Violence and resistance: Joyce Lussu’s minority revolution in trans-lation

Abstract

This article explores the theme of violence in the autobiographical work of Joyce Salvadori Lussu, an Italian partisan, political activist, writer and translator, who experienced many wars and violent conflicts throughout her life: the Great War; the Second World War; the anti-imperialistic struggles; and the protests of 1968. As a premise, the author will reconsider the philosophical notions of violence and force in relation to the concept of resistance, by first situating all these categories within a physical sphere. Second, the author proposes a rethinking of the subject of violence from a female perspective, by studying Joyce Lussu’s theoretical discourse about women and war. Therefore, through the analysis of images of violence gathered from Lussu’s literary work, the author interprets the essential role of women as ‘resistants’ as well as bearers of pacifist values. Finally, the author uses the category of minority revolution, inspired by Deleuze and Guattari, to underline Lussu’s political commitment on the side of renegades through her activity as a translator of minor literature. The methodological perspective adopted aims at challenging the contemporary domination of the anti-humanist discourse, by endorsing the secular values of Humanism, reemerged and theorized in Italy between the 1930s and 1960s.     

New Philadelphia: using augmented reality to interpret slavery and reconstruction era historical sites

Does a historical site lose its significance or become less worthy of interpretation if there are no surviving buildings? Can technology help present the stories of disadvantaged and disenfranchised groups whose heritage lacks well-preserved architecture or material culture? The emerging technology of augmented reality (AR) offers new ways of designing and shaping the public’s experience when visiting landmarks by enabling an unprecedented means to combine 3D historical visualization with historical landmarks. This especially applies to underrepresented groups whose heritages have not been well served by traditional modes of preservation and interpretation due to a variety of factors. These range from disadvantages relating to material culture to a greater emphasis on intangible heritage which have placed them outside the bounds of what archaeologist Laurajane Smith calls authorised heritage discourse. A project at the New Philadelphia National Historic Landmark, located in Pike County Illinois, seeks to address these issues through AR. The technology, while offering opportunities for historical interpretation, poses challenges in terms of designing AR systems that coordinate content presentation with specific locations as well as developing virtual historical content with varying levels of source materials.     

Moshe Dayan: “Israel’s No. 1 Hero” (in America)

This study explores how and why Moshe Dayan became the symbol of the modern Israeli hero in American culture. Through an examination of variegated evidence it is possible to discern patterns that illustrate the ways Dayan’s image crystallized, first, in the American Jewish arena, and then more broadly, in wider American public consciousness. With his trademark eye patch and irreverent personal style, Dayan, who more than any Israeli military-political figure captured the imagination of American Jewry, became not only the most recognizable sabra on the American scene but also a chief exemplar of the “new Jew.” Beginning with the War of Independence (1947–49) until roughly the Six-Day War (1967), Dayan symbolized Israel’s youthful, virile, and savvy hero struggling to build a home against all odds. From the Yom Kippur War (1973) to the Camp David Accords (1978) and his death, he came to exemplify a generation of Israelis who wrestled with the Jewish state’s existential geopolitical challenges. Investigating Dayan’s public persona enhances our understanding of his impact on the American arena – the man and the myth – and the ideational linkages so critical to the developing bond between the United States and Israel in the second half of the twentieth century.     

Representative democracy and the ‘spirit of resistance’ from Constant to Tocqueville

ABSTRACT

The role of resistance in the politics of modern representative democracies is historically contested, and remains far from clear. This article seeks to explore historical thinking on this subject through a discussion of what Benjamin Constant and Alexis de Tocqueville had to say about resistance and its relationship to ‘representative government’ and democracy. Neither thinker is usually seen as a significant contributor to ‘resistance theory’ as this category is conventionally understood. But, in addition to their more familiar preoccupations with securing limitations on the exercise of political authority and averting majority tyranny, both thinkers wrote extensively on the nature and meanings of resistance in ‘representative governments’ or democratic societies. Both thinkers are examined in the context of revolutionary and Napoleonic discussions about the legitimacy of resistance or ‘right to resist’ oppression, and against eighteenth-century discussions of the ‘spirit of resistance’ since Montesquieu. The article notes conceptual distinctions between resistance, revolution and insurrection in the period, and addresses the broader question of the extent to which early nineteenth-century French liberals sought to ‘institutionalise’ principles of resistance within modern constitutional frameworks.     

When the Revolution Reached the Countryside: Use and Destruction of Imported Wares in Alta Gracia,Córdoba, 1810

During the 1970s, excavations were conducted in Alta Gracia, Córdoba, Argentina, in a compound that once was a seventeenth and eighteenth-century Jesuit Convent and is presently a museum. During the excavation, an amazing amount of historic material never studied before was discovered inside a sealed privy. After studying the material, we were able to identify the objects as once belonging to Santiago de Liniers, a man who successfully resisted and expelled British invaders from Buenos Aires. As a result, he was appointed Viceroy, though eventually he was shot in 1810 for confronting the Independence movement. Our hypothesis is that these objects were thrown into the privy as a gesture of contempt associated with his capture and execution.