Heritage views through urban exploration: the case of ‘Abandoned Berlin’

This article frames the practice of urban exploration and its interest towards abandoned places from a heritage perspective. It is argued that most urban explorers prioritise the excitement of trespassing and the creation of their own narratives over the historic importance of the sites they explore. These ‘performative’ explorers avoid deliberate attention that may lead to vandalism or touristification – an alternative way of ‘preserving by not preserving’ that celebrates decay and assumes the sites’ progressive loss. To achieve this, they prefer not to disclose exact locations, creating a divergence towards a minority of practitioners who prefer to collect data on history and current state of conservation to make it public. Attention is paid to these ‘communicative’ explorers, whose documentation renders abandoned places visible, opening further debates about a more inclusive preservation and memorialisation. By distinguishing both heritage views, the objective of this article is to contribute to the enlargement of Heritage Studies by incorporating urban exploration as a space for reflection between loss and bottom-up preservation and interpretation.     

From Berlin to Beijing

In late 1900, while foreign troops occupied Beijing in the wake of the Boxer Rebellion, alarming news reached the German government from China: High-quality works of art were on sale in Beijing and would soon be displayed in museums in London and Paris without having a comparable display in Berlin. The Ethnological Museum in Berlin immediately sent the Orientalist Friedrich Wilhelm Karl Müller (1863–1930) as an envoy to Beijing to buy works of art. Müller was in Beijing between 6 April and 13 September 1901. This article contains a partially annotated translation of Müller’s report, including his packing lists of 117 crates he sent to Berlin in 1901. The original German text is included as an addendum.     

Community Volunteering as Neoliberal Strategy? Green Space Production in Berlin

Abstract: The task for critical urban research is to analyze processes of neoliberalization “on the ground”. This paper examines—based on original empirical research—in how far the outsourcing of former local state responsibilities for public services and urban infrastructure is expressed in the promotion of community gardening in Berlin (Germany). It shows the contradictory outcomes: on the one hand, a failing strategy of outsourcing towards residents and the opening up of opportunity structures for other interests. On the other hand it shows how far the emergence of open green spaces maintained by volunteers can only be understood against the background of “roll‐back” neoliberal urban politics and that their rationality cannot be separated from “roll‐out neoliberalism”.     

“Looking with intention”: using photographic essays as didactical tool to explore Berlin

ABSTRACT

Although photography has long been acknowledged as an important research method and didactical tool in human geography, we feel the need to redraw attention to this particular form of doing explorative research. Today’s society becomes increasingly “ocularcentral”, yet this trend seems unparalleled with a rise of photography in academic work. Based on 10-year experience of using photographic essays in our graduate course on Urban and Cultural Geography, we show how taking pictures can enhance active and engaged learning, spark feelings of enchantment, and stimulate critical, reflexive and non-discursive thinking by asking students to translate theory to practice and vice versa. Our students have “looked with intention” how certain geographical theories are “congealed” in Berlin’s urban landscape, specifically linking theory to empirical practice and vice versa. Despite the act of photography being inevitably partial, personal, biased, voyeuristic, colonial and possibly unethical, we believe that the enthusiasm and geographical gaze it brings into the classroom outweigh these limitations. The paper illustrates with multiple examples how the embodied practice of photography results in students carefully reflecting on the physical and social world around them and acknowledging the multimodality of the city, not just as built environment but also as a social sphere and lived place.     

Cultural brownfields in European cities: a new mainstream object for cultural and urban policies

This paper develops the concept of ‘cultural brownfields’ and discusses how organic cultural projects developed in derelict sites have been progressively included in mainstream cultural and urban planning strategies and policies over the last 10?years. To do so the paper assesses the transformation of three mature cultural brownfields in Berlin, Marseille and Lausanne and their distinctive internal and external dynamics. It develops a typology of cultural brownfields which stresses the diverse nature of these spaces and their differential role in cultural and urban planning policies. The paper concludes by highlighting a series of policy lessons for urban planning and cultural strategies.     

Negotiating German colonial heritage in Berlin’s Afrikanisches Viertel

Abstract

Conceptualising heritage as a contested process of past-based meaning production in the present, this paper analyses the ongoing dispute over street names in Berlin’s Afrikanisches Viertel. In 1899, Berlin named two of its newly-built streets Togo Street and Cameroon Street. Togo and Cameroon had been proclaimed the first German colonies in 1884. By 1958, 22 Berlin streets had been named after African regions that had been colonised by the German Empire or after German colonial protagonists. In 2004, several NGOs called for the renaming of some of these streets, igniting a fierce dispute over the heritage status of the German colonial past. Drawing on guided interviews and document analyses, we analyse this debate on three levels, showing how the NGOs and their claims have been marginalised on each level. While the level of agency can be traced back to the different positioning of the actors in the political field, the levels of temporality and spatiality belong to the realm of ideas about the world and one’s place in it. By exploring the authoritative power of traditional notions of permanence, and of place and space, this paper seeks to bring temporality and spatiality into the focus of those studying heritage-making practices.     

Culturally clustered or in the cloud? How amenities drive firm location decision in Berlin

Creative firms are neither capital‐ nor land‐intensive in production. They predominantly rely on creative and specialized labor and, assuming a strong competition for workers, are therefore increasingly dependent on the location of their (potential) employees. If these creative and highly qualified employees are attracted by consumption amenities such as bars, clubs, and restaurants, then it follows that these same amenities may determine the location of creative service firms. I investigate this hypothesis by examining whether Berlin Internet start‐up firms locate in urban amenity‐rich places. Identification builds on the fall of the Berlin Wall. A 1 percent increase in amenity density raises the probability of a start‐up location by almost 2 percent. A comparison with other service industries suggests that amenities are significant to the location choice of creative sectors, whereas no effect can be observed for nonreative firms.     

A Life in Maps: Leo Bagrow,Imago Mundi,and the History of Cartography in the Early Twentieth Century

ABSTRACT:

This essay provides a critical commentary on the life of Leo Bagrow (1881–1957), the founding editor of Imago Mundi, drawing on previously unused correspondence from the journal’s archive, recently catalogued by the British Library in London. Bagrow’s experiences in the three European cities in which he lived and worked (St Petersburg, Berlin and Stockholm) are examined afresh and new insights are provided about the complex intellectual and sometimes political objectives and motivations of Bagrow and his fellow map dealers, map collectors and map historians. Particular attention is paid to the productive but often strained relationships between Bagrow and the expanding global network of map historians with whom he collaborated while establishing and editing Imago Mundi between 1935 and his death. This network was divided into four distinct and to some extent rival constituencies (university academics, map librarians, map collectors and map dealers). The essay examines how Imago Mundi, under Bagrow’s often confrontational editorship, emerged as the central co-ordinating forum through which these constituencies communicated with each other and within which the foundations for the modern discipline of map history were established.