首页 | 本学科首页   官方微博 | 高级检索  
文章检索
  按 检索   检索词:      
出版年份:   被引次数:   他引次数: 提示:输入*表示无穷大
  收费全文   1503篇
  免费   19篇
  2024年   2篇
  2023年   7篇
  2022年   27篇
  2021年   19篇
  2020年   55篇
  2019年   32篇
  2018年   32篇
  2017年   51篇
  2016年   60篇
  2015年   30篇
  2014年   44篇
  2013年   176篇
  2012年   81篇
  2011年   92篇
  2010年   68篇
  2009年   98篇
  2008年   72篇
  2007年   85篇
  2006年   83篇
  2005年   78篇
  2004年   70篇
  2003年   77篇
  2002年   61篇
  2001年   59篇
  2000年   27篇
  1999年   10篇
  1998年   3篇
  1997年   4篇
  1996年   4篇
  1995年   4篇
  1994年   3篇
  1993年   1篇
  1991年   2篇
  1990年   4篇
  1988年   1篇
排序方式: 共有1522条查询结果,搜索用时 15 毫秒
51.
Chinese popular music, inspired by pre-war Shanghai music known as ‘shidai qu’ (时代曲) (songs of the era) and evolving to include Canto pop and Taiwanese Mandarin songs, has always been popular among the Chinese in Malaysia. This music is featured on radio, television, karaoke, and performed by orchestras such as the Dama Chinese Orchestra (大马) to enthusiastic reception. The songs have a broad appeal that transcends time, generation, and place. Of significance is the observation that the music has become a cultural marker and musical heritage for Chinese in Malaysia and in the region. The paper looks at factors behind this development.  相似文献   
52.
Katsinam (plural of katsina) are effigies central to the religion of the Hopi people of northern Arizona in the United States. Since 2013 the Hopi have sought the return of katsinam being sold in French auction houses. The Hopi have employed a series of legal actions to stop the auctions. All such actions, however, have been consistently denied by French courts. This paper uses social science analysis to understand why the legal actions of the Hopi failed. This paper treats the case of the katsinam as a cautionary lesson in cultural heritage studies, with the goal of drawing insights that can inform other situations involving the repatriation of Indigenous cultural heritage.  相似文献   
53.
The diary of Johanna Louisa ‘Josie’ Underwood (1840–1923), the daughter of Kentucky lawyer, politician and plantation owner Warner Underwood, portrays what happened to many elite households in Kentucky during the American Civil War (1861–1865), especially with its depiction of food as a scarce, and thus increasingly valuable, resource. Spanning the first two years of the conflict, Josie’s diary is essentially a war narrative written by a well-educated, articulate, outspoken, Unionist woman from a slave-owning family who was barely out of her teens when the fighting began. As she reveals through her entries, her state and in particular her hometown of Bowling Green, was a ‘hotbed of political and military action’, and at the centre of this ‘hotbed’ of activity was food. Often historians think about wartime hunger as a function of the later years of the war, but as Josie’s diary elucidates, food scarcity was an immediate and constant issue. Consequently, food became an important commodity in the borderlands during the war, especially in occupied cities like Bowling Green, where it was a vital, yet elusive, military and civilian resource which, when accessed and controlled, functioned as social currency and a political symbol of power, especially for women.  相似文献   
54.
Karen Jones 《War & society》2017,36(3):156-181
Marked by the Census Bureau’s closure of the frontier; the symbolic end of American Indian resistance at Wounded Knee and powerful articulations on the ‘winning of the West’ from Frederick Jackson Turner and Buffalo Bill Cody, the early 1890s was a critical moment in the history of the American West. It also saw the death of one of the region’s most famous cavalry horses, Comanche, who succumbed to colic in 1891 aged twenty-nine. Famously billed as ‘the only living thing to survive the Battle of the Little Bighorn’, this article uses Comanche as a locus around which to examine the history of warhorses in the military culture of the American West, and, more broadly, to point towards a growing scholarship on war and the environment that emphasises the usefulness of such themes as spatiality and inter-species exchange in embellishing our understanding of the experience, impact and cultural memory of war. Not only does Comanche’s lifespan (c.1862–1891) usefully coincide with the federal government’s final conquest of the West but his equine biography serves as valuable testament to the use of horses in the US military as both practical and symbolic agents of American expansionism.  相似文献   
55.
古建筑木结构的残损点指标是对古建筑木结构进行结构安全评估和加固修缮设计的重要指标,目前主要依据1992年制定的《古建筑木结构维护与加固技术规范》(GB 50165—92)中的规定,为了对该规范中的构架整体性残损点指标进行验证和补充,本研究通过对南方地区传统的穿斗木构体系和抬梁木构体系的典型榫卯节点和构架的试验研究,得出两种木构体系结构的整体性关键残损点指标,并与GB 50165—92规范进行比较分析。结果表明:规范规定的抬梁式木构架和穿斗式木构架的局部倾斜残损点比试验结果小,规范值偏于安全。规范中规定的抬梁式木构架梁柱榫卯连接残损点略小于试验结果,规范值偏于安全;而规范中规定的穿斗式木构架梁柱榫卯连接残损点对于燕尾榫穿斗木构而言是安全的,但对于透榫穿斗木构而言,则是不安全的。  相似文献   
56.
57.
Henry David Thoreau’s Yankee in Canada is easily overlooked. Because it is so selective in its depiction of life in the St. Lawrence River valley, historians of mid-nineteenth-century Canada have shown little interest in Thoreau’s first-hand account. To American readers, it offers little of the characteristic Thoreau found in Walden and Resistance to Civil Government. Yet, it is highly significant as an expression of national self-definition. Thoreau borrowed themes at least as old as the American Revolution when noting the pernicious rule of Catholic and British power in Canada. He set out to expose the promise of republican values by emphasizing the contrast between these and the poor and morally stunted life under Old World institutions. His work must therefore be interpreted as a call to his audience to commit more deeply than ever to the ideals that animated the Great Republic’s founding moment. It must also stand as a civic interpretation of American nationality at a time when this perspective was waning. Before long, Old World peoples would be racialized and the ideological embrace of the republican values advanced by Thoreau would no longer suffice in making American citizens.  相似文献   
58.
Choosing individual private entrepreneurs to be members of the People's Congress (PC) or the Chinese People's Political Consultative Conference (CPPCC) is one of the most important mechanisms for ‘cooperative capitalism’ in China. This article aims to answer two questions: First, what are the differences between factors for winning a seat at the PC and a seat at the CPPCC, respectively? Second, is there any difference between factors that have a significant impact on winning a seat at the county-township level and the prefecture-and-above level of the PC or CPPCC? Based on empirical findings, I have coined the term ‘wealthy-gentry politics’ to conceptualise the fact that behaving as a member of the socially responsible ‘gentry’ plays an increasingly significant role at the higher level and in the PC compared to the lower level and the CPPCC, while economic wealth is just a threshold and party membership is not a guarantee.

挑选私营企业家个体进入两会是中国“合作型资本主义”的一个最重要机制。本文回答两个问题。1)获得人大代表的因素与获得政协委员的因素有何区别?2)获得县镇级两会代表和地级以上两会代表的影响因素是否有区别? 根据实证研究,笔者发明“财—绅政治”的概念来描述一个事实:负有社会责任的社会贤达在高一级的人大较之低一级的政协发挥了越来越大的作用,财富仅仅是门槛,党籍也不起决定性作用。  相似文献   
59.
This article critically evaluates the agenda and strategy of the Australian American Leadership Dialogue (AALD) for protecting and strengthening the Australia–US alliance. Nominally an exercise in informal diplomacy dedicated to fostering mutual understanding, the AALD functions more like a pro-American lobby group as it seeks to preserve orthodox thinking and eschew dissenting perspectives. The AALD performs this function in three main ways: by carefully framing discussion and debate, by socialising Australian elites into the alliance orthodoxy and by serving as a ‘gatekeeper’ of the status quo.

本文对保卫、加强澳美联盟的澳美领袖对话提出批评。该对话虽然名义上只是加强共同理解的非正式外交实践, 但其作用更像是亲美游说集团,因为它要保持正统的思路,回避不同的观点。该对话用三种方式实现这一功能:小心地设置讨论和辩论;向澳大利亚精英灌输联盟的正统观;充当现状的守门人。  相似文献   

60.
This article argues that contemporary independent documentary filmmaking in China has been used as a tool by Chinese citizens to intervene in the public sphere and to provoke social change. I therefore propose to look at the phenomenon of Chinese video activism under the umbrella of alternative media. In particular, I take into consideration the “rhizomatic” media approach, which focuses on the interaction of alternative media with authority, the market and civil society. The case studies I present consist of several documentary projects completed between 2004 and 2010 that opened up spaces of dialogue between filmmakers and local authority, mass media and civil society. The paper claims that documentary films have an impact on audiences, whose members are consequently motivated to engage in discussion and action. I argue that activist video-making in China is reshaping the identity of urban citizens: through filmmaking, urban citizens claim their right to access information and demonstrate their will to participate and intervene in social issues.  相似文献   
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号