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131.
Shells were the most deadly weapon used during the conflicts of the twentieth century involving industrialized nations. Astronomical numbers of them were produced and fired, making shell fragments the most common artefact to be found on modern battlefields. An understanding of shell fragments can therefore be useful to the battlefield archaeologist. This paper discusses the three main components of artillery shells and mortar shells: the body, the fuse and the rotating band for artillery shells or the tail-fin assembly for mortars. Analysing the fragments of these components can provide important information, including nationalities, types, and calibres of shells used in an area. Body fragments are the least useful, but can prove helpful if they are large, or contain markings, threads, or fragments of band seat. Rotating band fragments are extremely characteristic as well as easy to find, and a single fragment is usually sufficient to determine the exact type of shell it came from. Tail-fin assemblies are also specific of the mortar shell they were used on. Fuses are typically covered with highly informative markings such as dates of manufacture, lot numbers, or factory codes. Because the information derived from the analysis of various shell fragments is a cheap and relatively easy way to help maximize the understanding of a battlefield that is being investigated, any archaeologist working on a modern battlefield should familiarize themselves with this topic.  相似文献   
132.
《Political Theology》2013,14(3):375-385
Abstract

Richard John Neuhaus, like Reinhold Niebuhr before him, understood the vital civic role that religion plays in democratic society. As pastors and public intellectuals, both men were committed to public or civil forms of religion that, at their best, could inform, inspire, or chasten American political thought and action. There are crucial differences, nevertheless–between Niebhur’s and Neuhaus’s historical contexts, theological outlooks, political positions, and attitudes toward the American project–that help to explain their distinctive legacies and different receptions within the academy. However much Neuhaus admired Niebuhr, these differences suggest why Neuhaus was not the Reinhold Niebuhr of his day.  相似文献   
133.
《War & society》2013,32(1):42-63
Abstract

The Bataan Death March has entered historical consciousness as one of the four great Japanese atrocities during WWII. Along with the Rape of Nanjing, the Burma-Siam Death Railway, and the Rape of Manila, it stands as one of the ultimate measures of twentieth-century wartime barbarity. Both primary and secondary sources share a central preoccupation with Japanese behaviour and therefore assume American prisoners were little more than a passive presence during this episode. In this essay I examine the Bataan Death March from a new vantage point, asking salient questions that lead to modi?ed understanding: who were these Americans, and what kind of soldiers, at war’s dawn for the US, did they make? What features of their cultural make-up help explain their behaviour? What were the fault lines in the allied, Filipino-American force that faced the Japanese Army? This article explores the numerous problems the American forces in the Philippines faced: the hybrid nature of the army, the tension between career soldiers and recent draftees and poor training and leadership. These problems, American soldiers’ cultural predisposition, and military inexperience all combined to render them signi?cantly more vulnerable to Japanese cruelty on the Death March than they otherwise would have been.  相似文献   
134.
E.H. HUNT. British Labour History 1815–7014. Atlantic Highlands, New Jersey: Humanities Press, 1981. Pp. 428; M.W. KIRBY. The Decline of British Economic Power Since 1870. London: George Allen & Unwin, 1981. Pp. 205; DONALD N. MCCLOSKEY. Enterprise & Trade in Victorian Britain. London: George Allen & Unwin, 1981. Pp. 211; SIDNEY POLLARD. The Integration of the Europe Economy Since 1815. London: George Allen & Unwin, 1981. Pp. 109.  相似文献   
135.
In this article, the author analyzes how Salvador Espriu in La pell de brau (re)builds the myth of Sepharad that refers to the Hebrew name of the assembly of the medieval Hispanic kingdoms. La pell de brau is a work that opens the "collective cycle" toward a "we" framed within a specific historical context. The poet criticizes the unified vision of the Spanish nation and of the Catholic religion. The (re)construction of the myth of Sepharad not only reflects the crisis of the subject in search of an identity in an intolerant Spain after the civil war but also subverts the myth of the Spanish nation as created by the doctrine of National Catholicism under Franco.  相似文献   
136.
Frederick G. Scott's World War I war memoir, The Great War As I Saw It, contains the sole unofficial eyewitness recording of a court martial execution that we possess. The case of William Alexander 20726 Alexander, William. 20726. Service records. Library Archives Canada, RG24, vol. 2538 HQS 1822, RG 150/acc 1992-93/166/Box 83-992 and RG24-C-1, 1946 Central Army Registry R112-553-X-E, Reel C-5053 90,  [Google Scholar], executed in October 1917, for desertion in the face of the enemy compelled Scott to devote more printed space to it than to the death of his own son, Henry. A discussion based upon a close reading of Scott's memoir and an exposition from archival sources of Alexander's case demonstrates the ways in which Scott evades the case's disturbing implications echoes wider aspects of Canada's early memorialization of the Great War.  相似文献   
137.
The Soviet-sponsored World Festival of Youth and Students brought an exceptional number of US citizens to Helsinki in the summer of 1962. The event was made important by the fact that it took place in neutral territory. Furthermore, this event briefly made Helsinki a centre of extensive Cold War operations. This article examines the background and impact of this festival in the larger context of the Cold War and international relations. The timing of the festival is especially intriguing, between two major Cold War confrontations, the Berlin crisis of 1961 and the Cuban missile crisis of October 1962. However, instead of being an open conflict between warring parties, the festival reminds us of other conflicts of the cultural Cold War: it was waged through front organizations. Both the KGB and CIA were involved behind the scenes deploying their representatives and trying to impact the Finns' – but also the other festival delegates' – thinking, and win them over to their respective causes. This article exploits both Finnish and American archival sources, mostly intelligence reports from the festival. Apart from the festival in Helsinki, therefore, this article illustrates the way in which Finland was subjected to political and cultural influencing by the superpowers during the height of the Cold War.  相似文献   
138.
The engagement of Swedish industry in the Liberian American–Swedish Minerals Company (LAMCO), which mined iron in Liberia between 1963 and 1989, was the largest Swedish commercial investment in Africa during the Cold War. In this paper I investigate how political and administrative actors of the Swedish government conceptualized the link between private and public interests in the context of LAMCO’s operations, and how this shaped Swedish government policy towards the company and Liberia. I identify two phases: a phase of almost unanimous political support for LAMCO and close Swedish–Liberian relations from ca. 1955 to 1965, and a more fragmented phase following 1965, during which LAMCO was increasingly understood as a political liability. My findings show how business interests could figure into Swedish foreign policy during the Cold War, highlighting the coherence with which Swedish industry and government acted in relation to the commercial interests in Liberia before ca. 1965, but also the lack of coherence – between government and industry as well as within the state apparatus – that followed the turn to a more activist policy after the mid-1960s.  相似文献   
139.
In September 1939, Poland was invaded by Nazi Germany and the Soviet Union, starting World War II. The war’s end in 1945 marked not the true liberation of the country, but the beginning of a period of Soviet domination that ended only in 1989. As a result, for forty-five years of Polish history, the alliance made by the Hitler with Stalin in 1939 and its tragic consequences for Poland were taboo across society. Polish filmmakers presenting the beginning of World War II were constrained by realities of the Communist state and its own historical narratives. These films reflect what happened to their country in 1939 and highlight the political changes that occurred within Poland under Communist rule, as well as the impact of shifts in the regime itself. The most significant period in this regard was 1945–67, when the outbreak of war was first presented following the end of Stalinism, emerging as a component of national memory both generally and for the Communist authorities.  相似文献   
140.
After the outbreak of the Pacific War, while considering taking back the Japanese-occupied areas, the Nationalist government also started to think of recovering the frontier regions, which had been somewhat out of China's control under the influence of a major ally of China, the USSR. For a long time, Xinjiang had a very close relationship with the Soviet Union under the rule of Sheng Shicai, and the central government of China had little direct control. In April of 1942, Sheng Shicai, suspicious of a Soviet conspiracy to overthrow his rule, conducted mass arrests in Xinjiang, causing a sudden deterioration in the relationship between Xinjiang and the Soviets. At first, the Soviet Union attempted to intimidate Sheng in order to prevent him from turning to the central government, but failed. Paying no heed to the alienation policy of the Soviets, the Nationalist government soon decided to buttress Sheng in an effort to place Xinjiang under centralized control. The Nationalist government first set out to take back the diplomacy of Xinjiang, followed by expropriation of formerly Soviet-controlled enterprises and forced removal of Soviet military advisors, experts, technicians and army personnel from Xinjiang. In the meantime, a large number of party, government, economic, cultural and educational personnel were dispatched by the central government to Xinjiang to infiltrate various sectors. With the weakening of his own power and increasing conflicts with the central government, Sheng Shicai planned another turn of events. By executing a new round-up, this time to cleanse Xinjiang of the central government's forces, Sheng re-oriented his regime towards the Soviet Union. Yet his gesture was turned down by the USSR because of his loss of credibility. Well prepared militarily, the Nationalist government eventually forced Sheng Shicai to leave Xinjiang, which then was almost fully restored to the authority of the central government.  相似文献   
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