Reading “wrecks of history” and the Harley family narrative

During the English civil wars, many elite families faced the destruction of the buildings, monuments, and movables that had served for centuries as testaments to their social standing. The Harleys of Brampton Bryan in Herefordshire faced just this situation after their estate was demolished during a Royalist siege in 1644. While the family had ample cause to lament, this study reveals that destruction could also be framed as a generative force. In this framework, the broken artefact works in multiple ways, recalling the intact pre-war family while simultaneously attesting to its suffering and sacrifice. As the Harleys and those close to them wrote about loss and destruction, they evoke the family’s ancient prestige and re-frame loss in a way that lays the groundwork for local reconciliation and the success of the Harley line. Out of the ruins of their lives, the Harleys are re-created as a godly, genteel family.     

A Pigment Characterization Approach to Selection of Dating Methods and Interpretation of Rock Art: The Case of the Mikinak Site,Lake Wapizagonke,Quebec, Canada

Dating is perhaps the most frequently asked question in rock art studies, but still one of the most difficult to answer. However, chronology is vital in order to understand and interpret rock art sites. Unfortunately, attempts at dating the Mikinak site, at Lake Wapizagonke, Quebec, Canada were unsuccessful. But a multi‐instrumental protocol applied to characterize paintings shows that at least three different paint recipes were employed to create the site. These may reflect three different phases of paintings, and that at least three different artists contributed to the production of this site.     

Finding Thoreau in French Canada: The Ideological Legacy of the American Revolution

Henry David Thoreau’s Yankee in Canada is easily overlooked. Because it is so selective in its depiction of life in the St. Lawrence River valley, historians of mid-nineteenth-century Canada have shown little interest in Thoreau’s first-hand account. To American readers, it offers little of the characteristic Thoreau found in Walden and Resistance to Civil Government. Yet, it is highly significant as an expression of national self-definition. Thoreau borrowed themes at least as old as the American Revolution when noting the pernicious rule of Catholic and British power in Canada. He set out to expose the promise of republican values by emphasizing the contrast between these and the poor and morally stunted life under Old World institutions. His work must therefore be interpreted as a call to his audience to commit more deeply than ever to the ideals that animated the Great Republic’s founding moment. It must also stand as a civic interpretation of American nationality at a time when this perspective was waning. Before long, Old World peoples would be racialized and the ideological embrace of the republican values advanced by Thoreau would no longer suffice in making American citizens.     

Europe's confused transmutation: the realignment of moral cartography in Juan de la Cosa's Mappa Mundi (1500)

Following the voyages of Christopher Columbus, John Cabot, Alonso de Ojeda and Amerigo Vespucci in the last decade of the fifteenth century, the New World of the Americas entered the cartographic and moral consciousness of Europe. In the 1500 mappa mundi of Juan de la Cosa, navigator and map-maker, we see Europe as a hybrid moral entity, a transitional blend of the medieval and the modern at the crossroads between two mappings of Europe. This paper argues that the Juan De la Cosa map represents a blurred transition between map-making traditions and a mixed moral rhetoric of European identity. The De la Cosa map operates across two sets of imagined axes: held horizontally, the map is set to a Ptolemaic grid with Europe straddling the Prime Meridian, and yet when held vertically it presents a medieval moral continuum in which the Americas occupy an ascendant position, a verdant new Jerusalem in contrast to the Babylon of the Old World. Europe is both drawn to the centre of a new world order, and also pushed to the moral margins in an echo of the medieval mappa mundi still imperfectly resolved.     

FROM CATASTROPHE TO HOPE

In his recent book, Amir Eshel focuses on over thirty recent German‐, Hebrew‐, and English‐language novels to develop a reading method—the “hermeneutics of futurity”—that would replace moralizing approaches to past traumas, including German guilt over the Holocaust and Israeli denial of Palestinian suffering. Futurity demonstrates how various narratives imagine a future liberated from denial, guilt, and thus traumatic repetition. In so doing Eshel emphasizes human agency to counter the “hermeneutics of suspicion” that has long dominated a great deal of literary theory, and focuses on how novelists construct human choices and their consequences. He covers two generations of German‐language novels spanning the Adenauer era to the present, and two generations of Israeli writers reflecting on 1948 and later, 1967. In order to develop fully the concept of futurity he also writes on recent American and English novels, often with implicitly political themes. The book succeeds in demonstrating the value of how various novelists read the past otherwise in order to reconstruct the present and future. At the same time, Eshel conceives human agency and “choice” so capaciously that the book often neglects the institutional constraints on agency that afflict victims of traumas in particular. His treatment of Martin Walser's controversial fictionalized memoir is exemplary of this problem in an otherwise stimulating work.     

RESISTING MODERN TEMPORALITIES: TOWARD A CRITICAL HISTORY OF BREAKS IN TIME

This is an exceptionally sophisticated and wide‐ranging book on historical time, the construction of the past, present, and future, and the problem of periodization. Its major thesis is that temporal divisions of history are produced by social actors, including historians, who break up time from their distinct temporal positions. The book inquires about the theoretical underpinning and historical constitution of temporal breaks: the premises sustaining notions of pastness, presentness, and futurity; the relations constructed by these notions between historiography and other fields of knowledge; the specific articulation of shifting and mutually competing temporalities both within and beyond European history; and the political implications of temporal divisions. Throughout the book the breaking up of time is studied as a fundamental political operation. To engage with temporal breaks, the authors contend, is to engage with the historian's contemporary, to negotiate borders that act upon the present, including the border that safeguards the presumed autonomy of the time of history‐writing. Focusing especially on the temporality of European modernity, the book invites reflection on the politics of time as articulated through categories of historical totalization imposed on modernity's others. But it also suggests that this imposition gave rise to acts of resistance indicating how historical time defies the analytical categories through which social actors seek to organize and control it. This dialectic of imposition and defiance is made evident through the comparative study of temporal concepts that replace one another, compete with one another in certain historical settings without any of them constituting a final historical representation. It is also traced in the continuing significance of suppressed or “failed” temporalities, which are nonetheless still capable of challenging and qualifying our insights into historical time. The book's key contribution lies precisely in the attempt to intensify this challenge by translating the contradictory constitution of modern temporality into a language of self‐critique.     

A CRAVING FOR CRITICAL HISTORY

Roger Cooter is concerned about the survival of historiography under the pressures of neoliberal economics and the entertainment industry. His and Claudia Stein's book is a welcome call for “critical history,” which is aware of own fundamental intellectual categories. Cooter emphasizes the importance of self‐reflection and political contextualization of all knowledge‐production. However, although reflection is undoubtedly a virtue, it is not clear whether historiography is under such a severe threat. It is also necessary to ask where the limits of contextualization lie. It is doubtful whether a fully localized and contextualized study removed of all “presentist” categories and language is possible. In addition, one should avoid combining antirealism about natural sciences in the name of anti‐Whiggism with realism about historical knowledge in attempts to provide contextualized accounts of the past. What is needed above all is the hermeneutical dialogue between the language of past agents and the language of present actors.     

AN OPEN INVITATION?: ADDING LINKS TO THE EPISTEMOLOGY OF HISTORICAL REPRESENTATIONS

Gradual changes in the way historians select, interpret, and represent aspects of the past are related to equally or perhaps more gradual changes in museum practice. Edited collections on this subject reflect the state of both disciplines and offer an opportunity to evaluate trends, assess progress, and forecast the future. The collection examined in this review essay focuses on the idea of sharing historical authority: How far have we come? What methods have been used? What is the value of collaborative effort? Have technological developments, including digital media and the “participatory Web,” really enabled more inclusive participation? The analysis of the collection includes specific attention to the text itself as an exhibitionary object and emphasizes the effects of its unusual design elements, deictic signals, and heterogeneous genres—particularly the case studies and “thought pieces” that form a significant part of the collection. Other focal points include: the interrogative mood of the text and its call for active reading; explicit historical, social, and disciplinary contexts; and precursor texts that have addressed similar subject matter.