重评共产国际指导中国大革命的路线

中国大革命是在联共政治局和共产国际直接指导下进行的。在此期间 ,联共政治局会议专门讨论中国革命问题 1 2 2次 ,做出了 73 8个决定。指导中国大革命的基本路线和方针、政策 ,几乎全部来自莫斯科 ,并且由莫斯科派驻中国的代表、顾问亲自执行 ;只有一小部分是在他们的代表严密监督下由陈独秀为首的中共中央执行。 1 92 3— 1 92 5年 ,莫斯科提出的路线基本上是正确的 ;1 92 5年秋开始发生右倾化的转变 ,最后导致了大革命的失败。     

南意大利的诺曼征服

诺曼人对南意大利的征服,直至建立西西里王国,是11、12世纪地中海世界纷繁历史的一个侧面。诺曼人倚恃其出色的军事和外交才能,适时地利用了当时意大利半岛上罗马教廷、拜占廷帝国、德意志皇帝、阿拉伯贵族以及本地王公豪强诸种势力错综交织的复杂格局,频频出击,步步为营,形成为一种引入瞩目的政治存在,并对中世纪欧洲历史文化产生相当的影响。     

1927-1937年中国的学术研究

1927-1937年是中国近代学术研究发展较快的十年,出现了中央研究院、北平研究院及中国西部科学院等一批近代意义上的科研机构,各高校学术研究水平也有较大进展.这一时期的学术发展,对此后学术格局有着重要的影响.     

可贵的尝试——原中央博物院建筑缘起与历史评价

章通过对原中央博物院建筑策划、方案设计竞赛、施工建造等历史过程的详细描述与分析,指出该作品是徐敬直等第一代中国建筑师尝试将“民族性”与“现代化”相结合的一次可贵的尝试,并取得了成功。正是这种不懈的探索使得他们在专业上走向初步的成熟,原中央博物院(现南京博物院)建筑更成为经典之作。     

中原文明的起源与形成

总观全国各地新石器时代文化的发展,中原地区以它强大的文化根基,在文明起源和形成过程中始终走在前面.中原地区文明的起源是相当早的,在龙山时代晚期,中原地区已进入文明时代.     

The Case for Francesco Rosselli as the Engraver of Berlinghieri's Geographia

The Florentine Francesco Berlinghieri (1440–1501) published his Geographia, a version of Ptolemy's Cosmographia in Italian terza rima, comprising 123 folios of text and 31 engraved maps, in 1482. As early as 1938 Arthur M. Hind, Keeper of Prints and Drawings at the British Museum, hinted that the engravings might have been made by Francesco Rosselli (1448–before 1527), the principal engraver in Florence in the 1480s and 1490s. Subsequently, this possibility was rejected by Roberto Almagià, R. A. Skelton and Tony Campbell. In the author's view, however, both stylistic and circumstantial evidence argues that Francesco was indeed the engraver, and that this first major commission launched the career that eventually made him known to his contemporaries as ‘Franciscus rosellus florentinus Cosmographus’.

Le Florentin Francesco Berlinghieri (1440–1501) publia en 1482 sa Geographia, une version de la Cosmographia de Ptolémée en terza rima italienne, comprenant 123 feuillets de texte et 31 cartes gravées. Dès 1938, Arthur M. Hind, conservateur des estampes et dessins au British Museum, suggéra que les gravures pouvaient être l'?uvre de Francesco Rosselli (1448–avant 1527), le principal graveur florentin dans les années 1480 et 1490. Ultérieurement, cette éventualité fut rejetée par Roberto Almagià, R. A. Skelton, et Tony Campbell. De l'avis de l'auteur, cependant, des preuves stylistiques et circonstancielles démontrent clairement que Francesco Rosselli était en effet le graveur, et que cette première commande importante lança la carrière qui allait finalement le faire connaître par ses contemporains comme ‘Franciscus rosellus florentinus Cosmographus’.

1482 veröffentlichte der Florentiner Francesco Berlinghieri (1440–1501) seine Geographia, eine Version der Cosmographia des Ptolemäus, in italienischen terza rima. Sie umfasst 123 Folioseiten Text und 31 gestochene Karten. Schon 1938 deutete Arthur M. Hind, Direktor der Grafikabteilung am British Museum, an, dass der Stich von Francesco Rosselli (1448–vor 1527) besorgt worden sein könnte. Während den Jahren 1480s und 1490s, war Rosselli der hauptsächliche Florentinische Stecher. Diese Möglichkeit wurde in weiterer Folge jedoch von Roberto Almagià, R. A. Skelton und Tony Campbell verworfen. Nach der Meinung der Autorin sprechen aber sowohl der stilistische Befund als auch die näheren Entstehungszusammenhänge sehr für Francesco Rosselli als Stecher und auch dafür, dass dieser erste größere Auftrag ihm eine Karriere eröffnete, die ihn letztendlich bei seinen Zeitgenossen als ‘Franciscus rosellus florentinus Cosmographus’ bekannt machte.

El florentino Francesco Berlinghieri (1440–1501) publicó en 1482 su Geographia, una version de la Cosmographia de Ptolomeo en terza rima italiana, que comprendía 123 folios de texto y 31 mapas grabados. En 1938 Arthur M. Hind, conservador de Impresos y Grabados del British Museum sugirió que los grabados podían haber sido hechos por Francesco Rosselli (1448–antes de 1527), el principal grabador de Florencia en los años de 1480 a 1490. Posteriormente esta posibilidad fue rechazada por Roberto Almagià, R. A. Skelton y Tony Campbell. Sin embargo, en opinión de la autora del artículo, las evidencias estilísticas y cincunstanciales indican con seguridad que Francesco Rosselli fue en efecto el grabador, y que este importante encargo dio comienzo a una carrera que finalmente le hizo ser conocido por sus contemporáneos como “Franciscus rosellus florentinus Cosmographus”.     

1949-1956年中国科技领导体制探析

新中国成立后,以何种组织形式和方法领导科学工作是当时党和政府面临的一个重要问题。中国科学院作为“主管国家科学事业的政府职能部门”和“全国科学领导中心”,探索建立了专门委员制度、专业工作委员会和学部制度,逐渐确立了在新中国科学事业中的学术领导地位。全国科联是自然科学各专门学会的联合组织,是中国科学院进行学术领导的“群众基础”。中宣部科学(卫生)处和政务院文化教育委员会是党和政府领导中国科学院工作的主要机构,其中中宣部科学(卫生)处在实际工作中发挥了更为重要的作用。     

Western leveraged pedagogy of Central and Eastern Europe: discourses of homophobia,tolerance, and nationhood

This article focuses on the relations between the two geo-temporal categories – Central and Eastern Europe (CEE) and West/Europe – in discussions about sexual politics, homophobia, tolerance, and nationhood. It contributes to the existing literature about homonationalism and sexual nationalisms by introducing CEE to the debate's geographical loci, so far mostly invested in West/Europe and its relations to Islam. It argues that it is important to consider CEE in sexual nationalism debates because of its framing as the European (homophobic) Other in the emerging discourses of ‘homoinclusive Europe’. This article introduces the concept of leveragedpedagogy, which captures the specificity of the West/Europe – CEE discourses of sexual liberation, advancement, and backwardness. Leveraged pedagogy is a hegemonic didactical relation where the CEE figures as an object of the West/European ‘pedagogy’, and is framed as permanently ‘post-communist’, ‘in transition’ (i.e. not liberal, not yet, not enough), and homophobic. Such ‘taking care of’ CEE, it is argued, is a form of cultural hegemony of the Western EUropean liberal model of rights as the universal.     

Role playing: a feminist-geopolitical analysis of the everyday workings of the Mexican state

Participatory methods are increasingly important to geographical research of ‘the everyday,’ yet their viability as a means to understand on-the-ground geopolitical processes has been less explored. This article contributes to the growing body of literature on participatory research in geography and feminist geopolitics by arguing for the use of a specific participatory tool – role play. We present an example of our employment of the technique in a case study on using the method during research with Central American immigrants living in the Mexico–Guatemala border city of Tapachula, Mexico. In doing so, we provide an in-depth examination of the implementation of role play, demonstrating its usefulness in revealing immigrant women's daily experiences with low- to mid-level state actors as they seek to avail themselves of their rights. We conclude that role play is particularly well suited to revealing these experiences due to its encouragement of creativity, embodiment through performance and facilitation of in-depth discussion of difficult subject matter.     

Rethinking grassroots campaigners in the digital media: The ‘grassroots orchestra’ in Italy

The diffusion of digital media allows the emergence of new types of relations between grassroots campaigners and organisers. This article presents the results of a comparative qualitative study of two Italian cases of grassroots online participation: a local electoral campaign and a single-issue social movement. The first case is ‘Tell your Milano’, a project that took place during the electoral campaign for Mayor of Milan in the spring of 2011. The second case is the ‘Purple People’ (Popolo Viola), an Italian social movement started in 2009 to demand the resignation of the Prime Minister, Silvio Berlusconi. The article introduces the concept of a ‘grassroots orchestra’: a grassroots campaign aimed at a short-term objective, coordinated by a non-grassroots political actor and performed by a community sharing a uniform and coherent context.

数字媒体的扩散导致了草根运动家与组织者之间新型关系的出现。本文对两个意大利草根在线参与案例——一为地方选举运动,一为独立议题社会运动——做了对比定性研究。前一个案例是所谓“告诉你一个马力诺”,是2011年春米兰市长选举中的一项活动。另一个“紫色人民”始于2009年,是一个要求贝卢斯科尼总理辞职的社会运动。本文引进了“草根乐队”的概念,意即短期目标的草根运动,由非草根政治主体协调,并由处在同一语境中的一个社群来完成。