Stable isotopic evidence of diet in a Greek colonial population from the Black Sea

Archaeological and literary sources indicate that the ancient Greeks relied heavily on terrestrial resources and that their access to certain types of foods varied by sex and status. Human and faunal remains from the Greek colonial site of Apollonia (5th to 2nd century BC) on the Black Sea coast of Bulgaria were analyzed for stable carbon and nitrogen isotopes in order to reconstruct the diet of this population, investigate the relative importance of marine vs. terrestrial resources, and explore variations in diet with respect to age, sex, and burial type. The results of this study indicate that the colonists of Apollonia relied on a mixed diet of terrestrial and marine foods, and that there was little or no variation in diet by age, sex, or burial type. The relationship between δ¹³C and δ¹⁵N data for these samples suggests that while marine foods were an important source of nitrogen, much of the carbon used to construct amino acids came from terrestrial foods.     

马尔科姆·X的早期思想轨迹

马尔科姆·X的早期思想主要是指他在黑人穆斯林期间的思想,比较偏颇、极端、激进和不切实际,其早期的黑人民族主义其实就是旧式的移民主义,基本上是一种“对外移民”、“内部建国”和“心理移民”的混合体。但把它放到当时的历史时空和语境下来看,也理应得到我们的理解乃至同情。     

Territoriality, social justice and gendered revolutions in the speeches of Malcolm X

Geographers have, in recent years, attempted to develop an anti-racist research and teaching agenda. Critical to this endeavour has been an engagement directly with the theories and philosophies of key activists and scholars, such as W. E. B. DuBois and Richard Wright. Contributing to this effort, I provide a study of Malcolm X. As an activist and outspoken member of the African American Civil Rights Movement during the 1950s and 1960s, Malcolm X re-articulated Black radical thought in significant ways. In particular, Malcolm X placed a territorial dimension at the heart of the Civil Rights Movement and in so doing re-conceptualized the theoretical and practical linkages between the African American movement and other 'Third World' movements. The immediate purpose of this paper therefore is to delineate the territorial dimensions of the revolutionary thought of Malcolm X. Heuristically, this paper is situated within four broad areas of inquiry: revolutions and social movements; the thinking of space; anti-racist geographies; and the imbrication of gender and revolutionary thought. More broadly, however, this paper reiterates the call for a more sustained engagement by geographers on the theories and philosophies of Black radical intellectuals.     

Fleshing out the geographies of social movements: Colombia's Pacific coast black communities and the ‘aquatic space’

The intersections between the concepts of space, place and resistance have recently received increasing attention from geographers dedicated to the study of social movements. Space and place are not merely seen as providing a physical background for mobilisations but as mutually constitutive of social movement agency. Yet, critics of theoretical frameworks drawn up by geographers have often rightly pointed to the lack of convincing empirical evidence presented in their support.This paper addresses these critiques by offering a theoretically informed and empirically grounded account of recent mobilisations by the social movement of black communities in the Pacific coast region of Colombia. Drawing on both the objective aspects of place and the subjective feelings that are derived from living in a place, I will show how these mechanisms have impacted on the specific spatial organising forms adopted by black communities. In particular, I will propose the concept of ‘aquatic space’ as a set of spatialised social relationships among Afro-Colombians, and show how these concrete everyday geographies have been drawn upon by black communities in the establishment of community councils along river basins.The paper argues that to make a strong point for more spatially sensitive analyses of social movements, geographers have to sustain their theoretical frameworks with concrete empirical data that not only illustrate spatial processes at play, but also convincingly demonstrate their very embeddedness in social practice. I thus argue for a strong consideration of ethnographies as a privileged research methodology to flesh out the geographies of social movements.     

X-ray microtomographic imaging of charcoal

We assess the potential of X-ray microtomography as a tool for the non-destructive, three-dimensional examination of the internal structure of charcoal. Microtomographic analysis of a series of charcoals produced by the experimental pyrolysis of pine wood at temperatures from 300 and 600 °C in nitrogen only and in nitrogen mixed with 2% oxygen indicates that, despite substantial shrinkage, observed porosity, pore size and pore connectivity are all increased by pyrolysis and also by chemical oxidation. Analysis of a number of altered and unaltered archaeological and geological charcoals has demonstrated the capacity of the technique to identify and map the distribution of authigenic mineral contamination within charcoal fragments. The results are of significance to radiocarbon dating in that they provide insights into the mechanisms by which charcoal can be contaminated by extraneous carbon in the natural environment.     

大理岩石刻文物黑色结壳清洗研究

大理岩是古代石刻和建筑的主要石材之一。随着近现代工业发展,很多大理岩石刻文物表面出现了大量黑色结壳——不仅严重影响了文物外观审美,而且会不断吸附各种污染物,吸收更多的辐射热量,造成文物的进一步劣化,因此亟需清洗。在前期对北京地区石刻文物本体及黑色结壳科技分析的基础上,选用碳酸铵法、乙二胺四乙酸法、物理法进行清洗试验用于对比,并于北京不同区域的6处典型石刻上进行现场试验,根据实际情况做出优化改良。采用便携式X射线荧光光谱仪、分光测色仪、显微镜和离子色谱仪对清洗前后状态及可溶盐含量进行评估,结果表明碳酸铵法对大理岩石刻文物表面黑色结壳具有较好的清洗效果,清洗方案比较高效合理,有助于相关石质文物病害的清洗和保护。     

试论金代扒村窑白地黑花瓷人物图案

本文以收集到的人物装饰图案为例,论证了金中期是扒村窑白地黑花装饰的繁荣期,并论述了扒村窑白地黑花瓷人物装饰图案所独有的特点及其影响。     

Stable Lead Isotope Studies of Black Sea Anatolian Ore Sources and Related Bronze Age and Phrygian Artefacts from Nearby Archaeological Sites. Appendix: New Central Taurus Ore Data

The accumulated published database of stable lead isotope analyses of ore and slag specimens taken from Anatolian mining sites that parallel the Black Sea coast has been augmented with 22 additional analyses of such specimens carried out at the National Institute of Standards and Technology. Multivariate statistical analysis has been used to divide this composite database into five separate ore source groups. Evidence that most of these ore sources were exploited for the production of metal artefacts during the Bronze Age and Phrygian Period has been obtained by statistically comparing to them the isotope ratios of 184 analysed artefacts from nine archaeological sites situated within a few hundred kilometres of these mining sites. Also, Appendix B contains 36 new isotope analyses of ore specimens from Central Taurus mining sites that are compatible with and augment the four Central Taurus Ore Source Groups defined in Yener et al. (1991).     

Manganese Black Pigments in Prehistoric Paintings: the Case of the Black Frieze of Pech Merle (France)

Different black pigments of natural origin (mineral or organic) have been examined by means of several analytical methods (colour measurements, elemental analysis and structural analysis). The results, after being compared with each other, then served as reference points in the study of the ‘Black Frieze’ of the cave of Pech Merle (Lot). After that, colour measurement was investigated in situ on the paintings as a means of displaying small differences (in hue or chroma) between the black colours. The aim of this study was to verify several hypotheses concerning the techniques used by the painters of Pech Merle, and specifically by the one(s) of the Black Frieze. A first objective was that of identifying the nature and, if possible, the origin of the black pigments used in these figures. A second objective was that of determining in which parts of the frieze one or the other (or one and the other) had been used; and the final objective was to provide new technical information that might help us better to understand how the Pech Merle frieze was produced, whether by a single painter and in one episode, for the most part, or, on the contrary, in several episodes and by a succession of different painters.