Commemoration in the United States: ‘The reason for fighting I never got straight’

The United States entered the First World War late, in April 1917, and so its centenary commemoration of the war will begin well after those of its former associated powers and enemies. Even in 2017, however, US commemoration will likely be muted by the past and present ramifications of the debate and confusion over the meanings and significance of the First World War to the United States that have raged since the end of the war itself.

美国参战是在1917年4月,是一战的后期了。因此它的一战纪念活动会晚于从前的那些友国和帝国。即便在2017年,过去和现在关于一战意义的争吵（战争结束以来就没停过）也会消弱纪念活动的音量。     

The technologies of distance: new migrations in Conor O’Callaghan’s The Sun King

This article analyses Conor O’Callaghan’s collection The Sun King as an expression of contemporary migration practices. It places the poet’s technological mobilities within larger global movements and argues that the collection reconfigures poetic versions of migration for the twenty-first century. The Sun King (2013) is located in explicitly transient spaces, while its formal innovations serve to mimeticise contemporary dislocation. In reinventing the dual demands of memory and migration in the postmodern society, The Sun King recognises and pursues alternative poetic possibilities. The article suggests that O’Callaghan’s Twitter-poem “The Pearl Works” can be read as indicative of an expansive impulse towards ephemeral online works. In particular, the article raises questions around composition, stability and memory practices in the digital era, and highlights how both migration and memory are complicated by technological innovations.     

The margin to act: a framework of investigation for women's (and men's) medieval art-making

ABSTRACT

One of the challenges faced by medieval art historians is to recognise the diverse roles women played in matters of medieval art, while seeing also the impact of society on their artistic choices. By tracing how one work of art can open new critical insights into another, and how disparate objects and buildings – if thought through together – can illuminate our understanding of the Middle Ages overall, we can discern the multi-layered stages of the creative process. The term ‘makers of art’ is proposed as a shift away from the commonly used words – artist, patron, recipient – and the preconceived notions about the individuals who fulfilled those roles. The paper also lays out a framework – ‘the margin to act’ – for the investigation of the multi-levelled interactions of women with medieval art and, ultimately, the writing of history.     

The image of ‘all good Italians’. The Eichmann trial seen from Italy

ABSTRACT

The Eichmann trial held in Jerusalem in 1961 marked a turning point in the international public’s collective awareness of the extermination of Jews in Europe. In Italy, the trial contributed to the mainstream narrative of the events that concerned the deportations of the Jews. The Italian case was mentioned in the indictment of the attorney general, Hausner, and in the deposition of the only witness present at the trial, Hulda Campagnano. In this article, our analysis of the trial’s reception in Italian newspapers and media shows that the Jerusalem reports, especially through misrepresenting the words of Campagnano, created the image of Italians as ‘good people’, who would help Italian and foreign Jews, against the wishes of the Nazis. At the same time, the responsibility of Italian Fascism for the anti-Jewish laws in 1938 and the role of Italians in the arrests and deportations of Jews since 1943 have been neglected.     

Study on the lithology of stone chimes (stone musical instruments in ancient China) and Lingbi stone

The oldest extant musical instruments in the world are stone chimes. This music was created by the ‘eight tones’ that could be produced by these ‘stone’ voices. Although many of these stone chimes have been unearthed from sites predating the Spring and Autumn Period and the Warring States Period in China, their discussion in archaeological reports is usually not very thorough. In this paper, the ancient and modern samples are analysed from the point of view of lithology. The aim is to explore how the ancients chose to make these stones, and to check that the type of stone from which these ancient Chinese stone chimes are made is actually those recorded in previous studies. The results show that most of the ancient stone chimes in China are made of limestone. These chimes required a material with a single, homogeneous and compact mineral composition. Lingbi chimes (a kind of ‘lithophone’ produced in Lingbi county, China, are pure in composition and have a fine microcrystalline structure, which is the best choice for making stone chimes. This paper makes a systematic study of the lithology of Chinese stone chimes. The results supplement a significant lacuna in the study of ‘lithophone’ and ancient stone instruments both in China and on a more global scale.     

FROM LEFT‐WING TO COMMUNIST MELANCHOLY: TRAVERSO'S WAGER

Enzo Traverso's inspired book Left‐Wing Melancholia revisits iconic representations of revolutionary hopes and defeats not to draw up an inventory of what has been lost but rather to remind his readers that past defeats also contain the traces of unfulfilled possibilities. After the end of the Soviet Union and the global triumph of neoliberal capitalism, the communist utopian imagination of a classless society, Traverso suggests, can be reignited through memorial practices of resilient, resistant melancholy. Traverso's argument draws on Walter Benjamin's notions of materialist history, redemptive memory, and knowing melancholy. Yet the nameless vanquished masses to whom Benjamin's concept of history seeks to do justice remain marginal in Traverso's book. Instead, revolutionary defeat is cast in the tragic mold of succeeding by failing, a trope exemplified by figures such as Auguste Blanqui, Charles Péguy, or Daniel Bensaïd. In response to Traverso's reliance on the transhistorical category of the tragic, this essay argues for a more abstractly theoretical understanding of left‐wing melancholy as conditioned by historically specific class relations that constrain and challenge the engaged intellectual. Moreover, this essay questions Traverso's dualistic treatment of politically committed (Benjamin, Brecht, C. L. R. James) and elitist intellectuals (Adorno) and concludes that the concept of left‐wing melancholy must ultimately be interrogated against the backdrop of a lingering uncertainty about the relationship between theory and praxis that, as Adorno claims, one can already find in Karl Marx—an uncertainty that is hence inscribed into the history of any Marxist theory of revolution and history.     

Archaeological Heritage in Guatemala: Indigenous Perspectives on the Ruins of Iximche’

In Guatemala local perspectives on heritage often remain unheard. In this paper a case study is presented to show the complex relationship between the highland site of Iximche’ and Tecpán, an Indigenous community nearby. Although Iximche’ is of little importance to the local economy, its significance is derived from its role as a field for different kinds of social and religious interactions. Traces of a spiritual relationship to this place can be dated back to the colonial period and today Maya from all over Guatemala go there to perform ceremonies. The place has also become a focal point of identity constructions for locals, Pan Mayan activists and the nation itself. The ruins of Iximche’ play an important role in the construction of collective memory which also includes ideas coming from external players such as Christian churches, the national government, Mayan activists, and archaeologists as well.     

14C测定判别武王克商年代范围始末

武王克商年代是我国古代编年中的一个关键点,近年来^14C测定技术有了重要发展,我国^14C测年界在此基础上探讨了^14C方法应用于商周历史纪年的希望。1996年夏商周断代工程正式立项,利用^14C测定判别武王克商年代范围的任务得以实施。1998年初两个常规^14C实验室以3‰测定精度,前后开始对陕西丰镐遗址出土样品^14C测定,并于1998年10月6－7日先后公布了^14C数据,提出武王克商代范围应判别在公元前1050－1020年间。1998年下半年AMS室开始测定。三室测定数据对比结果基本相合,利用殷墟,琉璃河等遗址出土的样品系列作^14C测定得出的结果,与上述年代范围一致。1998年11月30日公布了天计算结果,与测定结果不谋而合,经多方面反复验证,历时近二年,都无法动摇已有的判别结果,具有较高的可信度。     

建国初期的冀朝鼎

新中国诞生后,百废待兴。冀朝鼎在帝国主义实施禁运和经济封锁的困难面前,积极探索中国外经贸的新体制,加强外汇管理,以灵活的外交,与11个国家签定了外贸协定,还成功地与日本、英国等未建交国家进行“民间贸易”．打破西方列强的孤立政策．开创了中国对外交往与贸易的新局面。     

Migration and the built environment: a spatial analysis of resettlement in Çeşme,Turkey

At the beginning of the twentieth century, the retreat of the Ottoman Empire caused a massive scale migration in the Aegean regions. This process was furthered by the Treaty of Lausanne (1923) between the Turkish Republic and Greece. Gradually, more than one million people were formally exchanged under the control of the respective national authorities. This study shows that the predictions made by political authorities regarding the expected adaptation and homogenization based on religious affiliations failed to materialize; instead, the process of migration generated its own unique and autonomous processes derived primarily from cultural aspects and social origins. This research examines the materialization of the migrants’ adaptation practices and the spatial transformations in the built environment at both urban and domestic level, in order to indentify spatial and related social conflicts that arose as a result of socio-cultural mixing through a case study of the Çe?me Peninsula, Turkey. The study concludes that the relationship between social space and the physical environment is intertwined, with spatial transformations based on residents’ home of origin, professions and economic prosperity positioned in a clearly defined hierarchy of meaning.