经商与爱人--关于稻盛哲学的挑战性

稻盛和夫是日本京瓷集团公司的创始人。该公司“2001年3月的年营业额超过4兆日元(大约为2700亿元人民币)、税前利润达4500亿日元(大约为300亿元人民币)”。^[1](P3)是什么使稻盛和夫在经营上成就这一辉煌伟业的呢?这便是,由以“敬天爱人”的基本思想为核心构架而成的稻盛经营哲学;以及靠商业伦理道德成为赢家的超凡境界。     

论"白家庄期"商文化

分布和影响地域广袤的"白家庄期"商文化,因时代接近于商代中期而在商文化中具有承前启后的地位.有关考古新发现显示,"白家庄期"商文化本身可以区分为三个不同的时间段.在其所代表的历史阶段中,郑州商城的衰颓与小双桥商都的兴建形成了鲜明对照.这一现象出现的历史背景是,有关文献所记商王朝此时所面临的内忧外患局面以及仲丁迁隞历史事件的发生.     

"文革"中的知识青年上山下乡运动研究述评

"文革"中的知青上山下乡运动是当代中国的重大事件之一.中外学者对这场运动进行了深入的探讨研究,取得了不少成果,发表了一批论文及专著,整理和公布了许多资料,目前在许多问题上已达成共识,与此同时也存在很大分歧,如关于"文革"中的知识青年上山下乡运动的基本动因问题、历史进程及其评价问题,对知青"返城风"及上山下乡运动终止原因等等,这些都有待研究者进行深入细致的研究.此外,在研究中还存在资料收集困难、研究力量薄弱、研究方法单一等困难与不足.     

禹之鼎《王翚骑牛南还图》考略

世传清初著名画家王翚的肖像不止一幅,但真正能够反映其形神的作品,是与他相识多年、以肖像画称著的禹之鼎所绘《骑牛南还图》。本文通过叙述王翚请禹之鼎创作《骑牛南还图》与遍邀名流、友朋题诗的情况,阐释了像主和创作者各自的企望,同时,画家对像主还乡心情的体会深刻,也终令画作得以完美呈现。     

Dukarr lakarama: Listening to Guwak,talking back to space colonization

Guided by the Yolŋu songspiral of Guwak, in this collaboratively written paper we argue that the extension of earth-based colonization into space disrupts and colonises the plural lifeworlds of many Indigenous people who have ongoing connections with and beyond the sky. Listening to Guwak, we speak back to promoters of space colonization who frame their projects as harmless according to four core understandings. First, they assume that there are no people or other beings Indigenous to what they think of as ‘outer space’, and that none of the Indigenous people or beings who also live on earth have travelled to or inhabited this space. Second, they assume that space is dead or non-sentient in itself, and that it is incapable of fostering life. Third, they understand that space is cleanly separated from earth, meaning that what happens in space has no effect on earth, or vice versa. Fourth, because of these three assumptions, they do not identify any ethical objections to occupying and exploiting space.We follow Guwak as she undermines each of these assumptions, by moving through and as Sky Country. These learnings emphasize the presence and role of Law, order and negotiation in Sky Country; the active, animate, agential presence of beings in Sky Country; the connectivity and co-becoming-ness of earth and sky; and the ethical obligations to attend to and care for and as Sky Country. We contend that the argument applies to many worlds that intimately connect with, extend into (or beyond) what Western sciences call ‘outer space’. Indeed, we hope that in sharing Guwak we encourage broader conversations about Sky Country and its relations with other Indigenous worlds.     

新冠肺炎疫情背景下关于博物馆使用消毒剂的思考

针对博物馆空间相对封闭、人流聚集、人与文物共存等特点,消毒剂的使用既要关注人(工作人员和观众)也要顾及物(文物或艺术品)。对人及其相关,《消毒剂使用指南》就适用范围、注意事项,已有充分说明。本研究只针对文物:立足文物科技保护角度的文物材质分类法;根据有效成分分类的消毒剂种类及其有损文物的显著化学特性;消毒剂对文物损害的机理及其后果三个方面与同行交流。在疫情防控的特殊阶段,为了保护文物安全,博物馆同行必须对各类消毒剂特性有全面了解,合理规范使用消毒剂,防止不当使用对文物造成损害,这也是文物预防性保护工作的重要方面。     

Parliamentarizing the Estate Diet

This article examines the transformation of estate assemblies into parliaments by analysing the case of the late 19th-century Diet of Finland. Furthermore, it positions the procedural discussions of the peripheral Finnish Diet within a wider European debate on parliaments and parliamentarism. While parliamentary government and the dissolution of Europe’s last four-estate representation were largely out of the question in the Finnish Grand Duchy of the Russian Empire, revisions and innovations on Diet rules and practices formed an essential means to introduce elements of modern parliaments within the obsolete estate system. By analysing Finnish Diet and press discussions, the article re-examines the significance and reception of the Swedish Riksdag institution of plenum plenorum, the joint discussion of all four estates, in Finland. The article highlights a struggle between two concepts of deliberation. A liberal group organized around the newspaper Helsingfors Dagblad used plenum plenorum to challenge their Fennoman opponents’ consensual idea of deliberation and the Diet’s deliberative model, which was based on committee negotiation. The Dagbladists advocated plenum plenorum in order to transform the estates into a single debating parliamentary assembly.     

Negotiations of Irish identity in the wake of terrorism: the case of the Irish in Birmingham 1973–74

This article explores the Irish migrant experience in Birmingham during and in the wake of terrorist campaigns carried out in Britain between 1969 and 1975 and attributed to the Irish Republican Army (IRA). Beginning with a discussion of the competencies with which Irishness was associated at the close of the 1960s in England, many of which were hinged on a notion of the Irish predisposition towards violence, the article continues on to take the political, cultural and religious “temperature” of the Irish community in Birmingham between 1969 and 1975, and follows on with a discussion of the specific strategies sought out by Irish immigrants to come to terms with the effect of events such as the “Birmingham Bombings” on their daily lives. Principle findings that emerge from the study indicate that IRA terrorism forced the Irish in Birmingham to engage with and adopt a number of distinct linguistic and cultural strategies in the post-1974 period, the cultivation of which indefinitely altered their relationship with Ireland as “home”, their visibility in the public British sphere and their associational patterns and practices within the migrant enclave.     

Access to culture in Croatian cultural policy: moving towards explicit policies

In this paper through the analysis of the access to culture issue in the Croatian cultural policy agenda, we illustrate the current cultural policy developments in Croatia in the broader European context. Taking the differentiation between explicit and implicit policies at both macro and micro level we analyse discourses on access to culture in the Croatian cultural policy at the constitutional level, parliamentary political parties’ level, the governmental level and the level of cultural organisations. On the one hand the policies regarding access to culture remain mostly implicit and revolve around traditional models connected to instruments dating back to socialism; while on the other selected cultural organisations develop instruments for fostering it where European projects have an influence. The orientation more towards cultural production issues and less to access to culture and cultural participation issues draws similarities of cultural policy developments in Croatia with the general European cultural policy framework.