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91.
G. Piga A. Malgosa T.J.U. Thompson M. Guirguis S. Enzo 《International Journal of Osteoarchaeology》2015,25(2):146-159
A series of graves belonging to the Phoenician period were investigated after the campaign excavation of 2007 in the Phoenician‐Punic necropolis of Monte Sirai (Carbonia, Sardinia, Italy). One tomb in particular (labelled 252) is presented here because of its uniqueness. Tomb 252 contained the cremated remains of an individual, probably male, and comparison of the excavation records alongside reconstruction of the bone material itself makes clear that the individual was cremated in a prone position. It represents the first case of prone cremation reported in the literature. To investigate whether the temperature of the cremation was homogenous across the entire body, we have conducted a combined physical–chemical analysis using X‐ray diffraction spectroscopy and Fourier transform infrared. Copyright © 2012 John Wiley & Sons, Ltd. 相似文献
92.
郑州市文物考古研究所 《华夏考古》2006,(2):3-32
2003年10-12月,郑州市文物考古研究所配合基本建设,在郑州市南阳路家世界购物广场工程区发掘一批战国墓葬,出土大量随葬器物,以陶器为主,其年代为战国中、晚期。 相似文献
93.
尉迟寺出土陶鬶的启示 总被引:1,自引:0,他引:1
史前陶鬶发展的主流看法是起源于海岱地区,然后向周围传播。但是,蒙城尉迟寺遗址出土的陶鬶现象给这种观点带来了难解的课题。本文通过对尉迟寺出土陶鬶的验证,再次肯定了陶鬶应该发源于太湖地区。并且,尉迟寺遗址也是陶鬶发展过程中的关键区域,为陶鬶的传播研究提供了宝贵的资料。 相似文献
94.
庐江大神墩遗址发掘简报 总被引:1,自引:0,他引:1
大神墩遗址是在修建合安高速公路时发现的,属安徽江淮一带典型的台形遗址,总共发掘面积 330平方米。大神墩遗址文化层堆积薄,遗迹遗物相对简单。出土陶器以鬲为大宗,其次有豆、盆、三足盘和盉等,尤其是盉,特征明显,可能是江淮之间群舒文化因素的来源。 相似文献
95.
96.
Renewed research interest in the origins of pottery has illuminated an array of possible precipitating causes and environmental contexts in which pottery began to be made and used. This article is an attempt at synthesizing some of these data in hopes of stimulating further research into this intriguing topic. Following a review of theories on the origins of pottery, discussion proceeds to a survey of geographic and cultural contexts of low-fired or unfired pottery, highlighting the role(s) of pottery among contemporary hunter-gatherers and summarizing data pertaining to varied uses of pottery containers. It is argued that objects of unfired and low-fired clay were created as part of early prestige technologies of material representations beginning in the Upper Paleolithic and are part of an early software horizon. Clay began to be more widely manipulated by nonsedentary, complex hunter-gatherers in the very Late Pleistocene and early Holocene in areas of resource abundance, especially in tropical/subtropical coastal/riverine zones, as part of more general processes of resource and social intensification (such as competitive feasting or communal ritual). Knowledge of making and using pottery containers spread widely as prestige technology and as practical technology, the kind and timing of its adoption or reinvention varying from location to location depending on specific needs and circumstances. 相似文献
97.
Michelle Hegmon 《Journal of Archaeological Research》2002,10(4):307-357
Archaeological research in the Mimbres region (southwestern New Mexico) has focused on the post-A.D. 500 ceramic/agricultural occupations, especially the Mimbres Classic period (1000–1130). This work has advanced general anthropological issues regarding mobility, land use and human impact, and the concept of abandonment. Deeper understandings of some of these issues require more detailed demographic estimates, which in turn are dependent on methodological advances, particularly studies of site use life. Research on the production and distribution of Mimbres pottery—famous for its naturalistic black-on-white designs—is advancing rapidly. Although the designs have been well illustrated and much discussed, more systematic anthropological research on Mimbres design style is badly needed. Various aspects of Mimbres social and ideational realms (e.g., household and community organization, social hierarchy, the symbolism of the pottery designs) have received some attention but await new perspectives derived from current social theory. 相似文献
98.
本文分析了隋代书法在中国书法史上承前启后的特殊状况,指出隋代北方铭刻的主要成就是逐渐摆脱了前朝篆隶书体而形成了楷书书体,南方的纸书在跃出章草畦径的过程中初步酝酿出草书的章法,楷书已成熟定法。“书”之所以能够有“法”并且成为一门高雅的艺术,是因为隋代完成了“普法阶段”,最好的例证就是智永和隋贤的存世之作。 相似文献
99.
Krafft F 《Berichte zur Wissenschaftsgeschichte》2003,26(3):157-182
Pharmacy serving to propagate the Lutherian doctrine of justification: "Christus as a pharmacist" is an interconfessional, but confessionally differentiated symbolic motif (Sinnbildmotiv) of Christian folklore art in German-speaking countries. The article investigates the sociocultural conditions and prerequisites (German bible translation, religion and confession, piety, pharmacy, chymiatry, chemistry, apothecary training and status) for transfering the old metaphor and idea of Christ as a physician to the new vision of Christ as a apothecary who prepares and dispenses his heavenly medicine all by himself. In the early 17th century (especially in the 1610's) these requirements were fulfilled, so that the oldest known witness to this motif transfer (picturing the so-called Heilandsruf of Matthew 11, 28), a genre picture of 1619, will be the first pictural version of this motif in general. It was created by the protestant Painter Mich(a)el Herr of Nuremberg. In the abstract and reduced form of a devotional picture this motif then became widespread in churches and vicarages, in monasteries and their apothecaries as well as in private houses (with small altars: Herrgottswinkel). The oldest yet known examples are works from around 1630. For the first time during the Thirty Year's War, it served in this form for propagating the Lutherian justification doctrine (now referring to Jesaja 55, 1), saying that the belief in Christ is enough to be released from all sins (sola fide). Around 1650, as a reaction to that, a catholic version of the devotional picture was created, claiming and picturing that in contrast eucharist is the highest and real, healing medium' of Christ to redemption. All pictures of this version avoid quoting Jesaja 55, 1, whereas all protestant pictures quote this verse from the Bible word-for-word. 相似文献
100.
《International Journal of Osteoarchaeology》2017,27(2):143-154
Examining recently excavated burnt burials, we explore the potential of spatial analysis to contribute to the understanding of changes that human body goes through during burning and relocation to the place of secondary deposition. Artificial heat decomposition of a body is a complex process that consists of several stages of intentional manipulation with the body. Each stage can be biased by several accidental factors which then significantly change the final archaeological record. We focussed on the post‐burning stage, especially the pathways of bone fragments to secondary deposition. We investigated spatial distribution and weight of bones in urns and pits and asked whether it is possible to observe their intentional arrangement. The trend of bone arrangement could be distinguished in most cases. Bones of peripheral parts of body were typically situated at the bottom; skull bones were usually concentrated in the upper part. However, the weight underrepresentation of all investigated burials was apparent. Deposition of selected burnt bones suggests their careful collection from the pyre and complex post‐mortem manipulation. Our detailed analysis aims to reconstruct particular steps executed during funeral rites of past populations. Copyright © 2016 John Wiley & Sons, Ltd. 相似文献