Funding the ‘nation’ in the national theatre of Scotland

The National Theatre of Scotland (NTS) is a an innovative and ground‐breaking, non‐building‐based, commissioning and producing cultural institution, established in the wake of the devolution of the Scottish Parliament. This article sketches the contours of this new model of a national theatre, exploring the complex dialectic between various economic, political, social and artistic choices, forces and factors that have influenced, and continue to influence, the formative years of the NTS. The article charts changes to the company during these early years and, most significantly, notes the potential effect that the change from arm’s length to direct government funding might have on the company’s long‐term development. It is argued that direct funding aligns the arts too closely to political agendas rather than supporting artistic freedom and expression.     

The Takarazuka Girls’ Revue in the West: public–private relations in the cultural diplomacy of wartime Japan

This essay examines wartime Japan’s establishment of culture bureaus and its promotion of the Takarazuka Girls’ Revue in allied European nations and the United States in a moment of international crisis. This overseas cultural policy was part of a series of alternative strategies employed by the Japanese Ministry of Foreign Affairs in an effort to persuade the West to acknowledge Japan’s self‐appointed role as a leader in East Asia, capable of producing advanced cultural products on a par with those of western nations. Key features of this essay include the negotiation between state goals and private interests in the performance of cultural diplomacy, as well as the aesthetic articulation of a hybrid Japanese culture which was traditional yet fully modern, particularly as presented on stage through a display of the female body.     

The Communion of St Denis and the Feast of Corpus Christi in the 15th-Century Stained Glass of All Saints North Street in York

Abstract

A text scroll in a miraculous mass scene in the parish church of All Saints North Street in York contains a breviary text from the Communion of St Denis. English unfamiliarity with the Communion legend and the unusual iconography of this particular version have both contributed to earlier misidentifications of this scene as a St Gregory’s Mass. In fact, this window contains the only surviving example of the Communion of St Denis in English stained glass. The All Saints’ glass also contains evidence of a now-missing St Gregory’s Mass, arguably in the same window as the Communion scene. These mass scenes were occasionally used separately to signify the feast of Corpus Christi. Combining them in the same window would have created a potent set of images that showed different aspects of the Body of Christ. More complex cross-references between the texts and images in this glass suggest clerical involvement in a choice of iconographies that would have reflected the devotional interests of the probable lay donors, who were members of the York Corpus Christi Guild. Commissioning and funding the creation of this window may therefore have been a collaborative exercise.     

Three Portrayals of ‘Sacrifice’: Representations of the Deaths of the ‘shishi’, Yokogawa Shōzō and Oki Teisuke

Abstract

This article examines the lives and deaths of Yokogawa Shōzō and Oki Teisuke, two ‘shishi’ (men of high purpose), captured, court-martialled, and executed by the Russians shortly after the outbreak of the Russo-Japanese War in 1904. While their deaths apparently served little or no purpose, the tale of Yokogawa and Oki was presented to the public in three distinct fashions. The first was to a Western audience in newspaper reports at the time of the war. The second was the manner in which the Russians portrayed them for the home front during the war. Finally, there was the manner in which the pair was presented in a reader for young Japanese boys in the late 1920s. Each portrayal served a distinct purpose that this article will address.     

Henry Head in Ewald Hering’s Laboratory in Prague 1884–1886: An Early Study on the Nervous Control of Breathing

Henry Head, the English neurologist, received the main parts of his academic education in Cambridge and in London. In addition, he spent two years in Prague where he worked in the physiology department of the German university under the guidance of Ewald Hering. He was interested in the nervous control of breathing and worked out a new method of recording the tension and the contractions of the diaphragm in anaesthetised animals. His results substantiated the experimental basis of the Hering-Breuer reflexes and included the discovery of a new reflex now named Head’s paradoxical reflex. Head not only wrote an extensive paper about his scientific work, the recollections of his time in Prague also formed a considerable part of his autobiographical notes. These were written some forty years later and still expressed a deep affection for his teacher and mentor.     

South Africa's Departure from the Commonwealth, 1960–1961

Famine threatened the lives of over twenty million residents of north China in 1920, prompting a massive, and ultimately successful, relief effort. Scholarship on the famine has largely credited China's foreign and coastal, cosmopolitan Chinese circles with this humanitarian feat at the expense of what was in fact a surprisingly effective Chinese state apparatus that year, as well as local relief operations by many famine-stricken communities themselves. This study captures a very specific moment of US and European cultural production on ‘China’ and ‘the Chinese’ in which the great north China famine of 1920–1 occurred, to argue that our current understanding of Chinese relief culture circa 1920 remains largely a product of foreign characterization (by the celebrated likes of Somerset Maugham and Bertrand Russell) and political commentary by reformist Chinese during a period of post-May Fourth cultural turmoil. If we hold the output of these writers up to alternative original sources on events that year, it becomes clear that the historiography on China's greatest humanitarian crisis of the first quarter of the twentieth century remains insufficiently insulated from the raw discursive climate in which the crisis unfolded.     

On Theme and Variation

Abstract

The ways in which the author, the sculptor Peter Randall-Page, has made use of the ideas of D’Arcy Thompson are described. How Thompson showed that commonalities of form and pattern exist across the biological and abiotic realms is described, and the implications that physical constraints limit and sometimes dominate the capabilities of evolutionary natural selection are explored. Since we evolved in a world shaped in this manner, the likelihood that this palette of forms is one that carries strong psychological meanings and associations is examined, and the ways in which these forms are a rich source of inspiration and allusion for visual artists are discussed, hinting at the play of opposing tendencies, the dance between order and randomness, and the ways in which nature can derive variations on a theme.     

A Compaignye of Sondry Folk: Mereology,Medieval Poetics and Contemporary Evolutionary Narrative in Richard Dawkins’ The Ancestor’s Tale

Abstract

Thus far, certainly in English, most engineering history has been based on the lives of engineers or the chronologies of particular enterprises, with the two often woven together. Much of this work, as conventional biography or narrative history, has been well done, in many cases is a good read, and frequently is valuable as a basis for further study. But its preoccupation with who, when and where too often leaves unaddressed questions of how and why. Attempting to understand the intellectual and creative components of engineering's history, especially its early history for which written records are rare or nonexistent, is exceptionally difficult. In this short survey the possibilities of retrospective analysis are discussed, and some of the potential pitfalls are identified by considering the particular case of cathedral building. Over the last twenty or thirty years cathedral studies have generated more publications in the field of retrospective analysis, in this case structural analysis, than possibly any other. Whether or not very much has been learned about the history of the engineering of cathedrals, however, is a good question, and is part of what follows.     

The World under the Stars: Astrological Geography and the Bologna 1477 Edition of Ptolemy’s Cosmographia

ABSTRACT

This article is a re-examination of the first complete printed edition of Ptolemy’s Cosmographia (Bologna, de Lapis, 1477), hitherto considered flawed and defective. An investigation of the status and priorities of the team of court astrologers responsible for this edition, and an examination of the alterations they made to Ptolemy’s maps, suggests that their aim was a redaction intentionally different from existing versions of the Geography. It is suggested that the editors sought to adjust the arrangement of provinces from that recommended in Ptolemy’s Geography (book VIII) to the astrological arrangement detailed in his Tetrabiblos (book II) and that they modified the content of the key regional maps accordingly. In this light, the Bologna 1477 edition underlines the importance of assessing the reception of Ptolemy’s geographical work against a cultural background in which astrology prevailed as an integrated system of knowledge, practices and beliefs.