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Mark Elliott 《Frontiers of History in China》2014,9(3):336-360
Since at least the 1960s, the importance of the tremendous territorial expansion under Qing role to the modem history of China has been generally acknowledged. Indeed, one can say that the frontier story is one of the things that makes the Qing "Qing." However, only in the last twenty years has the study of what is now termed the "borderlands" come into its own as a sub-field. This essay begins by describing some key concepts and terms in the study of the Qing frontier, including the Manchu wordjecen. It then raises the problem of narrative fiameworks, asking how we might best contextualize the growth of the empire, before going on to explore the implications of the discursive shift represented by the "New Qing History" and the extensive research on Qing borderlands associated therewith. A poem by the Mongol poet Na-xun Lan-bao provides the focus for a concluding discussion of a distinctive Qing frontier sensibility. 相似文献
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“天籁”,即自然界的声音。古代诗人笔下的“天籁”丰富有趣,精彩纷呈,它反映了古人贴近自然.寓情于物的心态,也体现了古诗人的某种审美情趣。探析这一现象,对启发今人热爱自然、用心去读古诗文等都有积极的意义。 相似文献
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曾参加过中央红军两万五千里长征的名学家冯雪峰,浙江义乌人。在上个世纪20年代初,还不到20岁,就成为坛所瞩目的“湖畔诗人”。 相似文献
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它是横刀立马的戍边少帅,负一柄青霜宝剑沙场点兵;它是羽扇纶巾的江南文士,蘸一帘杏花烟雨挥洒丹青;它是歌声清亮的采莲女子,借一抹如黛远山画眉深浅。它美得丰富多彩,美得荡气回肠。它的名字叫作临海。 相似文献