Joyce Family Values: Treason,Nationality and the Case of ‘Lord Haw-Haw’s’ Irish Cousin

The conviction and execution of William Joyce (‘Lord Haw-Haw’) for treason to the British crown remains controversial to the present day. He was not, however, the only wartime traitor in the Joyce family. His first cousin, the Irish-born Sergeant Michael Joyce, RAF, also volunteered his services to the Nazis while a prisoner of war in Germany, and arguably compromised himself even more seriously than his more notorious relative. In contrast to the avidity with which William Joyce was pursued, however, Michael Joyce’s crimes — which came to light as the trial of ‘Lord Haw-Haw’ opened at the Old Bailey — were efficiently concealed by prosecutors. The difference in the treatment of the cases of the two Joyce cousins not only sheds new light on the determination of the British authorities to secure a conviction against ‘Lord Haw-Haw’ at all costs, but also reveals the ambiguity and instability of ‘Britishness’ at a moment when, paradoxically, patriotism and national self-confidence were at their twentieth-century zenith.     

皖南上海小三线职工的民生问题研究

上海小三线分布于皖南和浙西数百公里的山区,从1965年兴建到1988年移交结束,前后历时24年,人数最多时达到7.2万余人。小三线作为上海的后方基地和经济"飞地",自成一个社会体系。如何保障数万人的日常生活,解决他们面临的婚姻、户口、医疗、教育等问题,是小三线建设中的核心问题,也关涉到沪皖两地政府和职能部门的各项政策与协调。民生问题是研究小三线建设这一国家战略政策时不可忽略的重要方面。     

中韩两国地方志中的本贯记录比较--以江西《吉安府志》和全罗道南原府《龙城续志》为中心

文章通过对中国江西省地方志《吉安府志》和韩国全罗道南原府地方志《龙城续志》中关于本贯记录的比较,说明"本贯"一词在古代中国社会和同时期的韩国社会具有不同的含义。本贯在古代中国社会表示"相应人物的本籍地",但是在同时期的韩国社会,则是指相应人物"远祖的本籍地",而相应人物的远祖是几百年以前或者一千多年以前存在的。而且,本贯在中韩两国的不同含义源于两国姓氏制度与本贯制度发展过程的差异。     

从秦府集团成员仕进状况看区域文化合流

本文结合南北朝至隋末区域文化合流的背景,考察隋末唐初秦府集团成员的仕进状况,其中包括人才类型、家庭政治背景、个体政治势力来源、进入秦府的渠道、个体政治活动空间,认识了以李世民为核心的秦府政治集团,利用争夺天下之机,逐步拓展政治空间,将各地各类精英人才吸纳到秦府集团里来。在此过程中,李世民集团有意识地编织原北周、北齐、南陈入杨隋政治势力后裔,并用关陇、山东、江左这三大政治文化区域人才所长,将他们化入到同一个文化熔炉里融冶,大大推进了区域文化合流的步伐,在中华民族文化融合史上写下了崭新的篇章。     

南宋临安节日活动的时空结构研究

在城市地理学研究中,由于缺乏有关历史城市物理空间的基础性研究工作及受研究资料所限等原因,关于历史时期的城市居民生活空间方面的研究较少开展。本文选择南宋时期的临安作为城市空间研究对象,在全面梳理相关历史文献记载的基础上,尝试结合目前应用最广泛的功能分区法和时间地理学两种方法,对南宋临安节日活动空间进行剖析,揭示其城市节日活动的时空间结构特征。同时,文章还探讨了城市社会空间的形成机制,提出物理空间奠定了临安节日活动空间的基本格局、都城地位是临安节日活动空间形成的控制因素、城市经济主导了临安节日活动的空间分异过程等结论。     

广东洪兵围攻广州军事舆图考释之三——关于平洲的舆图及其档案

英国国家档案馆庋藏的清代咸丰年间广东洪兵围攻广州中文传统舆图,是蕴含着丰富历史信息的实录档案,尤其在相关文献记载未能存留或叙述不尽详细的情况下,更具有不可替代的史料价值。本文根据中国第一历史档案馆所藏档案及其他文献记载,对编号为F.O.931/1897的平洲舆图及相关文字档案,做了较为具体的考释。     

‘Islands within Islands?’ The Maldivian resort,between segregation and integration

Abstract

The Maldives resort islands are a type of tourist enclave subject to a dual form of borderization. The islands have an external border that coincides with each island’s coastline and with the limits of the private property of the resort; this border regulates the movement of tourists and locals. The islands also have an internal border that separates the outer edge of the island from the inner edge. The outer edge, which is supposed to represent the perfect landscape of the ‘tropical island,’ houses all of the tourist facilities, while the interior contains the structures dedicated to the metabolic activities of the resort. The frontline staff members and the tourists share the ‘dreamscape’ of the outer edge, whereas the maintenance workers live in the secluded space inside the island, where they are typically hidden from the sight of tourists by high walls, and their movement is usually restricted from staff designated areas to their location of work. For maintenance workers, these spaces, necessarily limited due to the small size of the coral islands, risk becoming ‘islands within islands.’ Recently, the Maldivian government has begun to promote projects and initiatives in support of territorial integration between the resorts and communities of neighboring islands. Thus, the outer limits of the resort islands are, today, more porous. Their internal borders, in contrast, remain very difficult to cross.     

China and the “culture and trade” debate: a holistic approach

ABSTRACT

Over the past century, the ‘culture and trade’ debate has constantly evolved, particularly in the wake of rapid and still accelerating technological and scientific advances. These changes, manifest in an increasing convergence of many new technologies and industries, meant that the strict separation of culture from trade by means, for instance, of general or special exceptions in international trade agreements, such as the 1947 General Agreement on Tariffs and Trade (GATT) or the 1988 Canada–United States Free Trade Agreement (CUSFTA), can no longer be sustained. It means that in light of the emergence of oxymoronic concepts like ‘the cultural and creative industries’, the debate can no longer be framed along binary modes of thinking that oppose the liberalization of international trade and the protection and promotion of the diversity of cultures. Instead a more holistic approach seems to be needed, which appears to coincide with the approach taken by the People’s Republic of China (PRC), which joined the WTO in 2001. The present paper examines the holistic approach by the PRC, which seeks to combine rather than separate culture and trade in its domestic, regional and global law and policymaking.     

“This Remarkable Piece of Antiquity”: Epic Conventions in Shelley’s Oedipus Tyrannus; or,Swellfoot the Tyrant

ABSTRACT

Shelley’s Swellfoot the Tyrant has recently begun to gain the concerted attention of critics, who have noted the play’s signature blend of low and high, of ephemeral, late Regency politics with the classic genres of Sophoclean tragedy, Aristophanic comedy, and mock epic. But Austin Warren’s famous and widely accepted definition of mock epic as “not mockery of the epic but elegantly affectionate homage, offered by a writer who finds [the serious epic] irrelevant to his age” does not describe Shelley’s earnest goal of immediate political reform in authoring Swellfoot. Instead, the play evinces Shelley’s unique, conscious reconfiguration of four conventions characteristic of the high, classical epic: the “prosperous breeze”; the epic simile; katabasis or descent into the underworld; and divine intervention. I argue that Shelley’s comic adaptation of these epic conventions reflects his serious aim of helping effect reform through Swellfoot and embodies his absorption of the concept of Shakespeare’s history plays as an experimental hybrid of dramatic forms with epic subjects, gained during his earlier reading of A. W. Schlegel’s Lectures on Dramatic Art and Literature. Though the immediate suppression of Swellfoot prevented its relevance in its own historical moment, it comprises a singular hybrid of Aristophanic satire and Sophoclean tragedy with high epic conventions, while ironically also identifying Shelley as a proponent of the French neoclassical theory of the epic’s consciously didactic purpose propounded by Le Bossu.