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51.
西汉景帝阳陵自上世纪90年代开展考古工作以来,现已清理了陵园建筑基址、外藏坑、陪葬墓等诸多遗存,出土了极其丰富的各种遗物,其中陶猪、陶羊、陶狗、陶鸡、陶牛等陶塑动物为一大宗。相对而言,陶牛数量不是很多,但仔细分  相似文献   
52.
During the Iron Age a subsistence economy based on mixed farming existed in the Dutch wetlands. A model based on subsistence is put forward and tested against the archaeozoological data of 27 sites in order to gain insight into the role of animal husbandry. The model confirms that cattle husbandry was the dominant form of animal husbandry but pigs and sheep were also important at some sites. Although a high number of pig bones were expected, their role is mostly insignificant. An explanation is sought in their lack of secondary products and their competition with humans for the scarce cereals in the wetlands. The mortality profiles for cattle are largely in accordance with the subsistence model. Older cattle are used for traction, milk and herd security and sheep were mainly kept for their meat but also for their milk and wool. Differences in animal husbandry between sites also exist. At two sites more cattle were killed for their meat and at three sites the proportion of older cattle was larger than expected. Although this first test renders the subsistence model viable, it needs to be tested against more sites with larger bone samples.  相似文献   
53.
The beginning of animal husbandry in Finland is one of the most debated topics in Finnish archaeology. For this study a total of 69 bone materials from archaeological sites in Southern, Western and Eastern Finland, dating from the Middle Neolithic to the Early Metal Period, were analysed: 52 represented identifiable animal bones. These data were complemented with those from previously analysed bone materials. A total of 19 domestic animal bones were radiocarbon-dated to determine their connection with a particular cultural period. However, 13 of them proved to belong to the historical and not the prehistoric period, emphasizing the importance of radiocarbon-dating and context awareness when interpreting prehistoric bone materials. Among the radiocarbon-dated material were the oldest dated sheep, cattle and horse bones in Finland. The oldest radiocarbon-dated domestic animal bone in Finland, from sheep or goat, derives from the Late Stone Age Kiukainen Culture site, while cattle and horse bones date to the Bronze Age. This is later than expected. However, the available material does not exclude the possibility that some animal husbandry was practised in Finland earlier. Nevertheless, domestic animal bones are rare in samples dated to the cultural periods studied, while hunting and fishing represented important subsistence activities.  相似文献   
54.
Abstract

At Doel, in the lower basin of the river Scheldt, excavations have revealed camp sites of the Swifterbant culture dating back to the second half of the fifth millennium BC. They document the transition period from the Late Mesolithic to the Early Neolithic in Sandy Flanders (NW Belgium). The sites were situated on the top of sandy ridges which were covered with an alluvial hardwood forest vegetation and surrounded by wetlands. Only burnt animal remains survived at the sites, illustrating (seasonal) fishing and hunting. In addition, botanical evidence indicates the herding of domestic mammals. The finds are of importance for the reconstruction of the chronological development of the food economy of the Swifterbant culture.  相似文献   
55.
This paper presents the results of an investigation of organic binding media detected in samples from the Mycenaean wall-paintings at the “Palace of Nestor” in Pylos (Western Messenia, Greece): samples dated from the Late Bronze Age (ca. 1200 BC). This is the first scientific study to be conducted on organic binding media in Mycenanean painting, and it is a study that aims to contribute significantly towards our understanding of the original painting techniques used during the Bronze Age. The analytical procedures employed for the detection and characterization of the organic substances preserved within the paint layers (proteinaceous materials, lipids and plant gums), were based on chromatography/mass spectrometry techniques (PY–GC/MS, GC/MS). The most significant results, highlighting an a secco painting technique, are herein reported and discussed.  相似文献   
56.
In China, during the Han dynasty, large-scale, three-dimensional stone sculpture appeared. Stone animals and stone human figures were erected in front of tombs and on their approach routes. Chinese art, which had long loathed realistic representation of human body, began to turn towards the human body. However, these stone human figures were cloaked in thick garments, and their expression was nothing more than generalized surface treatments. In the first half of the 5^th century, Chinese stone sculpture met an unprecedented foreign influence in its encounter with Buddhist art, and there was a rapid development of human figural sculpture via Buddhist sculptures. In the Tang dynasty, a Chinese style of Buddhist sculpture, fitted with both bodily expression and decorative qualities, matured. On the other hand, the erection of stone sculptures and steles spread in the general classes and in regional areas, given the undercurrent of China' s native preference for, and reverence of, jade. Chinese stone sculpture developed amidst a repetition of being greatly swayed by the "foreign" and held back by the 'traditional.' In the history of Chinese stone sculpture, it was always foreign cultures that brought the opportunity for the birth of new changes.  相似文献   
57.
Enclosures, single large curvilinear structures, constitute ubiquitous relics of past human societies in marginal environments. Many enclosures suffer from severe scarcity of related artefactual and ecofactual remains, allowing only tentative assessments of their date and function. A case in point comes from the Judean Desert, Southern Levant, where several dozen enclosures were surveyed and described as Chalcolithic cult sites. Using new research strategies, incorporating critical evaluation of previous surveys, test excavations and optically stimulated luminescence dating, we were able to date enclosures to a much broader time span than previously suggested, and reject their proposed ritualistic function.  相似文献   
58.
This paper investigates the consumption of animals and their products in the northwestern provinces of the Roman Empire. A regional approach was used, comparing two research areas: the northern part of modern Switzerland and the central part of the modern Netherlands. These two regions have different histories, backgrounds and landscapes. Our aim was to find out whether these different histories and backgrounds led to different consumption patterns and to what extent they correspond to Roman-style nutrition. Furthermore, we looked for developments over time in consumption of meat and exploitation of livestock. A data set consisting of over 282,000 fragments of cattle, sheep/goat and pig from 188 samples from military sites, urban centres and vici was collected. Our study identified both differences and similarities in consumption and exploitation patterns. Differences can be explained by the regional character of each research area, while similarities suggest wider economic developments in the Empire and general supply strategies of the Roman army.  相似文献   
59.
ABSTRACT

In this paper, Chimelong Ocean Kingdom in Zhuhai is considered an aestheticised space for the growing Chinese middle class. Located within the booming and fast-urbanising Pearl River Delta, the theme park is a sizeable project consisting of rides, marine mammal enclosures and a well-equipped state-of-the-art circus. Utilising ethnography, including visitor interviews, and discourse analysis of websites, mobile apps and promotional materials, the theme park is found to deploy animal motifs in three key ways: as spectacular backdrops for amusement rides, as objects of biodiversity-based edutainment and as highly personified agents in visitor relations. Building on existing literature on decontextualised animal display – where emphasis on the provision of a natural habitat is replaced by simulated and actual proximity of animals to the visitors – I argue that the ‘out-of-situ’, cuteified and hyperreal stagings of Chimelong's animals have been shaped by two further China-specific processes. The first is the engagement with the theme park space as a sanitised and safe environment for a then one-child policy inspired child-centred visitation. The second refers to the retail-oriented consumerist experiences demonstrated by the new Chinese middle class. Both processes have brought about an aestheticising endeavour in line with the idealisation of other (Chinese) middle-class spaces, and have positioned Chinese theme parks as key nodes in our understanding of leisure and tourism spaces and of middle-class landscapes in contemporary China. Such an examination is made at a juncture where and when abuse of marine mammals is allegedly on the rise, and sheds light on the social processes shaping the popularity of such experiences in contemporary China.  相似文献   
60.
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