Economic Imperialism and Financial Citizenship: Reconsidering British Subjectivity in Martin Chuzzlewit and Lawrie Todd

During the tumultuous time of financial and colonial expansion between 1825 and 1855, both Charles Dickens and John Galt published picaresque novels depicting transatlantic travel and land speculation. If emigration is the act of permanently leaving one's homeland and living in another, then neither novels' eponymous protagonist Martin Chuzzlewit nor Lawrie Todd is an emigrant. By reading Martin Chuzzlewit (1843–44) and John Galt's Lawrie Todd (1830) alongside nineteenth-century developments of the geo-political and financial spheres, this article shows how these works form a counter-narrative to traditional novels of emigration. Both protagonists leave Britain with the explicit intent to seek their fortune in America through engagement with land speculation companies. Though the characters' experiences of transatlantic financial speculation is dichotomous (with Todd becoming rich and Chuzzlewit losing all he has), both characters ultimately return to Britain. In these counter-narratives, we argue that America is deployed as Britain's financial periphery, rather than an alternative imperial centre, working to entrench British nationalism through transatlantic financial speculation. It is through the act of returning from America that Dickens and Galt counter typified emigration narratives that represent the choice to emigrate to America as synonymous with abandoning the Empire for the ‘Great Republic’. Instead, Dickens and Galt show how America can be exploited as a financial extension of Empire where Britons can maintain national loyalty while simultaneously responding to an unstable global financial market that was increasingly dependent upon speculation and foreign investment practices.     

Phantom Penis: Historical Dimensions

Interest in sensations from removed body parts other than limbs has increased with modern surgical techniques. This applies particularly to operations (e.g., gender-changing surgeries) that have resulted in phantom genitalia. The impression given in modern accounts, especially those dealing with phantoms associated with penis amputation, is that this is a recently discovered phenomenon. Yet the historical record reveals several cases of phantom penises dating from the late-eighteenth century and the early-nineteenth century. These cases, recorded by some of the leading medical and surgical figures of the era, are of considerable historical and theoretical significance. This is partly because these phantoms were associated with pleasurable sensations, in contrast to the loss of a limb, which for centuries had been associated with painful phantoms. We here present several early reports on phantom penile sensations, with the intent of showing what had been described and why more than 200 years ago.     

Spitzka and spitzka on the brains of the assassins of presidents

Abstract

Although four American Presidents have been assassinated (Lincoln, Garfield, McKinley, Kennedy), only the assassins of Garfield (Charles Julius Guiteau) and McKinley (Leon Franz Czolgosz) were tried, convicted, and executed for their crime. In 1882 Edward Charles Spitzka, a young New York neurologist with a growing reputation as an alienist, testified at the trial of Guiteau. He was the only expert witness who was asked, based on his personal examination of the prisoner, a direct question concerning the mental state of Guiteau. Spitzka maintained the unpopular view that Guiteau was insane. In spite of aggressive and spirited testimony on Spitzka's part, Guiteau was convicted and hanged. However, even before the execution it was acknowledged, by some experts, that Spitzka was undoubtedly right. About 20 years later, in 1901, Edward Anthony Spitzka, the son of Edward Charles Spitzka, was invited to conduct the autopsy on Czologsz, the assassin of McKinley. At the time Spitzka the younger, who had just published a detailed series of papers on the human brain, was in the fourth year of his medical training. It was an unusual series of fortuitous events that presumably led to Edward A. Spitzka conducting the autopsy on the assassin of the President of the United States while still a medical student. This, in light of the fact that other experts were available. Each Spitzka went on to a career of note and each made a number of contributions in their respective fields. It is however, their participation in the ‘neurology’, as broadly defined, of the assassins of Presidents Garfield and McKinley that remains unique in neuroscience history. Not only were father and son participants in these important events, but these were the only times that assassins of US Presidents were tried and executed.     

Oscar Wilde,Music, and the ‘Opium-Tainted Cigarette’: Disinterested Dandies and Critical Play

This article shows how the musical references in Oscar Wilde's novel The Picture of Dorian Gray are important to the identity of the dandy, especially in relation to the literary-critical work of Matthew Arnold, whose guiding presence in Wilde's oeuvre has traditionally been somewhat underestimated. Wilde's male characters, although famously fond of music, reveal ‘disinterestedness’ in earnest musical pursuits, similar to the ‘Indian virtue of detachment’ outlined by Arnold in his exploration of ‘The Function of Criticism at the Present Time’ (1864, in Arnold, Culture and Anarchy and Other Writings, ed. by Stefan Collini (Cambridge: Cambridge University Press, 1993), pp. 26–51). Furthermore, the critical attitude of the dandy–aesthete intersects with the implications that we can read into the posture of the lounging opium smoker. Extensive scholarship has already established the relationship between the East and opium in fictional works by Thomas de Quincey, Wilkie Collins, Charles Dickens and Oscar Wilde. Music is an essential ingredient to this literature, too, both in terms of its narrative presence and because it is a key element in an ongoing, nineteenth-century British exploration of how stylistic innovations could be represented as ‘music’. After disclosing the close connections between dandyism and those nineteenth-century composers whose lives and works were often represented as dandyish (Berlioz, Chopin and Schumann), the essay builds from the tradition of opium-inspired fiction. It suggests Wilde's debt to Dickens's The Mystery of Edwin Drood (1870), while also showing Wilde's innovations in making shifts in character and narrative voice into indicators of narcotic consumption.     

Earthquakes and Petticoats: Maria Graham,Geology, and Early Nineteenth-Century ‘Polite’ Science

Re-visiting the controversy caused by the first female-authored report in the Transactions of the Geological Society, this article probes the gendered layers of the early nineteenth-century scientific community. Maria Graham's ‘Account of Some Effects of the Late Earthquakes in Chili [sic]’ (1824) had considerable influence, and was referred to by Charles Lyell and Charles Darwin. In 1834, however, George Greenough, President of the Geological Society, questioned the accuracy of Graham's observations. Graham in turn defended herself adroitly, in an acrimonious exchange which found an international audience. While this dispute has received some attention from historians of science, previous discussions assume that Graham was no geologist, but simply a traveller who witnessed events of great relevance to contemporary geology. Drawing on extensive archival research, this article demonstrates to the contrary that Graham had considerable interest and expertise in this branch of science. Using the dispute to shed light on the multiple milieux in which early nineteenth-century science took place, it explores the constraints and opportunities faced by women with scientific interests, and the rhetorical strategies required of them, as they negotiated the diverse modes of contemporary science. It also highlights little-known networks of friendship, correspondence and intellectual exchange between scientifically minded women.     

Diverse Strains: Music and Religion in Dickens's Edwin Drood

Music in Dickens's final and unfinished novel, The Mystery of Edwin Drood, shares in the lethargy affecting traditional English community. That life has become stagnant in Cloisterham, the ancient city in which the novel is set, is nowhere more evident than in the desultory choral worship offered in its cathedral. Yet the unevenness of Dickens's writing in Edwin Drood does not make for consistency, and discrepancies in plotting extend to the musical occupations of its protagonists. By considering Edwin Drood alongside the shifting fortunes of choral music in Victorian Britain, this article focuses on what such discrepancies reveal about Dickens's notion of the place of religion in social renewal. Habitual forms of life in Cloisterham, such as the choral service of its cathedral, are being overwhelmed by marginal presences, arriving from the imperial East, but they may also give voice to a future revival. Something of the changeability in Dickens's feeling for established religion can be glimpsed in this duality.     

Inventing the Victorian age: the Greville Diary and its Early Critics

The Journals of Charles Greville, clerk to the Privy Council from 1821 to 1859 are among the most well-known, well-respected and widely cited sources for the political and social history of their times. What is less well-known is the controversy they aroused among Greville's Victorian readers when first published (less than a decade after Greville's death) in 1874. The purpose of investigation here is to chart the course and extent of reader reaction as it unfolded during 1874–75, to explore ways of accounting for its intensity and, finally, to attempt evaluation of its impact as a cultural experience conducive to the emergence among readers of a conscious recognition of themselves as ‘Victorians’. When read in the context of the preoccupations of its first readers, Greville's Journals prove to be anything but a dead historical source. Instead, reader reaction is found to be driven by a series of contemporary concerns. They include the question of the degree of respect owing to hereditary authority; the definition of standards of honourable behaviour in protection of the private dealings of people of public reputation; and the very degree of reliability to be attributed to diary-based ‘memoirs’, given their contestable genre. Even so, participants in the controversies which broke out on all these fronts found themselves admitting common ground in acknowledging across their differences that the ‘Victorian’ age in which they lived was a decisive cultural and political break from the past world the Journals recorded.     

Maps,Mapping, Modernity: Art and Cartography in the Twentieth Century

While the history of cartography has freed itself from debilitating debates over the scientific and artistic status of maps, considerations of the relationship between art and cartography have continued to focus largely on pre‐modern maps, avoiding critical examination of twentieth‐century art and science in cartography and leaving intact the impression that these followed distinct paths in the modern period. In this paper, however, I have drawn on theoretical work in Science Studies and taken account of modern art's separation from aesthetics to suggest that an examination of art and cartography in the twentieth century should focus on mapping practices rather than on maps as such. A summary overview of modern‐art movements and selected works indicates a continued, if critical, engagement of avant‐garde artists with cartography, and the examination of more popular newspaper artwork produced in the context of the intensely modern visual culture of mid‐twentieth century Los Angeles indicates a similarly close connection between modernity, art and cartography.     

‘The Standard Work in English on the League’ and Its Authorship: Charles Howard Ellis,an Unlikely Australian Internationalist

Charles Howard (‘Dick’) Ellis, born in Sydney in 1895 and a Great War veteran, was working as a journalist in Vienna and Geneva when he wrote one of the most comprehensive books of the time on the League: The Origin, Structure and Working of the League of Nations (1928). Dedicated to the progressive literary figures of the era and showing a particular debt to the writings of the British Labour left, Ellis argued that the internationalism of the age marked a necessary rejection of the anarchic conditions that brought forth the Great War. The League and its associated institutions constituted ‘the first step toward a world society’ that would facilitate the suppression and ultimate removal of the causes of conflict. A remarkable work in itself, this progressive volume was written by a member of British intelligence who had already made a reputation in this sphere and was to go on to hold very senior positions in the 1940s. The question is considered whether the ideas expressed were a product of Ellis's genuine beliefs, or whether they were a mask for his substantive professional role. The circumstances around the writing of this book are also reviewed in an attempt to answer this question, especially given the hitherto accepted scholarly view that Konni Zilliacus of the League Secretariat was the actual author.     

The Duke's Parrot: The Earl of Leicester,the King's Children and the English Revolution

This article examines neglected evidence regarding the ongoing captivity of the children of Charles I, at the hands of the republican regime, long after the regicide in January 1649. While it is well known that the Long Parliament was anxious to attend to the education of the royal children, and to exert authority over their upbringing, and also that there were rumours during the 1640s about plans to install the youngest prince, the duke of Gloucester, on the throne in place of a deposed king, little attention has been paid to voluminous and intriguing evidence about their fate during the interregnum. The aim of this essay is to survey such sources, and to recover evidence of a political and parliamentary debate about the children's fate, not least in a situation where it was thought possible that they might provide a rallying point for royalists, and a security threat. That debates about their fate were protracted and convoluted is used to flesh out rather sketchy evidence – much commented upon by historians, but not taken very seriously – that there was an ongoing debate over a possible monarchical settlement until 1653.