Heretic or Traitor? Spinoza’s Excommunication and the Challenge That Judaism Poses to the Study of Religious Diversity

ABSTRACT

When political theorists talk about “religious diversity,” they usually intend the multiplicity of “religions” in a given society. Yet we now know that the secular, liberal framing of the problematic presupposes a controversial definition of “religion.” My primary goal, in this paper, is to reorient scholarly discussion around what we might call “the critical religion conception of diversity” – not the multiplicity of “religions,” but the myriad ways that the sacred intersects with national and political identity, some of which resist assimilation to the “religious” paradigm. Toward this end, I relate a story about Spinoza’s Hebrew reception in the interwar period. For Zionist intellectuals, Spinoza symbolized the deformations that “religion” imposed on Judaism’s self-understanding and the constraints that it placed on Jewish intellectual horizons. Studying the Zionist critique of “religion” exposes the limitations of received theoretical frameworks, which cannot address the kinds of diversity that were politically consequential for twentieth-century Jews.     

Spinoza,radical enlightenment,and the general reform of the arts in the later Dutch Golden Age: the aims of Nil Volentibus Arduum

ABSTRACT

The Amsterdam theater society Nil Volentibus Arduum, which was founded in 1669 and remained active for some years, was not just a circle meeting regularly to discuss theater theory and practice, but was devoted to discussion of all the arts as well as language theory in relation to society. As far as the Amsterdam theater was concerned, its main purpose was to try to raise the level and provide more of a moral and socially improving direction to the stage. Arguably, also, it had a certain impact on discussion and theorizing about late Dutch Golden Age painting. Two of its most active members, Lodewijk Meyer and Johannes Bouwmeester, were among the closest friends and allies of Spinoza. Opponents and detractors of the society took to associating it in the public mind with the “atheist” Spinoza. This article seeks to understand the theoretical concerns of the society and assess its relationship to its broader Dutch context and to Spinoza and Spinozism.     

Spinoza on art and the cultivation of a disposition toward joyful living

ABSTRACT

This paper forms part of a larger project which seeks to derive a theory of art from a close reading of Spinoza's work. It focuses on the importance of the aligned terms of ingenium and dispositio, which are both used to discuss the central importance of “dispostion” to our capacity to live well. While it is not possible to avoid affects, it is possible to order them in such a way that their negative impacts are lessened and their positive impacts are enhanced. We begin by underlining the importance of disposition to opening the way to understanding. We connect this to Spinoza's acknowledgement of the importance of art in helping to provide a plan for living. We turn to readings of ingenium in the work of Moreau and Balibar to further explore how the concept of disposition helps us to recognise the capacities of works of art to affect their audiences.