‘Barbarity more suited to Savages’: British soldiers’ views of Spanish and Portuguese violence during the Peninsular War, 1808–1814

This article explores British soldiers’ reactions to the violence that Iberian soldiers, guerrillas and civilians perpetrated against wounded French soldiers and prisoners of war during the Peninsular War. Whilst they saw this violence as retaliatory, and sympathized with the suffering of the occupied, British soldiers were shocked, disturbed and outraged, often leading them to self-identify with their very enemy — the French. On one level, this violence was seen as a fundamental violation of customary rules of war. Yet further, in British minds it revealed a deeper Iberian culture of violence and way of war, which set the Iberian peoples apart from ‘civilized’ nations.     

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Abstract

This paper examines the British Museum unpublished records related to an Early Bronze (EB) Age pithos burial uncovered a century ago in the Inner Town at Carchemish. The grave, cursorily cited and variously dated (Chalcolithic, EB or even LBA) in the final reports, was described in some detail by Hogarth and Thompson; a precise dating is, however, possible today thanks to the information of paramount importance given by T. E. Lawrence who identified and took a picture of the associated finds, which was recently rediscovered in the Carchemish Archives. The pithos can be now ascribed to the third quarter of the third millennium BC and helps to confirm the recent theory according to which the Inner Town of Carchemish, with its massive earthen rampart, had already developed at the time of the second urbanisation in Syria and upper Mesopotamia.     

Political iconoclasm: the destruction of Eccleshall Castle during the English Civil Wars

SUMMARY: The mid 17th century in the British Isles was dominated by a period of political and religious turmoil known as the English Civil Wars. The two sides, Royalist and Parliamentarian, became associated with very different forms of Christianity, with the latter being identified with Puritanism, an extremely austere religion whose supporters became associated with iconoclasm. However, this paper explores the motivations for the damage caused at the Bishop of Lichfield’s palace at Eccleshall, Staffordshire, and suggests its destruction was caused by politics rather than religion, thus demonstrating the need for a more nuanced examination of slighting during this turbulent time.     

Diplomacy and revolution: The London conference of 1830 and the Belgian revolt

This paper examines Thomas Hill Green's changing attitude to the Reform Question between 1865 and 1876. Section 1 sketches the Radical landscape against which Green advocated reform between 1866 and 1867, paying particular attention to the respective positions of Gladstone, J.S. Mill and Bright on the relationship between responsible citizenship and class membership. Section 2 examines Green's theories of social balance and responsible citizenship at the time of his lectures on the English Civil War. Section 3 argues that, contrary to the established scholarship, Green's Radicalism was closer to Bright than to Gladstone and Mill during this period. Section 4 counters Richter's claim that Green abandoned democracy following the 1874 General Election, while arguing that even sympathetic commentators misunderstand Green's attitude to the Reform Question immediately after this date.     

Europe and the American mind∗†

Wells's The New Machiavelli (1911) offers an excellent case study of the use of anti-Machiavellian Machiavellism as both a philosophical and a rhetorical strategy. In Remington, Wells creates a protagonist who follows Machiavellian rules of behaviour and denounces those who do likewise. The novel is structured to show Remington's progress from an idealist refutation of Machiavellism, through a recognition of its necessity, to the formulation of a private and political method for the necessary pursuit of Machiavellian principles under the disguise of anti-Machiavellism, including trenchant criticisms of Fabians as anti-Machiavellian Machiavellians. These stages, culminating in complete personal and public failure, are reflected in Remington's party allegiances, and broadened by Wells into an account of British party ideologies around the turn of the twentieth century. Wells's rhetorical design for mapping and assessing anti-Machiavellian Machiavellism is paralleled by an exploration of that technique in himself, attested by the predominance of autobiographical elements in The New Machiavelli, and by similarities between Remington's and Wells's own deception of others and themselves. Far from incidental, anti-Machiavellian Machiavellism is the motif that unites the shifting party allegiances, political conceits and moral hypocrisies, and private and public failures of Wells, Remington, and of the period of British politics that they intend to encapsulate.     

Re-placing imperial landscapes: colonial monuments and the transition to independence in Kenya

Public monuments in colonial Nairobi were visual links to the British empire, and served as a means of asserting imperial power. During this period, colonial memories and identities were inscribed into Nairobi’s landscape by the dominant group, the elite of the European population. However, at the moment of Kenya’s achievement of independence from colonial rule, such identities and assertions of power were challenged as statues were removed from the city. This paper examines the forces behind the decolonisation of Nairobi’s monumental landscape and how this landscape visualised the changing political and cultural contexts of the city. Comparisons are made with the removal of statues from Sudan, India and the Democratic Republic of Congo in order to situate the Kenyan experience. Through a comparative examination of the decolonisation of Nairobi’s monumental landscape, this paper illustrates how the removal of public monuments from the city was exploited by both the coloniser and the colonised.     

英国旅游者出游年龄规律研究

旅游统计和市场研究中年龄经常作为一个变量被广泛使用,但是针对年龄变量的论证却寥寥无几。本文依托中英两国最新权威统计资料,结合实地问卷调查资料,以英国人为例,研究年龄对其出游的影响规律,首次提出了出游年龄优势论。英国人出游决策呈现明显的年龄规律,以青壮年(25—44岁)和中老年(45—64岁)为主,占80%以上,其余年龄群体所占比例较少。这种现象归结为"出游年龄优势论"。人口老龄化趋势促使旅游管理者和营销者关注老龄化市场,老龄市场份额呈上升趋势,但是老年人不会取代中青年成为首要旅游市场,这主要是受健康状况和收入水平双瓶颈限制。英国旅游市场呈现出来的年龄规律具有一定的普遍性。     

Intellectual Migration and Economic Thought: Central European Émigré Economists and the History of Modern Economics

Summary

This article examines the life and thought of Thomas Balogh and Nicholas Kaldor, two Hungarian-born British economists, to suggest how the personal background and émigré status of these economists changed their view of the British economy and the economic policy recommendations they put forward as high-profile government advisers in the post-1945 period. This article combines research on inter-war intellectual migration and the history of British economics and economic policy making after the Second World War. It shows how the large scale migration of Central European intellectuals to the English-speaking countries affected the academic, intellectual and cultural lives of the host countries; it also suggests how economics, a relatively young social science discipline, has been crucially enriched by the contributions of exiles from old Europe, and how the mainstream paradigm of modern economics, the so-called neoclassical synthesis, was the result of the cross-fertilisation of ideas facilitated by the physical movement of academics and thinkers.     

The Importance of Cheltenham: Imperialism,Liminality and Gustav Holst

The study of liminality, pioneered by the anthropologist Arnold van Gennep, and reinvigorated by Victor Turner, considers the ambiguity that exists for individuals as they move between defined groups or identities. Reconsidering the relationship between the British composer, Gustav Holst (1874–1934), and his birthplace, the west country spa town of Cheltenham, provides not only a case study of the general liminality of the professional musician, but of a figure who is betwixt and between in almost all aspects of his life. In essence, Holst is the archetype of a liminal being. This study problematizes Holst's place in the received history of British music, arguing that his liminality has been overlooked in various attempts to make his life and music fit a mainstream narrative for English musical culture, the so-called Second English Musical Renaissance. The origins of that liminality are explored by considering Holst's relationship with Victorian Cheltenham, ranging widely from the civic to the religious, from the public to the private, and from the individual to the social. This includes his contact with prominent influences such as imperialism and evangelicalism, but also elements that are seemingly more marginal to the town but central for Holst, such as Theosophy. Doing so clarifies the origins and importance of Holst's relentlessly liminal status in Victorian and Edwardian society, demonstrating how such reconsiderations can reshape the historical narrative of Victorian influence on the twentieth century.     

Economic Imperialism and Financial Citizenship: Reconsidering British Subjectivity in Martin Chuzzlewit and Lawrie Todd

During the tumultuous time of financial and colonial expansion between 1825 and 1855, both Charles Dickens and John Galt published picaresque novels depicting transatlantic travel and land speculation. If emigration is the act of permanently leaving one's homeland and living in another, then neither novels' eponymous protagonist Martin Chuzzlewit nor Lawrie Todd is an emigrant. By reading Martin Chuzzlewit (1843–44) and John Galt's Lawrie Todd (1830) alongside nineteenth-century developments of the geo-political and financial spheres, this article shows how these works form a counter-narrative to traditional novels of emigration. Both protagonists leave Britain with the explicit intent to seek their fortune in America through engagement with land speculation companies. Though the characters' experiences of transatlantic financial speculation is dichotomous (with Todd becoming rich and Chuzzlewit losing all he has), both characters ultimately return to Britain. In these counter-narratives, we argue that America is deployed as Britain's financial periphery, rather than an alternative imperial centre, working to entrench British nationalism through transatlantic financial speculation. It is through the act of returning from America that Dickens and Galt counter typified emigration narratives that represent the choice to emigrate to America as synonymous with abandoning the Empire for the ‘Great Republic’. Instead, Dickens and Galt show how America can be exploited as a financial extension of Empire where Britons can maintain national loyalty while simultaneously responding to an unstable global financial market that was increasingly dependent upon speculation and foreign investment practices.