Gothic memory and forgetfulness in Elizabeth Bowen's A World of Love and ‘The Demon Lover’

Elizabeth Bowen's A World of Love (1954) and ‘The Demon Lover’ (1945) share an uncustomary usage of Gothic conventions: the Anglo-Irish writer invests the Gothic genre with new meaning for the war-torn Irish and the post-World Wars generation by skewing Gothic conventions, reflecting a new Gothic for a new age – one that has seen the effects of two catastrophic wars and not only dead soldiers, but dead-in-life survivors. In A World of Love, Bowen uses not a ghost that haunts the attic, but a nearly forgotten dead World War I soldier; not a male power of place and a fleeing female, but a female power of place and a displaced male; and not a lonely, menacing castle, but a dilapidated farm. In both the novel and the short story, the dead-in-life survivors must remember in order to successfully exorcise the war and the dead soldiers of war, thereby revitalizing themselves. Those who cannot remember are doomed to the past. This article examines the twist on the Gothic novel and its statement about the possibly disastrous effects of forgetting and of remembering incorrectly – anxieties shared by other twentieth-century Irish writers in terms of their eroding cultural identity and past.     

建国初期的冀朝鼎

新中国诞生后,百废待兴。冀朝鼎在帝国主义实施禁运和经济封锁的困难面前,积极探索中国外经贸的新体制,加强外汇管理,以灵活的外交,与11个国家签定了外贸协定,还成功地与日本、英国等未建交国家进行“民间贸易”．打破西方列强的孤立政策．开创了中国对外交往与贸易的新局面。     

Archaeological Heritage in Guatemala: Indigenous Perspectives on the Ruins of Iximche’

In Guatemala local perspectives on heritage often remain unheard. In this paper a case study is presented to show the complex relationship between the highland site of Iximche’ and Tecpán, an Indigenous community nearby. Although Iximche’ is of little importance to the local economy, its significance is derived from its role as a field for different kinds of social and religious interactions. Traces of a spiritual relationship to this place can be dated back to the colonial period and today Maya from all over Guatemala go there to perform ceremonies. The place has also become a focal point of identity constructions for locals, Pan Mayan activists and the nation itself. The ruins of Iximche’ play an important role in the construction of collective memory which also includes ideas coming from external players such as Christian churches, the national government, Mayan activists, and archaeologists as well.     

科默·V·伍德沃德与美国南部史学

科默·V.伍德沃德在美国是享有盛誉的南部史专家,同时也是一位非常活跃的社会活动家。在长期的学术实践中他形成了注重史学的社会功能、强调历史发展的非连续性和善用反讽的史学研究风格。他以自己对美国南部历史与现实的深切关怀,积极推动了南部史的研究。其贡献既表现在对新的史学领域和问题的开拓,也体现在围绕他的著述所展开的学术商榷、学术批评中,以及由此而形成的良性的学术研究氛围上。     

放射性碳素测定年代报告(三八)

本报告发表的是中国社会科学院考古研究所考古科技实验研究中心碳十四实验室和中国科学院地球环境研究所西安加速器质谱测试中心在2007～2011年期间测定的40个考古数据。数据表示方式与以往所发报告相同。为方便应用另做如下几点说明。1.碳十四年代半衰期按5568年计算。2.校正年代所用程序为OxCal,校正曲线为1998年公布版本。3.与以往报告相同,所给年代误差范围均为±16,年代范围的概率分布为68.2%。4.由于树轮年代校正曲线各区段形状不同,校正后年代范围可能形成几组,总合概率为68.2%(与过去报告中总合概率表示为100%相同)。5.校正均按单一样品方式处理。6.数据均作碳十三     

Palaeolithic radiocarbon chronology: quantifying our confidence beyond two half-lives

It is now three decades since Waterbolk introduced evaluation criteria to ¹⁴C chronology. Despite this, and other subsequent attempts to introduce quality control in the use of ¹⁴C data, no systematic procedure has been adopted by the archaeological community. As a result, our databases may be significantly weakened by questionable dates and/or questionable associations between dated samples and the archaeological phenomena they are intended to represent. As the use of chronometric data in general becomes more ambitious, we must pause and assess how reliable these data are. Here, we forward a set of evaluation criteria which take into account archaeological (e.g. associational, stratigraphic) and chronometric (e.g. pre-treatment and measurement) criteria. We intend to use such criteria to evaluate a large ¹⁴C dataset we have assembled to investigate Late Glacial settlement in Europe, the Near East and North Africa, supported by the Leverhulme Trust. We suggest that the procedure presented here may at least form the basis of the development of more rigorous, scientific use of ¹⁴C dates.     

C.S. Lewis: an Irish writer

This article examines the effect of C.S. Lewis's Irish background on his work. It attempts to contradict the assumption that this Belfast-born writer should be included in the English and not the Irish canon. It emphasises that Lewis saw himself as Irish, was seen by others as Irish, and that his Irish background, contrary to what some have written, was important to him throughout his lifetime. It goes on to demonstrate the ways in which his work was influenced by his youth in Ireland and by the Irish mythology that he loved. Furthermore, this article maintains that, as a child of pre-partition Ireland with roots throughout the island, Lewis was influenced by the country as a whole, not just his native Ulster. Finally, it attempts to understand why Lewis, a proud Irishman, did not do more to promote himself as an Irish writer.     

From golden hills to sycamore trees: pastoral homelands and ethnic identity in Irish immigrant fiction, 1860–75

The prose fiction that remembers the trials of starvation and eviction of the Great Famine (1845–50) often juxtaposes representations of blasted, infertile land with images of a green, idyllic Erin. Through a discussion of Mary Anne Sadlier's Bessy Conway (1861), Elizabeth Hely Walshe's Golden Hills: A Tale of the Irish Famine (1865) and John McElgun's Annie Reilly (1873), this article reveals that immigrant writers of the Famine generation often negotiate depictions of Famine-stricken wasteland with evocations of a pastoral homeland. In the case of the two Catholic novels, Bessy Conway and Annie Reilly, the pastoral becomes a point of ethnic identification through which the immigrants can recollect and reconstruct a sense of Irishness in exile. By contrast, Golden Hills, which focuses on the Anglo-Irish ascendancy, does not lament the mass exodus of afflicted Irish: the novel rather envisions emigration as a way to regenerate Ireland as locus amoenus.     

Memory Mapping: Affect,Place, and Testimony in El Lugar Más Pequeño (2011)

This article examines the Salvadoran documentary El Lugar Más Pequeño (The Tiniest Place, 2011) and argues that the film gives new insight into the complicated spaces and practices of memory post-transition and post-conflict through a process I call ‘memory mapping,’ which I define as the aesthetic process of representing the affective, polyvocal, layered relationship between past, present, and place as experienced by individuals and the communities in which they live. Engaging primarily with affect and memory theory, I contend that the film maps post-conflict memory in two specific ways: first, through testimony, and second, through an exploration of the relationship between memory and place. Ultimately, I argue that memory mapping sheds new light on how the aftermath of conflict – the physical, but also the emotional ruination caused by violence – is negotiated in the everyday of human life.     

仪式活动视角下的集体记忆和象征空间的建构过程及其机制研究——以南京大学校庆典礼为例

仪式活动是集体记忆、象征空间与地方认同建构源头,因其研究有助于揭示城市各空间尺度内的公共生活竞争的内在机制,因此已成为西方文化地理学的重要研究命题;但此类以仪式活动为视角,揭示集体记忆、象征空间建构过程及其机制的研究,在国内极少。鉴于其研究重要意义,文章以南京大学校庆典礼为例,运用文献研究、田野考察、访谈等多种定性与定量方法,探讨了自上而下的仪式活动,即校庆建构集体记忆、象征空间、地方认同的过程及其机制,为校园特别是新校园或扩建校园的纪念物建设与规划提供科学依据。