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61.
Michael Wyness 《Children's Geographies》2013,11(3):340-353
In recent years a discursive voice-based form of children's participation has become a global standard. This has rendered more material children's practices particularly in less-affluent regions as deviant forms of participation. Drawing on the case of child labour, I critically examine the dominance of a discursive model of participation in terms of international policy statements. I argue for a more inclusive notion of children's participation incorporating children's economic as well as discursive contributions within their families, communities and schools. At the same time a more nuanced view potentially shifts the policy focus towards the legitimation of child labour rather than its condemnation. 相似文献
63.
Alastair Owens Nigel Jeffries Karen Wehner Rupert Featherby 《Journal of Victorian Culture》2013,18(2):212-225
This essay analyses the influence of Charles Baudelaire's and Théophile Gautier's fetishist poetics on the early works of Algernon Charles Swinburne. If the crucial role played by the Victorian poet as a cultural ‘passeur’ between France and England has often been highlighted in recent criticism, his aesthetic delight in certain forms of sexual deviance such as podophilia has rarely been explored in relation to the verse of his French mentors. Swinburne, Gautier, and Baudelaire may have indeed shared this erotic fascination with feet: this is a fascination that was partly grounded in these poets' common interest in antique literary models, in particular in Sappho's poetry. Rather than extolling the Hellenic ‘sweetness and light’ which some of his contemporaries set so high, Swinburne indulged in dangerously eroticised Dionysian aesthetics which were perceived as both ‘too Hellenic’ and ‘too French’. I argue that the fetishism of the poetic foot may be read as one of the keys to the Victorian poet's subversive shift away from the serenity often associated with Victorian neoclassicism in favour of a Dionysian energy that anticipates Friedrich Nietzsche's works. 相似文献
64.
A. Allentuck 《International Journal of Osteoarchaeology》2013,23(4):379-394
This paper explores the incongruous relationship between bone raw material availability and technological choice at the Early Bronze Age site of Horvat 'Illin Tahtit (HIT) in central Israel. At HIT, the worked bone assemblage is mostly comprised of minimally modified sheep and goat metapodia whose function(s) are enigmatic. Most specimens have longitudinally oriented scraping abrasions on at least one face, and of these, some have bilaterally symmetrical drilled perforations on the distal–posterior face. Furthermore, the distal epiphyseal plates of almost all worked metapodia are unfused, whereas unfused epiphyses are nearly absent from the general faunal assemblage. Worked goat metacarpals are significantly more common than sheep metacarpals or metatarsals of either species, despite the greater abundance of sheep over goat in the general faunal assemblage. This paper proposes that the desire to express specific visible attributes of the bone raw material was the key motivation in choosing unfused goat metacarpals over similar, more abundant choices. The analysis considers material properties such as bone mineral density and natural morphology and concludes that material properties between various choices were equivocal. This result suggests that social meanings attributed to specific animals and specific skeletal elements structured bone raw material procurement decisions. Copyright © 2011 John Wiley & Sons, Ltd. 相似文献
65.
66.
Michele Degli Esposti Federico Borgi Claire Gallou Chloë Martin Kevin Lidour Sophie Méry 《Arabian Archaeology and Epigraphy》2020,31(1):105-118
At the end of 2018, the first season of excavation was carried out at the shell midden site of UAQ38. The site occupies the top of a sand dune not far from UAQ36 and UAQ2, two other recently investigated Neolithic shell middens. Several well-stratified anthropogenic levels were excavated at UAQ38, which can be dated mainly to the 5th millennium BC, although the recorded artefacts suggest a possible older date for the lowest levels. Food waste, post-holes, fireplaces, and burnt shell dumpings attest to human activities that took place at the site over a rather long period of time. Here the stratigraphic sequence will be presented, together with a first overview of the artefactual assemblage. The collected data will be concisely discussed in order to fit the site within the typology of Neolithic settlements that can be proposed for the area. UAQ38 is so far the only Neolithic site along the northeastern coast of the UAE for which stratified charcoal is available for dating. 相似文献
67.
Sarah Baker Lauren Istvandity Raphaël Nowak 《International Journal of Heritage Studies》2016,22(1):70-81
A significant amount of previous academic research into popular music museums centres on critiques of the content, design and layout of predominantly authorised institutions. Throughout much of this research, authors consistently criticise the use, or rather, the perceived misuse, of music played within music museums, arguing that the music itself, rather than artefacts, constitutes the most significant part of popular music exhibition. This article seeks to counter this trend by exploring the challenges of incorporating recorded sound into popular music exhibits as understood by curators and exhibit designers. Utilising interviews conducted within 14 authorised and DIY museums devoted to popular music, the researchers demonstrate a distinct contrast between current academic critiques of music use in these museums and the attitudes of the people who create them. The result is a varied discussion surrounding sound in the museal space, including issues of sound bleed, technology and the creation of balance between artefacts and sound. This account draws attention to curators’ intentions of telling the story of popular music history by engaging with both the visual and aural memories of museum patrons, and suggests a new understanding of the purpose underpinning popular music museums in modern contexts. 相似文献
68.
长期以来,由于土遗址保存环境的复杂性和特殊性,潮湿环境下的土遗址保护一直是困扰我国文物保护和考古界的难点,至今尚没有成熟的规范可以参考.福建省昙石山遗址作为我国东南沿海地区典型潮湿环境下的土遗址,近年来在遗址加固保护过程中,通过大量室内和现场试验,在适用材料的筛选研究等方面取得了一定经验和成效,是对我国潮湿环境下土遗址保护工作的一次有益尝试和探索. 相似文献
69.
Studies of the Mesolithic–Neolithic transition in Europe have focused on plants and animals exploited for food. However, the exploitation of plants for fibres underwent a significant change with the addition of domestic flax as a fibre crop. While the technology of flax fibre processing is increasingly understood by archaeologists, its material value as a fibre crop in comparison to indigenous fibre is less well explored. We examine the mechanical properties of flax and two indigenous fibres (lime bast, willow bast), by testing fibre strips for tensile properties and discuss the results in the light of material choices in these periods. 相似文献
70.
Elizabeth M. Scott 《International Journal of Historical Archaeology》1997,1(2):131-155
Six British colonial and Anglo-American cookbooks from the period 1770–1850 provide insights into the ways in which items of material culture often were used in the past. The multiple functions of many items suggest the need for critical reconsiderations of the functional typologies and status markers so heavily relied upon by historical archaeologists, as well as rethinking of gender associations for some items of material culture. 相似文献