One for all,or all for oneself? Governance cultures in regional public transport planning

Due to the fragmented organizational landscape characterizing public transport, it is important to study and explore how regional governance of public transport adapts to national institutional reforms. By employing the term ‘governance cultures’ to a comparative case study of regional public transport planning in Sweden, we contribute to theories of governance by cultural sensitization. Combining governance theory with cultural analysis, we apply a cultural perspective to understand the two cases. We conclude that public transport planning in the Stockholm region is defined by ‘negotiations’ between stakeholders, whereas in the Västra Götaland region it is characterized by a governance culture of ‘collaboration’. The evidence from our case studies emphasizes the importance of understanding local governance practices as situated in cultural contexts as well as of viewing governance cultures as an important factor affecting the purpose, degree and outcomes of collaboration in planning practices.     

Chinese popular music as a musical heritage and cultural marker of the Malaysian Chinese

Chinese popular music, inspired by pre-war Shanghai music known as ‘shidai qu’ (时代曲) (songs of the era) and evolving to include Canto pop and Taiwanese Mandarin songs, has always been popular among the Chinese in Malaysia. This music is featured on radio, television, karaoke, and performed by orchestras such as the Dama Chinese Orchestra (大马) to enthusiastic reception. The songs have a broad appeal that transcends time, generation, and place. Of significance is the observation that the music has become a cultural marker and musical heritage for Chinese in Malaysia and in the region. The paper looks at factors behind this development.     

Marketing health education: advertising margarine and visualising health in Britain from 1964–c.2000

During the post-war period, margarine was re-conceptualised as a value-added product with distinct health benefits. This article contextualises the advertising of margarine as a healthy food, focusing on Unilever’s Flora brand as an important case study in legitimising the emergent role of disease prevention as a marketing tool. It uses the methodology of visual culture to examine how advertising employed chronic disease prevention as a selling tool. This article assesses how the post-war environment gave rise to new ways of visually advertising food, and how these promoted innovative visualisations of food, the body and their interactions with health.     

Computer dating in the 1970s: Dateline and the making of the modern British single

The British matchmaking industry expanded sharply after 1970. This article focuses on the formative years of its most successful representative, the computer dating agency Dateline. Through attention to Dateline’s marketing in the late 1970s, I explore the ways in which new vocabularies of ‘scientific’ expertise were used to forge a ‘modern’ romantic sensibility. After setting Dateline’s success in the context social–sexual change, I explore its two main claims to authority—the computer and the empirical insights of psychology—suggesting that the invitation to embrace but also to control fate foreshadowed the pressures facing singles into the twenty-first century.     

Trans youth and social media: moving between counterpublics and the wider web

Today’s trans youth grew up with the internet and online LGBTQ resources and spaces are important to these communities. This article focuses on conceptualising the digital cultural strategies that trans and gender questioning youth adopt both as social media users and producers in order to cope and thrive. Drawing on ethnographic data detailing a group of trans youth’s engagements with LGBTQ social media counterpublics and the wider web, and their movement between these spheres, in combination with close readings of online material identified as salient by the participants, this article argues that in the face of rampant transphobia and cis coded online paradigms, trans youth respond both critically and creatively. More specifically, I highlight how they resist prescribed user protocols of mainstream social networking sites as well as employ pragmatic strategies for navigating a binary gendered online world, staking out their own methods and aesthetics for self expression and community formation. Having examined the content and style of social media examples highlighted by the participants, the article contends that trans youth’s consumption and production of types of online and social media is significantly more diverse than research to date has recognised.     

南方地区古建筑木结构的整体性残损点指标研究

古建筑木结构的残损点指标是对古建筑木结构进行结构安全评估和加固修缮设计的重要指标,目前主要依据1992年制定的《古建筑木结构维护与加固技术规范》(GB 50165—92)中的规定,为了对该规范中的构架整体性残损点指标进行验证和补充,本研究通过对南方地区传统的穿斗木构体系和抬梁木构体系的典型榫卯节点和构架的试验研究,得出两种木构体系结构的整体性关键残损点指标,并与GB 50165—92规范进行比较分析。结果表明:规范规定的抬梁式木构架和穿斗式木构架的局部倾斜残损点比试验结果小,规范值偏于安全。规范中规定的抬梁式木构架梁柱榫卯连接残损点略小于试验结果,规范值偏于安全;而规范中规定的穿斗式木构架梁柱榫卯连接残损点对于燕尾榫穿斗木构而言是安全的,但对于透榫穿斗木构而言,则是不安全的。     

A power elite in the cultural field. A story of Norwegian neo-corporatism

The organizational culture elite is studied as a new elite group emerging within a stable neo-corporatist state. Does this new elite adopt existing modes of operation or place itself at bay from the more established elite groups? The emergence of and changes in the culture elite are discussed from a historical perspective in terms of social background, recruitment processes, occupational careers, gender composition, political outlooks, lobbying, and media strategies. The culture elite is systematically compared to two other elites: the university elite, the most similar among the elites, and the economic elite, assumedly representing the greatest contrast. Despite special characteristics in the social situations and political views of the culture elite, it is concluded that the mode of operation of this group indicates a high degree of adaptability to the general system of elites. A main reason is assumed to be the integrative power and liberal quality of the state in a neo-corporatist regime.     

Access to culture in Croatian cultural policy: moving towards explicit policies

In this paper through the analysis of the access to culture issue in the Croatian cultural policy agenda, we illustrate the current cultural policy developments in Croatia in the broader European context. Taking the differentiation between explicit and implicit policies at both macro and micro level we analyse discourses on access to culture in the Croatian cultural policy at the constitutional level, parliamentary political parties’ level, the governmental level and the level of cultural organisations. On the one hand the policies regarding access to culture remain mostly implicit and revolve around traditional models connected to instruments dating back to socialism; while on the other selected cultural organisations develop instruments for fostering it where European projects have an influence. The orientation more towards cultural production issues and less to access to culture and cultural participation issues draws similarities of cultural policy developments in Croatia with the general European cultural policy framework.     

Southern Pennine Brass Bands and the Creation of Northern Identity,c. 1840–1914: Musical Constructions of Space,Place And Region

In spite of being a national form of music-making, the brass band movement is accepted — almost without question in the popular imagination — as working class and northern. Hence, in 1974, Peter Hennessy described a band contest at the Albert Hall: ‘A roll call of the bands is like an evocation of industrial history. From Wingates Temperance and Black Dyke Mills to more modern conglomerates .... Grown men, old bandsmen say, have been known to cry at the beauty of it all …. Of all the manifestations of working-class culture, nothing is more certain than a brass band to bring on an attack of the George Orwells. Even the most hardened bourgeois cannot resist romanticising the proletariat a little when faced with one.(The Times, 11 Oct. 1974) This stereotype, which emerged in the nineteenth century, generated the following questions about northern identity: what elements in the brass band movement created this reportage of northern bandsmen and how did bands, which thrived in large numbers in the Southern Pennines, emerge as a musical and cultural metonym of the industrial landscape? This article explores notions of music-making and the creation of a musical space, place and region through the reporting of brass bands c. 1840–1914.