许钊滂相机记录最美时光

“我自小便在台湾生活,从打着赤脚上学堂到成立起自己的摄影工作室,我希望能用自己的相机记录下台湾更多的美丽时光。”     

高温中烘烤出的玻璃工艺家陈均

陈均的工作室犹如一座火炉,他在倾情地制作那些恰似水晶的玻璃制品时。喷灯上的火温高达1400摄氏度。可是,你在这样高温下看到他制作出的手持麦克风、引吭高歌的小狗：敲锣打鼓、乐不可支的小猴;挺胸凸肚、一本正经吹着长笛的小猪;     

酷品

1把家电贴到墙上台湾PEGA工作室设计的壁纸家居用品,把立体折纸和电子产品结合起来,使留声机、落地灯和香薰之类的家居用     

我希望每扇窗都能装下运河的晨曦

和蔡林林的聊天在她宽敞明亮的工作室里展开。各种图纸堆满书桌,却一点都不显得杂乱。两杯清荼、一盘零食,这位知性女人的爽朗笑声和标准的普通话悠扬地从白马公寓17楼的窗子里传出。窗外,是悠悠流转千年的运河。     

Taking Pictures for the Villagers

The township sent out a notice that all villagers should be photographed as part of the datacollection effort for the New Rural Cooperative Medical Scheme （NCMS） and it was hoped that the work team could help carry this out. We all wanted to help, but knew that it would not be easy. It was during a busy farming season, so it was difficult to gather the villagers （most of whom were busy working in the fields）. First we set up a simple photography studio in the village committee. The only piece of equipment we owned was a tripod and we used the bare wall of the committee building as a backdrop for the photos. As the day drew to a close, the villagers came in twos and threes, most of them straight from the fields. Then facilities for villagers to freshen-up were provided, including a basin of water, towels, and comb for them to tidy up before the shoot. But the villagefolks were often too shy to wash up in front of us, and even after our gentle persuasion, they would just splash some water on their faces. Sometimes, we, the photographers, had to help them with their hair and general appearance. Fortunately, they were completely at ease with that.     

视觉传达设计工作室建设与实践发展研究

针对学生自主创业过程中建设,管理存在一定得问题,在分析大学生自主创业,建设,实践发展中所遇到困难基础上,本文提出半公司制度半学生管理制度的观点。结合黑龙江外国语学院视觉传达设计工作室建设与实践发展实际,在管理、建设、发展中取得半公司制度半学生管理制度运营模式。     

智能打印，高效办公的最新创意

高中就开始创业、做网站,大学创办数码画维工作室,毕业后当老师教动画,如今以创始人身份工作于奇迹曼特数字艺术网校（北京恩跃时代教育科技有限公司）,就算再忙也不忘与新浪微博一万四千多粉丝高频率互动,这就是王博,一个经历丰富多彩的人。     

资讯

卡地亚当代艺术基金会三十周年系列活动 2014年10月25日至2015年2月22日期间,卡地亚当代艺术基金会大楼还特别展出由享誉全球的跨界设计工作室Diller Scofidio＋Renfro专为此纪念日全新创作的装置艺术作品——“玻璃盒遐思”（Musings on a Glass Box）,以及由著名阿根廷画家吉列尔...     

忆蒋蓉:当代紫砂像生艺术巨擘

宜兴得天独厚的“紫砂泥”,业内外人士称它为神奇的“五色土”,历代造壶之家非常重视选材,往往亲自取色土经粉碎、筛捣、陈腐制备成可以制作紫砂器型之熟泥。走进中国工艺美术大师蒋蓉老师的工作室,掀起她制陶的保湿缸,缸中红、黑、黄、白、灰、绿、青、紫……一块块锤炼好的泥,使你目不暇接,彩色的紫砂泥太丰富了。     

一位不该被遗忘的艺术家——“中国梵高”沙耆

我有幸认识沙耆老人是在1983年初,整六十九岁,按我国民俗,已是古稀之年。当年,浙江省博物馆、浙江美术学院、中国美术家协会浙江分会共同计划主办一次“沙耆画展”,特请沙老来整复由他母亲赠予“浙博”的一幅油画。那时,我正在文澜阁楼下工作,几步之遥就是沙老的临时工作室,我有空就过去看沙老作画。他是一位慈祥的长者,慈眉善目,中等个儿,衣着朴素。由于他患有精神疾病,