上海造币厂手工雕刻工艺的传承

正上海造币厂于1920年建厂以来曾历经变迁。自新中国成立后直至2008年成立上海造币有限公司,她始终承担着印制中华人民共和国名片的光荣使命———铸造流通硬币和贵金属纪念币,同时还设计铸造众多各种材质的纪念章等。而在这个特殊的企业里,有一个重要的岗位———手工雕刻(简称手雕)。这一岗位在造币企业里有着举足轻重的作用,不仅承     

上海的读者来信希望了解藏餐

西藏的传统饮食是藏餐,旅游者到西藏,自然要领略品尝一番。藏餐的口味讲究清淡、平和。很多菜,除了盐巴和葱蒜,不放任何辛辣的调料。藏式的进餐非常考究。主客各自坐在自己的厚垫上,前摆藏桌分开进食。藏式菜肴有糌耙、风干肉、奶渣糕、人参果米饭、灌肠、灌肺、炖羊肉、炖羊头等、藏式包子、油炸面果等。下面简要介绍其中几种美食。     

SHOW

1日-26日,百老汇经典音乐剧《剧院魅影》将继续登陆上海文化广场。该剧被称为众多热门音乐剧中最璀璨的一颗钻石,音乐剧神话当中的桂冠。此次,这个桂冠睽违十年,终于再次光临上海。票价80元-1280元。     

皖南上海小三线职工的民生问题研究

上海小三线分布于皖南和浙西数百公里的山区,从1965年兴建到1988年移交结束,前后历时24年,人数最多时达到7.2万余人。小三线作为上海的后方基地和经济"飞地",自成一个社会体系。如何保障数万人的日常生活,解决他们面临的婚姻、户口、医疗、教育等问题,是小三线建设中的核心问题,也关涉到沪皖两地政府和职能部门的各项政策与协调。民生问题是研究小三线建设这一国家战略政策时不可忽略的重要方面。     

上海的两条汉子

1986年秋,十二届六中全会通过了《关于社会主义精神文明建设指导方针的决议》。市委宣传部指定我牵头,组织几位理论工作者,在上海工业大学专家楼,撰写全市的学习辅导材料。     

万象小报：近代中国城市的文化、社会与政治

The Shanghai tabloid press has gained growing scholarly attention in the recent decade. Wanxiao xiaobao （All-Seeing Tabloid） is another major publication to deal with this fascinating form of popular print press that flourished in late Qing and Republican China. Earlier studies have explored the Shanghai tabloid press as a platform for popular literature （Li Nan 李楠, Wan Qing, Minguo shiqi Shanghai xiaobao yanjiu [A study of the Shanghai tabloid press in the late Qing and Republican period], Beijing： Renmin wenxue chubanshe, 2005）, as an important part of media history in modem China （Hong Yu 洪煜, Jindai Shanghai xiaobao yu shimin wenhua yanjiu, 1897-1937 [A study of the tabloid press and popular culture in modem Shanghai, 1897-1937], Shanghai： Shanghai shudian, 2007）, as a mirror of a flowering Shanghai-based entertainment culture （Catherine Yeh, ＂Shanghai Leisure, Print Entertainment, and the Tabloids, xiaobao,＂ in Rudolf G. Wagner, ed.,     

咸丰宝河局当百铅质大钱赏析

<正>2013年6月初夏,我们去上海老街藏宝楼四楼寻宝,一位来自河南开封设摊的泉友,从包内取出一枚铅质咸丰大钱给我们鉴赏。我们仔细地摩挲后,确认是枚宝河局"咸丰元宝"当百铅质钱,就捷足先登,收入囊中。据摊主高先生讲,此钱是他在2010年春专程赶到厦门市郊农村收来的,其     

The Urban “Cultural Nexus of Power”： Intellectual Elites in Shanghai and Beijing, 1900-1937

In the decades before the full-scale war with Japan in 1937, a robust series of institutions connected the bourgeois with intellectuals （which included professionals and journalists, as well as academics） in Shanghai. Collectively, these institutions can be understood as forming an urban ＂cultural nexus of power＂ that allowed non-state actors to effectively control aspects of Shanghai＇s political life. This bourgeois-intellectual alliance was not inevitable; no similar bonds existed between these same two groups in Beijing. It was forged in Shanghai due to the city＇s unique historical position as a Treaty Port and its dynamic economy, which included an extensive structure of private higher education and a market-based publishing industry. Unlike the rural ＂cultural nexus of power＂ originally described by Prasenjit Duara, this urban nexus grew stronger during the political and economic changes of the early twentieth century. War and revolution in the 1930s and 1940s, however, destroyed the connections between the bourgeoisie and the intellectuals, ending the vibrant urban environment they had created.     

近代上海戏院建筑衍变及其公共性价值

近代上海戏院建筑作为公共娱乐空间的重要组成部分,提供了展示新的消费时尚和生活方式的平台,在解决大众娱乐消遣的同时,更为女性生活方式的转变和文化繁荣提供契机。本文通过对上海近代戏院发展衍变的回顾及其公共性价值的探讨,可以帮助我们了解近代上海的都市环境特色和民众生活方式,一窥近代上海的浮华画卷。     

近代上海小报中上海市民的人格特征分析

晚清民国以来,随着商业经济的发展和移民的大量涌入,近代上海市民阶层不断壮大.在现代化大都市生活方式的磨练下,上海市民社会呈现出多元化发展,市民人格呈现多样性特征,这种人格的多元化发展是同城市的环境密切相关的.