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71.
This book examines Greek engagements with the past as articulations of memory formulated against the contingency of chance associated with temporality. Based on a phenomenological understanding of temporality, it identifies four memorializing strategies: continuity (tradition), regularity (exemplarity), development, and acceptance of chance. This framework serves in pursuing a twofold aim: to reconstruct the literary field of memory in fifth‐century bce Greece; and to interpret Greek historiography as a memorializing mode. The key contention advanced by this approach is that acts of memory entailed an “idea of history” that was articulated not only in historiography, but also in epinician poetry, elegy, tragedy, and oratory. The book offers a rich account of poetic conventions and contexts through which each of these genres counterbalanced contingency through the use of exemplary and traditional modes of memory. This fine analysis highlights the grip of the present on the past as a significant feature of both historiographical and nonhistoriographical genres. The essay argues that this work fills a disciplinary gap by extending the reflection on memory to a new period, Greek antiquity. The retrospective positioning of this period at the outset of Western historical thought brings Grethlein's investigation to the center of debates about memory, temporality, and the meaning history. In engaging with the book's argument, the essay suggests that historiographical memory emerged in Greece not as a first‐order encounter with time, but as a second‐order encounter with forgetting. This confrontation marked a certain separation of historiography from other memorializing genres. Whereas poetic and rhetorical memories were posited against contingency, historiography sought to retrieve those aspects of the past that may otherwise have been irretrievably lost and forgotten. In doing so, it formulated the historiographical imperative as a negation of forgetting that problematized the truth‐value of memory and the very act of remembering the past.  相似文献   
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Konggap, sung melodic motifs that last only a few seconds embody the acoustic representation of a person among the Yupno people of Papua New Guinea and are a unique phenomenon in the Pacific. The konggap forms a very complex system of personal identification and expression of social relationships; at the same time it connects the singer to the ancestral world. Every person in Yupno society possesses his or her own konggap, and Yupno people are able to identify a large number of konggap, some men even up to three hundred. Nobody would sing his or her own konggap during the day. When crossing Yupno land, a person has to sing the konggap of the respective landowner to identify himself as an insider, a local person ? unlike strangers (and possible enemies) who remain silent. But at nightly dances each dancer sings his own konggap and during mourning at funerals groups of women simultaneously sing the konggap of the deceased person. An interdisciplinary ethnographic‐musicological‐cognitive fieldwork study was conducted in order to find out how it is possible that the Yupno are able to identify and distinguish between this staggering amount of very short sung motifs.  相似文献   
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The ocean's profound inaccessibility makes it impossible to comprehend except through the mediation of technology. The first investigators to explore the great depths were hydrographers whose work was animated by mid‐nineteenth century growth of political, economic, and cultural interest in the oceans. While submarine telegraphy certainly boosted ocean science, interest in this field derived first from commercial concerns related to whaling and shipping as well as the intellectual pursuits of physical geography and questions about the existence of life at great depths. Hydrographers’ developing conception of the oceanic environment never represented a clear translation from technology. Dramatic changes in the understanding of the shape of the deep‐sea floor testified to the complexity of interaction between sounding machines, methods, and interpretations of depth. The shifting image of the sea floor not only reflected increasingly accurate measurements, but also mirrored shifting human motivations for studying this unexplored territory.  相似文献   
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Resort-hotel location has diffused from the Northeast and Midwest to the Sunbelt and West. In 1985 there were approximately 834 resort hotels and 295,617 resort-hotel rooms in the United States. More than half of these rooms were located in just three states: Florida, Nevada, and Hawaii. The present distribution of resort-hotel rooms has been influenced by three periods in resort-hotel evolution. Until the early 20th century, resort hotels were in the tradition of the “Grand Hotel,” oriented toward natural resources in the East and Midwest and serving an elite clientele. Later in this period, elite resorts were also developed in the coastal Southeast and in the Southwest. A second, transitional period beginning in the 1920s accelerated construction of resort hotels in the Southwest and along the Southeastern coast. In the third period, post World War II mobility and affluence led to a revolution in resorthotel location and function. Resort hotels are now found in urban and suburban locations and have expanded the resort concept by linking it to meetings, conventions, and business travel. This has allowed resort hotels to adapt to changing market conditions and to achieve economies of scale by spreading demand throughout the year.  相似文献   
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This paper is dedicated to one of the outstanding scientists of the twentieth century—Ivane Beritashvili. He was a Georgian physiologist who graduated from St. Petersburg University and worked under the supervision of N. Wedensky. He founded the Department of Physiology and the Institute of Physiology at the University of Tbilisi, Georgia. Among his numerous contributions was the discovery of the rhythmical course of reciprocal inhibition in spinal reflexes, the first demonstration of the excitatory and inhibitory reactions in the brain stem neuropil. But Beritashvili's most significant contribution was the discovery of the mediation of animal psychoneural behavior by image-driven memory.  相似文献   
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Abstract

Albania spent much of the 20th century under one of Europe’s most ideologically repressive regimes. In order to justify and ostensibly protect this system, the Albanian Communist regime (1944–1992) constructed a massive array of defensive works, which formed a major piece of the Hoxhaist (after Enver Hoxha) aesthetic. Twenty years after the fall of Communism, Albanians have gained the freedom to travel abroad, but have largely avoided addressing the legacy of this difficult past within their own society. Based on the theory that some aspects of traumatic memory can be addressed through confronting and re-signifying material heritage, we explore some localized cases in order to comprehend the roots of this concrete legacy, combining theoretical analysis with field experiences in collaboration with the Gjirokastra Foundation. We suggest one possible approach to the difficult process of creating open community dialogue to deal with the scars of a traumatic past and thus begin the healing process.  相似文献   
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Frederick G. Scott's World War I war memoir, The Great War As I Saw It, contains the sole unofficial eyewitness recording of a court martial execution that we possess. The case of William Alexander 20726 Alexander, William. 20726. Service records. Library Archives Canada, RG24, vol. 2538 HQS 1822, RG 150/acc 1992-93/166/Box 83-992 and RG24-C-1, 1946 Central Army Registry R112-553-X-E, Reel C-5053 90,  [Google Scholar], executed in October 1917, for desertion in the face of the enemy compelled Scott to devote more printed space to it than to the death of his own son, Henry. A discussion based upon a close reading of Scott's memoir and an exposition from archival sources of Alexander's case demonstrates the ways in which Scott evades the case's disturbing implications echoes wider aspects of Canada's early memorialization of the Great War.  相似文献   
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