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1.
    
《亚洲研究评论》2012,36(1):59-77
Abstract

Henrik Ibsen's play A Doll's House caused a global sensation when first performed in the nineteenth century. Nora, the play's protagonist, became an icon for women, an emblematic figure representing the pursuit of selfhood. This article aims to historicise the figure of Nora in Korean gender politics as a representation of both the quintessence of modernity and the antithesis of “womanly virtue”. It specifically examines the tensions in the Korean perception of the character by juxtaposing the adapted representation of Nora that appeared in a Korean novel with the lives of actual New Women, some of whom were labelled in the press as “Korea's Nora”. Through a close examination of the creative process that took place in the introduction, circulation and appropriation of A Doll's House in colonial Korea, the article demonstrates how the play served not only as a vehicle for experiencing the modern self, but as a proxy for critiquing the notion of Western modernity and feminism that had yet to be localised. It also reveals the significant chasm between the hyperbolic image of the modern Western woman and the locally rooted gender politics among Korean New Women. Such a chasm reflects the tension between local/national demands and transnational lures that both women and men experienced in envisioning modern womanhood.  相似文献   
2.
Martin  Jay 《History and theory》2009,48(1):76-84
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3.
  总被引:1,自引:0,他引:1  
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4.
张旭鹏 《史学月刊》2006,1(5):79-86,93
后现代主义对现代性的批判为人们提供了一个理解现代的有益视角,它有利于揭示现代性充满矛盾和悖论的一面,促使人们加强对现代性的反思并发掘其尚未释放的理性潜能,从而实现现代性的重建。就中国的后现代主义者而言,他们对现代性的批判过多地集中于剖析其“西化”本质,忽视了现代性的某些普遍内涵,使中国的现代性问题局限于中西对立的二元视野。客观地评价中国的现代性,就应当突破上述理论框架,认识到现代性中所包含的普遍性与特殊性之间的张力,同时借鉴后现代主义的建设性作用,努力实现现代性的解放功能。  相似文献   
5.
This paper is organised around the analysis of an ‘event’; a truck trip from Kwima, a Maring speaking settlement in the Western Highlands of Papua New Guinea, to Banz in the Wahgi Valley and an evening spent on the road. The event forms a standpoint from which to assess the impact of the decline of civic space, and faltering legacy of colonial governmentality, in the Jimi since 1980. I describe the emergence of new forms of mobility based around the nexus between local forms of business and trucks. In particular I focus on new and anxious forms of masculine inside relationships, understood as a transformation of a habitus of intimacy, round which such mobility is built. I argue that this transformation should be understood in terms of the dialectical relationship between business as an expansive profit oriented project on the one hand, and its anchoring in clan defined space on the other. At the same time the event provides a vantage point to reflect on the nature of long‐term fieldwork, the methodological significance of the subjectivity of the ethnographer, and the nature of ethnographic error.  相似文献   
6.
Abstract

David Walsh has demonstrated a unique gift for reading modernity sympathetically, for discerning within it a certain luminosity, in fact a distinctly Christian luminosity, without losing sight of modernity's darkest possibilities. In the magisterial concluding volume of his trilogy, he seeks to elaborate a “coherence” of modernity that is revealed not in concepts but only “through existence itself.” Finally, though, Walsh's enthusiasm for a purely open and therefore purely formal understanding of practical existence, articulated through brilliant, original, and remarkably comprehensive readings of the greatest authors of the continental tradition, seems to me to draw him very far away indeed from actual moral and political practice, and thus from the reality of our human condition. A truer and more truly “performative” attention to “the nature of practice itself” would be less inclined to praise pure freedom or openness and more solicitous of the actual horizons of common worlds, including implicit metaphysical and hierarchical elements.  相似文献   
7.
ABSTRACT

Using Jeffrey C. Alexander’s theory of cultural trauma, this article focuses on the three major types of narratives of suffering which appeared in Polish fiction, after Poland regained political independence in 1918, outside the strong myth-creating narrative of the Polish Legions’ role in the war for independence. It argues that Polish post-1918 fiction developed these three major paths in the face of suffering inflicted on Polish lands, during WWI and Polish-Soviet War. These paths were to: 1) continue the narrative of Polish suffering within the framework of heroic, and selfless, sacrifice for Poland that has been well established since Romanticism; 2) present suffering as the universal fate of humanity outside the notion of national identity, due to the monstrosity of modern bureaucratic systems wherein human beings are treated as objects; and 3) present suffering as the result of modern warfare, but told outside of “patriotic phraseology” – thus suggesting a growing need as to finding a solution to national conflicts outside narrowly defined identities.  相似文献   
8.
Pascal can be readily inserted into familiar characterizations of the emergence of modernity (man’s alienation from the cosmos). He himself theorized the proper relationship between innovation (legitimate in the physical sciences) and traditional authority (legitimate especially in theology). While accepting the mechanistic philosophy and in particular the rigid Cartesian distinction between immaterial and corporeal substance, he registers its divergence from our spontaneous understanding of experience; we find him encountering the view of one of his religious mentors that Cartesian science has deprived the cosmos of its spiritual significance as an image of the creator. His relationship to Latour’s conception of (non-)modernity is considered. Though many of his attitudes are uncongenial to modern secular humanism, his theologically-motivated rejection of the concept of nature as normative has surprising echoes in aspects of twenty-first century thought and culture.  相似文献   
9.
    
The article addresses narratives that tell of a member of the 10 Lost Tribes of Israel who comes to the rescue of a Jewish community. The tales were documented at the Israel Folktale Archives, in the second half of the twentieth century, and were told by informants from Morocco and Greece. While it is probably impossible to trace the exact routes of these “cultural possessions”, around and across the Mediterranean, the texts nevertheless provide a glimpse into the ways in which a network of Jewish communities shared a meta-narrative while adapting it to their own regional contexts. Although these tales are quintessentially diasporic, they also provided a platform for negotiating post-exilic identities in the new Israeli national context.  相似文献   
10.
    
In this article, we examine the perceptions towards women and gender relations maintained by male, local authority officials within two Bedouin towns in Israel. As such, the current research lies at the intersection of local politics, gender, space and culture. We argue that analysis of these perspectives provides insights into the ambivalent nature of modernity: into the tension between the desire to preserve the traditional role of women in maintaining the family, and the recognition of the powerful potential of women to act as agents of change. Based on an analysis of personal interviews, the study traces the ways in which both power and vulnerability impact the attitudes and perspectives of these men officials. By applying narrative analysis, gendered power structures are examined within Bedouin society in the context of the local authority – zooming in on the narratives provided by the male authority officials. The findings reveal that the officials maintain a series of ambivalent and conflictual attitudes towards the role of women. Bearing in mind their potential impact on the quality of women's daily lives in local public spaces, it seems vitally important to account for the entire matrix of tensions and vulnerabilities that impact the municipal policy instruments at their disposal. The findings are relevant beyond the Bedouin communities in Israel and may serve as a platform for a wider discussion of the dilemmas of minority women in rapidly changing cultural environments, and ambivalent modernity.  相似文献   
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