Difference Between the Self and the Heathen. European Imperial Culture in Dutch Missionary Exhibitions, 1909–1957

‘Imperial culture’ is a concept coined by British historiography to describe the influence of imperialism on metropolitan British culture. Although it is now used in other national historiographies as well, it would appear that we have not yet realised the concept's full potential. This article, drawing on recent scholarship emphasising the transnational connections in European imperial cultures, investigates the implications of seeing imperial culture as a European phenomenon and as a European mentality. For this purpose, this article uses the narrative that was propagated at a specific national practice where empire met a metropolitan European society as a case study: missionary exhibitions in the Netherlands in the first half of the twentieth century. Here, Catholic and Protestant missionaries displayed objects from the indigenous, colonised populations who they were trying to convert and hereby legitimised and underpinned imperialism in Dutch culture. However, their significance went deeper than that. This article argues that the missionaries’ narrative transcended the national level and promoted ideas of Christianity as a European religion and civilisation as a European trait. A European community based on religious, cultural, and racial traits was set against a generic non-European heathen world. However, national and denominational frames of reference also remained in place. With this case study, the article explores the possibilities and difficulties that arise from studying imperial culture as a European mentality.     

Reading “wrecks of history” and the Harley family narrative

During the English civil wars, many elite families faced the destruction of the buildings, monuments, and movables that had served for centuries as testaments to their social standing. The Harleys of Brampton Bryan in Herefordshire faced just this situation after their estate was demolished during a Royalist siege in 1644. While the family had ample cause to lament, this study reveals that destruction could also be framed as a generative force. In this framework, the broken artefact works in multiple ways, recalling the intact pre-war family while simultaneously attesting to its suffering and sacrifice. As the Harleys and those close to them wrote about loss and destruction, they evoke the family’s ancient prestige and re-frame loss in a way that lays the groundwork for local reconciliation and the success of the Harley line. Out of the ruins of their lives, the Harleys are re-created as a godly, genteel family.     

One for all,or all for oneself? Governance cultures in regional public transport planning

Due to the fragmented organizational landscape characterizing public transport, it is important to study and explore how regional governance of public transport adapts to national institutional reforms. By employing the term ‘governance cultures’ to a comparative case study of regional public transport planning in Sweden, we contribute to theories of governance by cultural sensitization. Combining governance theory with cultural analysis, we apply a cultural perspective to understand the two cases. We conclude that public transport planning in the Stockholm region is defined by ‘negotiations’ between stakeholders, whereas in the Västra Götaland region it is characterized by a governance culture of ‘collaboration’. The evidence from our case studies emphasizes the importance of understanding local governance practices as situated in cultural contexts as well as of viewing governance cultures as an important factor affecting the purpose, degree and outcomes of collaboration in planning practices.     

Putting People on the Page: Material Culture as a Way in to Everyday Life behind the Facades of Tallis’s London Street Views

Tallis’s Street Views describe London as a commercial and professional centre but the visual representation of the street elevations gives an impression of quiet emptiness; it is hard to get a sense of the activity in and around the businesses portrayed. The household inventory of one of Tallis’s advertisers, a dentist who died in 1850, suggests a way of redressing this. An interpretive reading of the list of the dentist’s belongings, disposed around the different spaces of the premises, which housed his residence, his business and other households, gives some sense of the complexity and struggle at a daily level behind Tallis’s apparently orderly professional and commercial facades. This indicates that we can look more generally to material culture – whether in textual and visual representations or as actual artefacts – to provide a deeper understanding of people’s everyday life in a developing city.