Rough Justice: Lars von Trier's Dogville and Manderlay and the Book of Amos

Abstract

In his films Dogville and Manderlay, Lars von Trier offers an account of divine justice which has paradoxically offended humanists but has struck a chord with some Christian theologians. This paper seeks to show that the account of divine justice in the book of Amos and in the Hebrew Bible more generally is illuminated by juxtaposition with von Trier's work. Importantly, however, the two films cited have to be seen as part of a uncompleted trilogy which means that the criticisms directed at von Trier on the basis of the first film alone need to be reassessed in the light of the second. Key issues that emerge are the relationship between individual and communal guilt and the arrogance involved both in judging and not judging others. Justice is not to be equated with law or individual deserts in either Von Trier or Amos but is more closely related to the inevitable restoration of balance in a natural system. Such justice is rough—both approximate and violent—but arrogant attempts to mitigate that roughness almost always end up with even more approximate and violent results.     

Design als ‘mediating interface’ Zur Zeugen‐ und Zeichenhaftigkeit des Radioapparates

Design as Mediating Interface: Historical Evidence and Symbolic Enunciation of the Radio Set. – Based on a case study on the invention of the radio station scale in the late 1920's and early 1930's, this article pleads for an interdisciplinary look at the importance of design as a mediating interface in the production‐consumption junction. In this cultural history perspective on technology, the material artifact matters both as a witness of and a sign for the symbolic meaning and appropriation of the technical object, which transgresses the functional logic of instrumental rationality. In presenting five different perspectives on design offering some alternative looks for a cultural history of technology, this theoretically inspired essay wants to sound the critical potential of a multilayered semantic approach to the radio apparatus as a prominent representation of a radical innovation in media technology.     

Geschichte als leitende Orientierungswissenschaft im 19. Jahrhundert

The nineteenth century has sometimes been dubbed “the age of historical science”, taking account of the hegemonic position occupied by historiography vis-à-vis the natural sciences and also its fellow humanities. The “historical method” was widely adopted by all kinds of Kulturwissenschaften. Moreover, public interest focussed on historiography to a quite exceptional degree since it combined scholarly inquiry and the purposes of general education and personal cultivation. Historiography reached the peak of its influence during the two decades leading up to the revolution of 1848. During this period, the ideas of historians on the national state, on the social order and on cultural affairs carried considerable weight. In the second half of the nineteenth century, historiography gradually lost its position of a “pilot discipline”. Sciences such as economics and sociology were better equipped to respond to the needs of German society in the age of industrialization.     

Disziplinerneuerung und Universitätsreform: Das Ius publicum Romano Germanicum

What caused the reforms which permitted the universities in the Holy Roman Empire to become leading places of scientific communication and mental orientation for centuries? In most cases, outside influences - pressures from governments, princes, scholars, councillors, consistories, or, as we would say today, state and churches - were decisive. But some reforms were the consequences of paradigm-changes within the universities themselves. Such shifts were less likely to originate with faculties concerned with medicine or the natural sciences than with those which were concerned directly with the political community or human societies. This changed only in the nineteenth century, which cannot be dealt with here.