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131.
132.
“石屿二号”沉船遗址位于西沙群岛石屿东侧的珊瑚礁石上,是西沙群岛海域一处重要水下文化遗存。该遗址出水了青花、卵白釉、白釉、青灰釉、酱釉等多种瓷器,是探索古代海上丝绸之路和外销瓷贸易的关键窗口。虽然前人通过青花瓷器类型学分析确定了遗址的相对年代,但由于未发现船体痕迹无法进行碳十四测年,而热释光测年方法则为确定遗址的绝对年代提供了一种替代手段。为了探究该遗址出水青花瓷器的热释光性质及年代,本研究利用前剂量饱和指数法对16件青花瓷片进行了古剂量测试。使用电感耦合等离子体质谱仪(ICP-MS)和电感耦合等离子体发射光谱仪(ICP-OES)分析样品的放射性元素U、Th、40K的含量。在剂量率的计算过程中综合考虑了样品的经纬度、埋藏深度、含水率以及放射性元素含量等参数,并首次使用综合矿物分析(TIMA)揭示了瓷胎中的石英粒径分布情况,以提高剂量率计算的准确度。热释光年代结果表明,这批青花瓷烧制于元代至明代早期,在释光有限的误差范围内符合传统鉴定方法得出的该遗址属于元代这一结论。这有助于揭示该历史时期相关器物的制作工艺、实际用途和可能的产地。此外,这也为理解该历史时期青花瓷器在...  相似文献   
133.
甘肃马家塬墓地是战国晚期至秦初的西戎墓地,本研究以该墓地M4出土的料珠为研究对象,以期通过分析其成分和结构特征,讨论其工艺特征,以丰富对战国时期费昂斯的相关认识。研究使用扫描电子显微镜-能谱和激光拉曼光谱仪,分析结果显示料珠为费昂斯制品,其釉层玻璃化程度很高,经历腐蚀后熔剂流失严重,明显区别于西周时期的费昂斯制品。同时确定釉层中的一些高锡颗粒物为SnO_2,表明当时在釉层制作中加入锡石或锡粉末。该费昂斯制品应采取了直接施釉或包埋施釉工艺。研究结果可为我国费昂斯发展历程演变提供信息。  相似文献   
134.
Between 21 June and 3 July 1712 the Spectator published 11 thematically-linked essays entitled ‘the Pleasures of the Imagination’. 1 For the middle classes such irresistible prose reinforced the case for a moral, philosophical and ideological approach towards art, architecture, history, literature and nature – attitudes that we today would regard as enlightened. However, amongst the well-educated elite such thoughts had long existed. Bonding high-art with power, wealthy connoisseurs forged an obsessive passion for collecting artworks and antiquities and, as a consequence, became duty bound to display their collections to interested third parties. One such connoisseur was Charles Montagu (1661–1715), later earl of Halifax, 2 whose celebrated collection was kept in his grace-and-favour apartments in the Palace of Westminster. Of those who saw his collection only one published account was thought to have survived, that of William Nicolson, bishop of Carlisle. 3 Yet, the recent discovery of a copybook of letters originally written by the 23-year-old antiquarian, Samuel Molyneux, later secretary to the prince of Wales, describes not only a rare and privileged visit to Lord Halifax's apartments but also a first-hand account of his tour around the Palace of Westminster in December 1712.  相似文献   
135.
Four Nabataean samples collected in some of the monumental tombs of Madâ’in Sâlih, ancient Hegra, in Saudi Arabia, have been studied by gas chromatography coupled with mass spectrometry. These samples are textile fragments that are either covered with a black layer or bound together with some black amorphous substance. Fatty acids and triterpenoic compounds were detected. Eight triterpenic compounds were identified: ursa‐9(11),12‐dien‐3‐ol, ursa‐9(11),12‐dien‐3‐one, olean‐9(11),12‐dien‐3β‐ol, β‐amyrone, β‐amyrin, α‐amyrone, α‐amyrin and lupeol. The resinous chemical composition and these pentacyclic alcohols, in considerable proportion, indicate a resin of the Burseraceae family, possibly of the genus Canarium.  相似文献   
136.
Beckett derides those antiquarians unaware of “the rupture of the lines of communication” between subject and object in his 1934 essay “Recent Irish Poetry”. However, Beckett will come to incorporate into the late prose specific terminology used by archaeologist, including those involved in the Ordnance Survey of Ireland, who were contemporaries of the same antiquarians he scorns so contemptuously in his early career. This paper traces and examines the Irish antiquarian elements in relation to megalithic archaeology in Beckett’s prose. The elements of antiquarian archaeology in Beckett function to present the existence of those populating the work as mediated by the aporia between ancient and modern epochs. Allusions to antiquarian and archeological terminology contribute to the issues of representation in Beckett’s work. Instances where historical material resides in Beckett’s prose will be analysed through the logic of reverberation. Based on the physics of sound, it will be argues that the fragments of historical material act like artefacts which do not represent historical discourse but reverberate within an aporia of chronological time.  相似文献   
137.
ABSTRACT

This article will look at political treatments of language in Samuel Beckett’s early novel Watt and place the novel’s linguistic scepticism in conversation with three authors, the lexicographer Samuel Johnson, the language theorist Felix Mauthner, and the English-born, Canadian parodist Stephen Leacock. The paper will argue that Beckett, like Leacock, engages in Mauthnerian critiques of language, destabilising Johnsonian formulae for language standardisation. But while Leacock fails to develop the political implications of his critique of language, Beckett’s understanding of language standardisation is implicitly political, informed by Johnson’s conception of speech as the predicate of national identity, a standard for inclusion which Watt gleefully antagonises. Challenging nationalist calls for controls on language, Watt interrogates the ways that campaigns for linguistic unity will engender exclusionary attitudes towards the nonconforming and bar access to that speech and identity which falls outside of normative frameworks.  相似文献   
138.
Milton’s Areopagitica (1644) is widely recognised as a foundational work in the philosophical history of the freedom of the press, although it had little impact upon first publication. However, in 1989 Leo Miller discovered an early German-language critique of Areopagitica from 1647, preserved among the papers of the Anglo-Prussian intelligencer Samuel Hartlib. The present article identifies the critic as the Brandenburg scholar Joachim Hübner, a key member of Hartlib’s networks. Available evidence suggests strongly that Hübner considered translating Milton’s tract in order to promote the printing and distribution of heterodox doctrines of spiritualist Christianity in the Holy Roman Empire. Using the short critique of Areopagitica as a springboard, this article demonstrates through biographical and contextual research the interrelations of political and religious cultures of the period, and that questions of freedom of the press were central to promoters of heterodox religious doctrine not only in England but also on the continent.  相似文献   
139.
For many scholars, the Arab Spring was actually an Islamic Winter, especially when ISIS rose up in Iraq and Syria, and the Muslim Brotherhood won democratic elections in Egypt and took control over the state. But in other unshaken regions in the Middle East, like Saudi Arabia and the GCC states, the Arab Spring or the Islamic Winter led to something different, which I will call “rethinking nationalism.” This article asserts that since Saudi Arabia's independence in 1932, the royal family has succeeded in forming Wahhabi nationalism, meaning that despite the fact that all Saudi civilians enjoy Saudi citizenship, only those who ascribe to the Wahhabism creed can be part of the nation in terms of political participation and policy decision‐making. Although some steps in affirmative action have been taken in recent years — also as a Saudi response to the Arab Spring — toward women and the Shi'a minority, these groups or sectors still are not perceived by the royal family as part of the nation, and probably not as equal citizens, for religious reasons that over the years have distinguished between real Saudi nationalist groups and Saudi civilians.  相似文献   
140.
《Romance Quarterly》2013,60(3):226-240
The analysis of hygiene and nutrition in Samuel Beckett's oeuvre will guide us to the relationship his characters establish with their own bodies and with existence, as well as clarify the liaison between that of the intimate and the social. Undoubtedly, Beckettian bodies are willingly badly known, poorly treated, and continually exposed to degradation. However, scorn over nutrition and sleaziness toward hygiene allow an époché of the body that consents to the enlargement of the space of consciousness.  相似文献   
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