"虚拟"先人与十九世纪新加坡华人社会--兼论海外华人的"亲属"概念

在东南亚殖民地时代,"虚拟血缘"的组织原则对于华人移民社会的重组重建及其运作,具有重要的意义.本文以19世纪的新加坡为个案,考察华人移民如何透过埋葬先人的坟山组织建构"社群共祖"以整合华人社会,讨论东南亚华人虚拟的"先人"或"祖先"概念,进而思考海外华人的亲属研究问题.本文也讨论与比较了"虚拟血缘"组织原则在明代华南宗族"联宗"形态、台湾汉人社会发展早期的"合约式"宗族和东南亚华人坟山组织的不同运用.     

中古壁画与陶塑再现的挎包女性形象

中国服装史一直以来较为忽视服饰中的挎包装饰,本文利用新出土的中古壁画和唐代各种挎包女性陶塑,对中古艺术中的挎包女性形象进行了初步分析。作者认为,"挎包女人"图像赋予了女性非凡的人性精神。同时,作者还对外国该类形象的出现和流传进行了梳理,依据现存图像资料,指出中国古代女性挎包要比西方早出现几个世纪。挎包、拎包具有时尚和实用美观的意义,折射出古代女性鲜明的超前意识和服装审美。     

中国俄国史研究百年检视与思考

中俄交往始于蒙古西征和金帐汗国时代(1238-1480年),中国学人撰写俄国史自1878年刊印的鹭江奇迹人的《俄国志略》,到今天已经有整整140年的历史。中国的俄国史学科伴随民族命运、国家危机以及世界形势的变化而生,自诞生之日起即负有学人情怀、民族重任和学术职责三重使命。因此,俄国史学科在中国一直发挥着“知夷”和“盗火”的两大作用。中华人民共和国成立后,俄国史(包括苏联时期和俄罗斯联邦时期)研究获得了70年的巨大发展,主要成就有:1985年中国苏联东欧史研究会成立(1992年英文更名为中国俄罗斯东欧中亚史研究会),高等院校、社会科学院、党校、国家有关部委及党政机构纷纷设立俄国史或俄罗斯问题研究机构,建立了从历史学学士、俄国史硕士到俄国史博士的三级专业人才培养体系,俄国史和俄罗斯问题研究的专业期刊创立并连续出版,大量的俄国通史、中俄(中苏)关系史、专题著作、各类教科书、翻译著作(来自俄文、英法、法文、德文、波兰文等)出版,中国俄国史学者积极参与国际学术会议和国际合作研究,具有中国特色的中国“俄罗斯学”新学科正在建立过程中。     

东京审判:中国学界的观察与思考

东京审判作为与中国近代史、中国人民的民族感情和历史记忆息息相关的重要事件,引起中国学界的广泛关注和高度重视。无论与纽伦堡审判的对比研究,还是兼及盟国境内其他审判的综合性研究;无论东京审判相关史料收集、整理与出版,还是从历史学与国际法角度的学术探讨,都反映了不同时期国际关系、时代环境对东京审判研究的影响与制约。随着东京审判外文史料的公开与出版,如何充分利用这些丰富的外文史料,进一步拓宽研究思路和研究领域,不断汲取外国学者的既有研究成果,加强中外学者的对话和开展"共同研究",或将是东京审判研究的一个发展方向。     

1884—1939年中药材埠际贸易的变迁研究

中药材作为近代中国贸易格局中的重要商品之一,在口岸-腹地的经济互动中位置显要,研究中药材埠际贸易网络对理解其流通的历史具有重要意义。由于受到调查数据相对零散和研究方法相对传统的限制,该网络的复原少有实质性推进。本文主要利用中国旧海关史料的中药材埠际贸易数据,辅以其他对外贸易数据,对近代的中药材埠际贸易流通网络进行数据分析研究,发现中药材埠际贸易格局的演变与通商口岸开埠的空间进程密切相关。从19世纪末到20世纪20年代,中药材埠际贸易网络呈现逐渐加密的态势,1927年后,因为战争,中药材埠际贸易网络摧毁严重;同时,中药材国际贸易的区域分布却较为广阔,从以中国为中心的东亚区域延伸到欧洲、美洲部分地区。     

From Tongbo Village to Widow Village—The Legacy of the Chinese Civil War

Located on Dongshan Island,off the coast of Fujian province,is a typical rural village called Tongbo.On May 10,1950,147 men were abducted by the KMT army on its way to Taiwan.Since a majority of the men were already married,overnight,their wives became "widows," and most would remain so for the rest of their lives.Consequently,Tongbo village became more widely known as Widow Village.The first objective of this paper is to document the tragic experiences of men and women in Tongbo village,focusing on these forced separations in 1950,the possibility of reunion after 1987,and the struggle to cope with the difficulties in between.The second objective of this paper is to argue that while heartbreaking,the experiences of this village are not extraordinary in the context of the Chinese Civil War.What made the men and women in Tongbo extraordinary is not their collective suffering,but how these villagers suffered less,not more,than in many other places,because of the actions of three key figures.     

From soldiers to farmers: The political geography of Chinese Kuomintang territorialization in northern Thailand

This paper engages with the concept of territorialization through telling the story of the transformation of Chinese former Kuomintang (KMT) soldiers of Yunnanese origin and their descendants living in northern Thailand, from being opium and heroin traders and smugglers, to becoming mercenaries fighting against the Communist Party of Thailand in northern Thailand on behalf of the Thai military, to finally transforming into tea farmers and traders through receiving development aid support provided from the Republic of China (Taiwan). Taiwan's development aid was ostensibly only for humanitarian purposes, but in reality also had important underlying political objectives. We argue territorialization is a more-than-human political technology. In particular, it is argued that territorialization frequently combines both military politics and development politics, even though the literature often separates these two elements, as if they are not frequently intertwined and interrelated. Here, we show how these two forms of politics, one explicit and one much less so, can come together to create new social and economic realities, ones with important geographical and geopolitical implications.     

Chinese popular music as a musical heritage and cultural marker of the Malaysian Chinese

Chinese popular music, inspired by pre-war Shanghai music known as ‘shidai qu’ (时代曲) (songs of the era) and evolving to include Canto pop and Taiwanese Mandarin songs, has always been popular among the Chinese in Malaysia. This music is featured on radio, television, karaoke, and performed by orchestras such as the Dama Chinese Orchestra (大马) to enthusiastic reception. The songs have a broad appeal that transcends time, generation, and place. Of significance is the observation that the music has become a cultural marker and musical heritage for Chinese in Malaysia and in the region. The paper looks at factors behind this development.     

南方地区古建筑木结构的整体性残损点指标研究

古建筑木结构的残损点指标是对古建筑木结构进行结构安全评估和加固修缮设计的重要指标,目前主要依据1992年制定的《古建筑木结构维护与加固技术规范》(GB 50165—92)中的规定,为了对该规范中的构架整体性残损点指标进行验证和补充,本研究通过对南方地区传统的穿斗木构体系和抬梁木构体系的典型榫卯节点和构架的试验研究,得出两种木构体系结构的整体性关键残损点指标,并与GB 50165—92规范进行比较分析。结果表明:规范规定的抬梁式木构架和穿斗式木构架的局部倾斜残损点比试验结果小,规范值偏于安全。规范中规定的抬梁式木构架梁柱榫卯连接残损点略小于试验结果,规范值偏于安全;而规范中规定的穿斗式木构架梁柱榫卯连接残损点对于燕尾榫穿斗木构而言是安全的,但对于透榫穿斗木构而言,则是不安全的。