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121.
Michael Benjamin 《American Nineteenth Century History》2013,14(1):79-94
In 1912, Daniel Alexander Payne Murray published a prospectus for his “Historical and Biographical Encyclopedia of the Colored Race throughout the World.” He promised to publish what literary historian Henry Louis Gates Jr., would describe as the “Grail” for black scholars. As Murray planned his encyclopedia in the first decade of the twentieth century, persons of African descent in the United States were killed and assaulted because of their race, and racial identification was as critical an issue as it was also ambiguous. Moreover, despite its ambiguity, or perhaps, because of it, race, in 1912 and since the Naturalization Act of 1790, had everything to do with American citizenship. In Murray’s time, whether a person was identified on the one hand as “white” or “octoroon” versus an identity as “black,” “Negro,” “mulatto,” or “quadroon” influenced whether or not that person could exercise his rights as an American citizen (with her rights barely entering the question). However, race, as Murray understood with its skin color codes shading the meaning of American citizenship, was much more a social construction than it was biological evidence of a person’s hereditary origins. Formulating a strategy in support of black American citizenship, Murray developed a global interpretation of the black American experience from a pragmatically ambiguous cultural practice to compose an identity for himself, his people, and his proposed encyclopedia. 相似文献
122.
This paper addresses the role of comic books in interpellating national identities, locating the process of national identity formation in the interplay between popular culture producers and their audiences as described by Althusser (1977) and McGee (1975). The empirical section of this paper focuses on Captain Canuck, a Canadian-produced comic book originating in the 1970s and sporadically published through the present day. The authors engaged in a qualitative content analysis of the Captain Canuck comic books, searching for themes and markers of Canadian-ness and looking for audience identifications with those themes and markers in the ‘letter to the editor’ columns published within the comic books themselves. The study finds that through the many incarnations of Captain Canuck various versions of Canadian identity have been projected, with varying degrees of support by the readership. The role of the USA in Canadian identity formation looms large, especially in the positioning of Canadian quality and multiculturalism against the tacitly American lack thereof. Another finding of this research is that there has been a fundamental change in the way Canadian identity is structured as a new, commercially driven Canadiana culture industry has arisen since the 1970s. 相似文献
123.
Benjamin Fraser 《Social & Cultural Geography》2013,14(5):673-700
The scholarly focus on the production of space necessitates a thorough reassessment of the static categories employed in the analysis of spatial processes. Emphasizing space as a process, this essay calls attention to the recent implication of Madrid's Retiro Park in larger processes of capital accumulation. At the same time, it highlights the insufficiency of the tempting yet problematic distinction between public and private space that obtains in easy solutions to the struggles over city-space. As many critics have pointed out, there is design flaw in the idea of public space—it can never explain how a given space, such as a park, comes to be free of the ‘private’ (personal and structural) interests operating throughout its societal context. The story of the Retiro ultimately foregrounds the pivotal role of city-space in the drive for capitalist intercity-competition and suggests that the latter process is insufficiently confronted by idealized notions of the role truly ‘public’ spaces might play in radical democracy and citizenship. 相似文献
124.
Archaeology has been a persistent theme for video games, from the long-running Indiana Jones and Lara Croft franchises to more recent uses of archaeology in games like Destiny and World of Warcraft. In these games, archaeology is often portrayed as a search for treasure among lost worlds that leads to looting and the destruction of cultural heritage. In this article, we review the current state of archaeological video games, including mainstream and educational games. While this is not an exhaustive discussion, it provides an introduction and overview to the current landscape. We propose that an understanding of current popular archaeological video games is important to archaeologists for three reasons: (1) it is a source of potentially dangerous misconceptions about the discipline that must be addressed; (2) it can be a source of inspiration for funding and a means to recruit new students to the discipline; and (3) games can be leveraged as teaching moments in classrooms and public discussions. It is important that archaeologists recognize the ways the discipline is being portrayed in such public contexts, in order to maximize the potential benefit for archaeology and to prevent further misconceptions about the subject. 相似文献
125.
Christopher Airriess Michael Hawkins Elizabeth Vaughan 《Social & Cultural Geography》2013,14(1):49-67
Various material forms of national identity have become ubiquitous features of the post-9/11 American cultural landscape. This research specifically examines the ‘In God We Trust’ (IGWT) license plate in the state of Indiana as a material expression and territorialized form of national identity. While conceptually anchored in banal nationalism research, exploring the spatial patterns of adoption or non-adoption of IGWT license plates by Indiana residents is only possible through situating this research through the mediating lens of the culture wars and civil religion. Although the IGWT license plate project legislatively materialized through the localized spatial networks of non-state actors in the context of a new and conservative state–citizen relationship firmly anchored in the culture wars, adoption behavior is also mediated through the much broader influence of civil religion. We conduct a quantitative analysis to determine license plate spatial distribution by county, but more importantly to explore the sociodemographic dimensions of IGWT license plate adoption and non-adoption. While our results generally mirror the sociodemographic findings of social issue-based electoral geography, the imbrication of banal nationalism, the culture wars, and civil religion as materially expressed by the IGWT license plate yields an ideologically different and broader dynamic when compared to culture wars defined by national identity. 相似文献
126.
Richenda Gambles 《Children's Geographies》2013,11(2):188-201
This article considers what a ‘structure of feeling’ approach can reveal about the gendered dynamics of parenting during the ‘New Labour’ years of the UK government. It explores some of the ways in which contestations about gender roles were evident in policy and in popular cultural discourses and demonstrates how these discourses both contained their own internal tensions and contradicted each other. It then reflects on the strategies that parents engaged in need to make sense of and manage these contestations and makes clear some of the pressures that had come to bear through policy and popular culture on parents' personal lives. 相似文献
127.
128.
Nathan L. Clough 《对极》2012,44(5):1667-1686
Abstract: Through an examination of anarchist organizing and policing and security tactics at the 2008 Republican National Convention, this paper argues that the emotional connections between radical activists have become the targets of both social movement strategies for growth and police strategies for social control. As such, the emotions of activists are a site of intense political contestation. I introduce the concept of affective structures to develop an account of the relations between affect, emotion, and radical politics, and present these structures as both the means and the ends of contemporary anarchist organizing and state strategies for social control. 相似文献
129.
桂黔湘边区侗族文化遗产旅游圈的提出是对区域旅游发展战略思考的结果。桂黔湘边区侗族文化遗产旅游圈是以三省坡为核心,以东西向的交通干线为横轴,以南北向的交通要道为纵轴,以横轴与纵轴的旅游流向关系为基本依托的区域旅游合作系统,并形成一个核心、三个圈层、四条轴线的区域网状格局的基本构架。这一旅游圈的构建和打造,是桂黔湘边区各县实现新农村建设目标,解决\"三农\"问题的重要举措,也是开发侗族文化旅游产品,传承中国优秀侗族文化遗产,提升区域旅游产业竞争力,实现可持续发展的根本措施。 相似文献
130.
陕西文化旅游资源开发研究 总被引：14，自引：0，他引：14
文化旅游是旅游业发展的最新趋势,陕西省作为我国的旅游资源大省,要进一步发展旅游,就必需以文化旅游作为旅游业的主要发展方向。本文对陕西文化旅游资源的潜力和优势及开发中存在的问题进行了深入分析,在此基础上,以现有的文化旅游资源类型为依据提出了文化旅游资源的开发构想,即以名城文化为主体,结合史迹文化和节庆文化来整合各类文化旅游资源开发旅游产品,并针对陕西文化旅游的发展探讨了具体的文化旅游开发措施。 相似文献