史研究方式是科学实证与文化阐释,前者旨在建立历史事实之真或寻求历史演变之理,后者则以探寻历史之意义或彰显切实之史识为目标,此二者可谓中国新史学之"双轨"。中国新史学正是沿此"双轨"向前发展的。从新史学之"双轨"着眼,并依据"新异性的标准",中国新史学界应有"八大家",他们分别是:梁启超、王国维、陈寅恪、胡适、顾颉刚、傅斯年、郭沫若和钱穆。科学实证与文化阐释,这两种不同的历史研究取径,展示了中国新史学研究的多元面相,二者之间是相互融通的,并无根本性的冲突与对垒,其在治史观念与方法上亦可做到相互补益,相得益彰。许冠三在《新史学九十年》中因陷入"科学"迷思的褊狭"新史学观",以科学实证拒斥文化阐释,故而未能将钱穆基于"文化"视角来研究历史的文化史学视为新史学。钱穆的新史学特质主要表现为:在继承中国传统史学遗产之基础上,注重历史研究主体与客体的统一,以文化为本位,以阐释为取径,其典型表现是"以士释史";以中国为立场,注重探寻本国历史文化之意义,探求与本国历史文化相符合之史识,强调历史学的经世致用功能。钱穆的新史学观与后现代主义在批判科学主义历史学、反对文化一元论和西方中心主义历史观等方面多有契合之处,但其以"于客观中求实证"为基础的历史认识论与走向历史虚无主义的后现代主义有着本质的区别。     

Assessing the contribution of cultural agglomeration in urban regeneration through developing cultural strategies

The recent discussion regarding contemporary urban regeneration has underlined the increasing role of art and cultural agglomeration as an essential part of a progressive agenda for local development. In fact, there is a good deal of literature which is related to specific and finite cultural strategies. Although scholars, in some cases, may suggest other perspectives, their value narrows to a comprehensive evaluation regarding the possible interpretation of cultural agglomeration in respect of urban regeneration. Accordingly, this study, by using an interdisciplinary systemic approach based on the clustering of cultural carriers, developed the cultural strategies under a six concepts scheme. The study then, through developing a method based on modes and development approach of cultural agglomeration, recategorized the six mentioned strategies into three major categories of cultural strategies, to find out their contribution in the process of urban regeneration. Overall, the study revealed the extent of cultural agglomeration as a method of developing cultural strategies in urban regeneration.     

Cultural production in peripheral urban spaces: lessons from Barriera,Turin (Italy)

Practices of cultural production within a peripheral urban neighbourhood can contribute to foster the sense of place, community belonging and local collective action. Starting from a critical perspective on the interconnections between cultural practices and urban regeneration, and developing on the concept of place-making, the paper has two main purposes: to investigate the nature of embeddedness of these practices and explore the ways of self-organization of cultural actors and their relationships with public policies. The case study concerns ‘Barriera di Milano’, a large peripheral area in Turin (Italy), formerly one of the most industrialized zones of the city. Over the past few years, and particularly after the real-estate bubble burst of 2007–2008, in Barriera a lively concentration of initiatives of culture has been taking place, redefining the urban and social space. These initiatives seem to be innovative for many reasons: firstly, while demonstrating a peculiar but significant embeddedness in the neighbourhood, they are mostly self-generated; secondly, the institutional assets, the economic self-sufficiency and the low degree of connection among initiatives support new forms of citizenship and place-making based on a ‘not-for-profit entrepreneurship’.     

The quest for a traditional style: architecture and heritage processes in a Pyrenean valley

In this article, I focus on the construction and restoration of houses in the Catalan Pyrenees, on their materiality, and specifically on the relationship between architectural and heritage processes that shapes them. I provide an analysis of how architectural forms, norms and regulations, as well as building aesthetics and materials, were transformed in the past decades following a parallel process of changes in the region. The aim is to explore the relationship between the built environment and the cultural and economic shift of the area in recent times. Drawing on extensive ethnographic research conducted in a valley of the Catalan Pyrenees, I show how the material culture, architecture and built environment evolved in close relationship to the spread of heritage discourses leading to a mutually constituting association that helped shape the elements of the new social realities.     

Villagers’ agency in the Intangible Cultural Heritage designation of a Korean village ritual

This paper examines how the villagers of Pams?m village in Seoul acted as agents in configuring their own cultural identity which explores issues concerning Korea’s Intangible Cultural Heritage (ICH) designation system. It delves in detail how villagers practice their ritual of Pams?m Pugundang kut ? amidst the complex process of continuity and change as a way of sustaining and promoting collective village identity. By examining the implications of this cultural practices in contemporary society, this paper ultimately raises the question of who constitutes the true legatee of traditional culture of Pams?m village. The cultural practice of the Pams?m Pugundang kut carried out by the villagers of Pams?m can be interpreted not merely as a critique of the dynamics of political and cultural heritage, but the reconstruction of villager’s identity through the creation and continuation of their long village history. This study provides a useful case in examining a village community which describes in detail how the subject of this study constructs their cultural identity and faces the complex issues concerning Korea’s ICH designation system.     

Modern roads as UNESCO World Heritage sites: framework and proposals

There has been noticeable development in the protection of linear infrastructure by UNESCO, whether on its cultural, technological or historical merits. However, with the exception of other means of transport incorporated within the field of industrial archaeology or recognised by the CIIC under the category of cultural routes, little or no consideration has been given to roads built from the mid-eighteenth century to the early part of the twentieth century. In view of this situation, this paper has the following aims. Firstly, to define the concept of ‘modern road’ and provide a brief analysis of the historical development and current situation of the same. Secondly, to assess the main contributions made to date regarding the heritage dimension of modern roads. Thirdly, to reconstruct the process of defining linear cultural landscapes, historic transportation corridors, cultural routes and heritage canals, railways and roads, in accordance with the considerations raised by ICOMOS and UNESCO. Finally, to contribute to the debate on the definition, characterisation and assessment of modern roads as world heritage assets, both intrinsically and in relation to established heritage categories.     

固定和浮放条件下文物展柜动力响应分析与试验研究

目前对文物保护的研究主要以试验为主,本研究试图用数值方法分析文物展柜的动力学特性,以解决试验分析方法所导致的缺陷。为此,对固定和浮放两种不同边界条件的文物展柜进行地震作用和简谐激励下的动力响应分析,给出了展柜展台面处的加速度动力放大系数(简称放大系数)上限值。以某博物馆展柜为原型,按1∶1/0.39进行缩尺振动试验,得出两种边界条件下展柜展台面处的放大系数。对试验展柜建立有限元模型,通过与试验对比,验证模型及分析方法的正确性。然后,建立展柜模型的有限元模型,对5种尺寸的展柜进行了动力响应分析,并考虑激励幅值、激励频率等对放大系数的影响。分析结果有助于指导文物的防震保护工作。     

Cultural rights and their contribution to sustainable development: implications for cultural policy

Abstract

This article aims to analyse the meaning and implications of cultural rights for cultural policies concerned with sustainable development. Although references to both cultural rights and sustainable development have become widespread within cultural policy documents in recent decades, the actual conceptual and operational implications often remain vague, as an ambitious discourse that may conceal a poverty of resources and capacities. As a result, the ideal horizon suggested by cultural rights and sustainable development may not always be achieved in practice, nor are the mechanisms to achieve it always well known. In this respect, the article aims to dissect the actual requirements posed by cultural rights and sustainable development, including their different notions and areas of synergy and intersections, in order to shed light on relevant cultural policy approaches. To this end, a range of examples taken from a variety of contexts will also be examined as areas of expressed needs or areas of possible solutions.     

论用典在文化传承和发展中的作用——以中国历史话语中的著名三钓为例

用典除了增加语言表达效果、增加语言审美因素等作用外,还有另外一个重要作用——传承发展文化。但长期以来,人们更多的只是看到了用典的前两个作用,而对于它的第三个作用则视而不见,以致出现了反对用典的现象。正如本文所举著名三钓典故所展示的,用典既是一种传递,也是一种启发,还是一种讨论,正是通过不同形式的用典,一个民族的精神内核才越来越丰富充盈,一个民族的文化才越来越具有活力。任何一个用典的行为,都不是一个单纯的语言表达、语言修辞问题,不是一种简单的无意义的陈词滥调和掉书袋行为,更不是一种所谓守旧古板的体现,它和民族文化的继承与发展息息相关,在民族的发展进步中具有重要意义。