ENTANGLED MEMORY: TOWARD A THIRD WAVE IN MEMORY STUDIES

This essay takes up the call for a “third phase” in memory studies and makes theoretical and methodological suggestions for its further development. Starting from an understanding of memory that centers on memory's temporality, its relation to language, and its quality as a social action, the essay puts forward the concept of “entangled memory.” On a theoretical level, it brings to the fore the entangledness of acts of remembering. In a synchronic perspective, memory's entangledness is presented as twofold. Every act of remembering inscribes an individual in multiple social frames. This polyphony entails the simultaneous existence of concurrent interpretations of the past. In a diachronic perspective, memory is entangled in the dynamic relation between single acts of remembering and changing mnemonic patterns. Memory scholars therefore uncover boundless cross‐referential configurations. Wishing to enhance the dialogue between the theoretical and the empirical parts of memory studies, we propose four devices that serve as a heuristic in the study of memory's entanglement: chronology against time, conflict, generations, and self‐reflexivity. Current debates on European memory permit us to explore the possible benefits that the concept of entangled memory carries for memory studies.     

Walking a Fine Scientific Line: The Extraordinary Deeds of Dutch Neuroscientist C. U. Ariëns Kappers Before and During World War II

Dutch neuroscientist Cornelius Ubbo Ariëns Kappers is famous for pioneering neuroembryological work and for establishing the Amsterdam Central Institute for Brain Research. Less well known is his anthropological work, which ultimately played a role in saving Dutch Jews from deportation to their deaths during the Holocaust. Ariëns Kappers extensively campaigned against anti-Semitism and Nazi persecution during the 1930s. During World War II, he utilized his credentials to help create anthropological reports “proving” full-Jews were “actually” partial- or non-Jews to evade Nazi criteria, and at least 300 Jews were thus saved by Ariëns Kappers and colleagues. His earlier work demonstrating differences between Ashkenazic and Sephardic Jewish skull indices became the focus of an attempt to save hundreds of Dutch Portuguese Jews collectively from deportation. Ariëns Kappers and colleagues brilliantly understood how anthropology and neuroscience could be utilized to make a difference and to save lives during a tragic era.     

定县实验与农村复兴运动

20世纪二三十年代晏阳初领导的以定县实验为主体的平民教育与乡村建设运动和国民政府倡导的农村复兴运动相结合,使乡村运动走上了“政治与学术合流”的道路,“合流”的结果产生了河北省县政建设研究院。在县政与研究院的双重作用下,平教会的工作得以推进,同时也因此失去了原有的独立地位。但是,无论怎样,这些现象表明当时政府和民间在重构国家权威上的一致性,在自觉地为达到“国家再造”这一目标而进行不懈的努力。     

科默·V·伍德沃德与美国南部史学

科默·V.伍德沃德在美国是享有盛誉的南部史专家,同时也是一位非常活跃的社会活动家。在长期的学术实践中他形成了注重史学的社会功能、强调历史发展的非连续性和善用反讽的史学研究风格。他以自己对美国南部历史与现实的深切关怀,积极推动了南部史的研究。其贡献既表现在对新的史学领域和问题的开拓,也体现在围绕他的著述所展开的学术商榷、学术批评中,以及由此而形成的良性的学术研究氛围上。     

Rubidium hydroxide polyethylene glycol crown ether in the conservation of old master paintings*

The development of new, gentler methods for the conservation of Old Master paintings, with an emphasis on the removal or thinning of deteriorated varnish, is of high priority. In the course of the deterioration process, oxidative attacks lead to progressive formation of carboxylic acid groups, while many ester bondings are expected to be weakened. A stable RbOH polyethylene glycol complex was a promising tool to react with these moieties and to successfully break down the polymeric varnish layer. The remnants were easily wiped off mechanically. Control studies employing ⁸⁶RbOH and ¹⁴C polyacrylate showed the complete absence of residual cleansing components on the paint surface.     

Gothic memory and forgetfulness in Elizabeth Bowen's A World of Love and ‘The Demon Lover’

Elizabeth Bowen's A World of Love (1954) and ‘The Demon Lover’ (1945) share an uncustomary usage of Gothic conventions: the Anglo-Irish writer invests the Gothic genre with new meaning for the war-torn Irish and the post-World Wars generation by skewing Gothic conventions, reflecting a new Gothic for a new age – one that has seen the effects of two catastrophic wars and not only dead soldiers, but dead-in-life survivors. In A World of Love, Bowen uses not a ghost that haunts the attic, but a nearly forgotten dead World War I soldier; not a male power of place and a fleeing female, but a female power of place and a displaced male; and not a lonely, menacing castle, but a dilapidated farm. In both the novel and the short story, the dead-in-life survivors must remember in order to successfully exorcise the war and the dead soldiers of war, thereby revitalizing themselves. Those who cannot remember are doomed to the past. This article examines the twist on the Gothic novel and its statement about the possibly disastrous effects of forgetting and of remembering incorrectly – anxieties shared by other twentieth-century Irish writers in terms of their eroding cultural identity and past.     

精确定年的祁连圆柏碳十四年代的加速器质谱测定

前言 1949年,碳十四断代的创始人利比(W.F.Libby)公布了第一批碳十四年代数据,宣告碳十四测年方法取得成功,轰动了整个考古界和地质学界。碳十四     

Memory,Identity and Aspiration: Early Modern Jewish Maps of the Promised Land

In the sixteenth century Jews began to produce maps showing the Exodus to the Promised Land. My aim in this article is to show that, through unique compositions of written biblical references and pictured symbolism (both Jewish and Christian), maps such as the Mantua map (1560s) and, a century later, the Amsterdam Haggadah [Passover] map (1695) were a means of constructing Jewish cultural memory and identity in the Diaspora and fostering aspiration for a second salvation through a return to Zion. I also explore the Jewish approach towards the biblical land as this was reflected in the maps.     

Memory Mapping: Affect,Place, and Testimony in El Lugar Más Pequeño (2011)

This article examines the Salvadoran documentary El Lugar Más Pequeño (The Tiniest Place, 2011) and argues that the film gives new insight into the complicated spaces and practices of memory post-transition and post-conflict through a process I call ‘memory mapping,’ which I define as the aesthetic process of representing the affective, polyvocal, layered relationship between past, present, and place as experienced by individuals and the communities in which they live. Engaging primarily with affect and memory theory, I contend that the film maps post-conflict memory in two specific ways: first, through testimony, and second, through an exploration of the relationship between memory and place. Ultimately, I argue that memory mapping sheds new light on how the aftermath of conflict – the physical, but also the emotional ruination caused by violence – is negotiated in the everyday of human life.     

仪式活动视角下的集体记忆和象征空间的建构过程及其机制研究——以南京大学校庆典礼为例

仪式活动是集体记忆、象征空间与地方认同建构源头,因其研究有助于揭示城市各空间尺度内的公共生活竞争的内在机制,因此已成为西方文化地理学的重要研究命题;但此类以仪式活动为视角,揭示集体记忆、象征空间建构过程及其机制的研究,在国内极少。鉴于其研究重要意义,文章以南京大学校庆典礼为例,运用文献研究、田野考察、访谈等多种定性与定量方法,探讨了自上而下的仪式活动,即校庆建构集体记忆、象征空间、地方认同的过程及其机制,为校园特别是新校园或扩建校园的纪念物建设与规划提供科学依据。