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31.
Recent scholarship has delved into the impact of newspaper press upon Crimean War poetry and highlighted the challenges of war representation facing non-combatant poets. The Crimean conflict (1854–56), this essay will show, was not only a ‘media war’ but also a ‘literary’ one, during which mid-Victorian commentators and poets consciously reworked an array of established traditions of war poetry, especially those of Tyrtaeus, the Greek martial poet of the seventh century, to negotiate the duties and artistic endeavours of the civilian poet. Tracing the construction of a ‘Tyrtaean’ tradition from the Revolutionary and Napoleonic Wars (1793–1815), it explores how a Romantic reworking of Tyrtaeus’ war songs served as a precedent for the civilian poets of the Crimean conflict, and how newspaper reports of the suffering of soldiers intensified a widespread scepticism of the civilian’s knowledge and bodily experience of war, which in turn instigated a reconfiguration of the ‘Tyrtaean’ poet. It argues that whilst the poetic efforts of Tom Taylor, Louisa Shore, and Alfred Tennyson to refashion the figure of the civilian manifest Crimean War poets’ anxiety about their non-combatant status and the use of poetry, they evacuated the ‘Tyrtaean mode’, a poetic mode intended to arouse people’s patriotic sentiment and exhort them to military action, forging a new image of war poet within their work marked by the civilian’s detachment from the spectacle of war and critical engagement with distant suffering.  相似文献   
32.
After initially identifying defamiliarization as a central aspect of Nancy Rose Hunt's essay “History as Form,” this comment reflects on the implications that her reading of Georg Simmel and her emphasis on objects and materiality have for the writing of history. If Hunt suggests, with Simmel, that the form of history is autonomous from history as it unfolds, the claim here is rather that there is no necessary relationship between writing and its topic. Considering how earlier European historiography excluded Africa (in particular) from the domain of history, it is no coincidence that this contingent relation between form and history has been particularly energizing for Africanist historiography—leading to innovations both in practice and theory. The comment concludes by briefly discussing three concepts that have informed such innovation: the vernacular, suturing, and multiple temporalities.  相似文献   
33.
This article explores Walter Bryce Gallie's notion of “essentially contested concepts” from a viewpoint that has hitherto been neglected, namely its relation to the philosophy of Charles S. Peirce. As a matter of fact, Gallie was an authoritative reader of the American philosopher. All areas of his work are influenced by his attempt to take up and further articulate a major insight of Peirce's semiotics, namely the idea that symbols are inherently vague, and that their meaning is in a state of perpetual growth. At the same time, Gallie rejected another crucial tenet of Peirce's philosophy, that is, the idea that the growth of signs is regulated by the possibility of a final agreement among sign‐users. Examining this ambivalent relation between the two authors will help us shed light on a question that was of crucial importance for Gallie: to what extent should we let our appreciation of concepts or beliefs depend on a historical examination of their meaning?  相似文献   
34.
The paper explores the significance of rhetorical argumentation in Petr Kropotkin's treatise Mutual Aid. A Factor of Evolution (1902). It argues that Kropotkin's work is steeped in the tradition of a rhetoric of science that is profoundly Darwinian and in which various forms of analogic reasoning play a central role. After explaining the epistemic function of the metaphors “struggle for existence” and “mutual aid,” the paper analyses Kropotkin's argumentation strategies and offers an interpretation of them as a further development and reworking of Darwinian rhetoric.  相似文献   
35.
The nineteenth-century Orientalist and ethnologist, John Crawfurd, publicly rejected Charles Darwin’s theory of evolution in 1868. Crawfurd was a leading advocate of polygenesis but also a supporter of racial equality. In 1820 he published his History of the Indian Archipelago, where he advocated granting household suffrage to all races in the British colonies. After finishing a career in the East India Company in 1828 he became the foremost expert on South-East Asia in Britain. Crawfurd became a regular writer on ethnology and Asian affairs for the Examiner newspaper and in the 1860s he was President of the Ethnological Society of London. Accounts of nineteenth-century anthropology in Britain characterise debate around race as falling into two camps: advocates of monogenesis and advocates of polygenesis. In the United States of America, advocates of polygenesis were often associated with advocates of slavery and racial inequality. Recent research has demonstrated that Charles Darwin’s hatred of slavery drove him to write Origin of the Species to demonstrate the unity of the human species and reject the polygenesis position. This paper explores Crawfurd’s ideas and demonstrates that a belief in polygenesis in the nineteenth century did not necessarily equate with a belief in racial inequality.  相似文献   
36.
In 1666, the English physician Thomas Sydenham determined that patients with smallpox could remain contagious for 41 days, that apparent health was no indicator of contagiousness, and that children were the most susceptible of contracting the disease. Yet in 1677, when 12-year-old Lady Anne Stuart (later Queen Anne) contracted smallpox, only 21 days had passed when she was introduced to her 1-month-old stepbrother, Charles Stuart, heir to the throne and likely Catholic king. Charles Stuart subsequently contracted smallpox from Anne, and the infant died of the disease at a time of heightened paranoia regarding the succession of a Catholic heir. This paper assesses the motives, means, and opportunity that may have led to Anne’s meeting with her stepbrother. The intention is not to suggest or prove that a deliberate attempt was made to remove the Catholic heir, rather, the purpose is to explore the reasons, implications, and possibilities that such an act may have occurred. In a period that resounded with conspiracies and threats to the Protestant succession, Charles Stuart’s death, regardless of whether the infection was, or was not, caused with intent, demonstrates a reversal of common fears where the Catholic line was extinguished to the advantage of the Protestant succession. This paper examines Charles’s death and its implications against a background of contemporary medical knowledge, and while it does not suggest that there is unequivocal proof linking Anne as an unwitting agent in a conspiracy, the paper nonetheless assesses the body of evidence that links Anne to Charles Stuart’s death.  相似文献   
37.
Beginning with my recollection of hearing C. P. Snow's ‘Two Cultures’ lecture, I sketch my experience of building two academic careers in succession, first in one of the natural sciences and later in the history of such sciences. I outline both the difficulties and the rewards that I encountered in crossing the alleged gulf between the sciences and the humanities, but also emphasise the diversity of cultures that I experienced within each. I describe my own encounter with the academic culture of continental Europe, within which the concept of a monolithic singular ‘Science’ could be dismissed as an ‘anglophone heresy’, and viewed from which the Two Cultures debate could seem both provincial and redundant.  相似文献   
38.
Urban law—II     
This paper explores the political thought of Andrew Michael Ramsay with particular reference to his highly acclaimed book called A New Cyropaedia, or the Travels of Cyrus (1727). Dedicated to Prince Charles Edward Stuart, the Young Pretender, to whom he was tutor, this work has been hitherto viewed as a Jacobite imitation of the Telemachus, Son of Ulysses(1699) of his eminent teacher archbishop Fénelon of Cambrai. By tracing the dual legacy of the first Persian Emperor Cyrus in Western thought, I demonstrate that Ramsay was as much indebted to Jacques-Bénigne Bossuet's Discourse on Universal History (1681)as he was to Fénelon's political romance. Ramsay took advantage of Xenophon's silence about the eponymous hero's adolescent education in his Cyropaedia, or the Education of Cyrus (c.380B.C.), but he was equally inspired by the Book of Daniel, where the same Persian prince was eulogised as the liberator of the Jewish people from their captivity in Babylon. The main thrust of Ramsay's adaptation was not only to revamp the Humanist- cum-Christian theory and practice of virtuous kingship for a restored Jacobite regime, but on a more fundamental level, to tie in secular history with biblical history. In this respect, Ramsay's New Cyropaedia, or the Travels of Cyrus, was not just another Fénelonian political novel but more essentially a work of universal history. In addition to his Jacobite model of aristocratic constitutional monarchy, it was this Bossuetian motive for universal history, which was first propounded by the German reformer Philipp Melanchthon in his Chronicon Carionis (1532), that most decisively separated Ramsay from Henry St. John, Viscount Bolingbroke, author of another famous advice book for princes of the period, The Idea of a Patriot King (written in late 1738 for the education of Frederick Lewis, Prince of Wales, but officially published in 1749).  相似文献   
39.
40.

Abstract: While in Paris as minister to the French court, Benjamin Franklin arranged for the production of a French version of his famous chart of the Gulf Stream, which had been based on a sketch by Timothy Folger and first printed in London c. February, 1769. This paper recounts Franklin's collaboration with the Parisian cartographer Georges‐Louis Le Rouge from their first meeting in 1780, and pieces together the history of the Le Rouge chart. Two open questions have been when the chart was engraved, and whether its purpose was primarily military, commercial or scientific. Evidence suggests that it was produced for French merchant and packet captains in the months following the end of the American War of Independence.  相似文献   
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