大型活动的形象影响研究—以′99昆明世博会为例

从旅游影响的角度出发,大型活动将对举办地形成一定的形象影响。本文以'99昆明世博会为例,使用问卷调查数据,从四个方面研究了'99世博会的形象影响问题。研究表明:'99世博会所带来的形象效应并未成为游客选择昆明作为出游目的地的首要决定因素,目的地区域的传统特色(如气候、环境及文化因素),仍然是游客作出决策的主导因素;'99世博会对举办城市昆明而言,所带来的积极影响超过了负面影响,可以有效提高举办地的知名度;大型活动长期的、潜在的形象影响可以通过了解游客的重游意愿和口碑效应来衡量,世博会的举办所带来的潜在长期影响是正面的;有助于形成较高的形象认同度。     

飞天图像流变考论

飞天形象的渊源,学术界有两种观点,一,从印度传播而来;二,由中国传统文化中的羽人与受希腊文化影响的印度有翼天使融合而成。作者根据考古材料,从佛教传播和图像学的角度,对羽人与飞天发展的动态过程及演变轨迹进行考查,认为飞天萌芽于印度,发展于中亚、西域,成熟于中国,并且这一演化过程不是一条直线,而是一个反复交替进行的过程。     

旅游目的地形象演变的策略研究——典型区域分析及对澳门的启示

澳门旅游业历来以博彩娱乐业见长。近五年来,澳门正借助中央政府推进澳门经济产业多元化的契机,大力发展会展及商务旅游业,并希望能在游客心目中树立会展商务旅游城市的形象。然而,从目前的游客感知情况来看,澳门旅游形象的转变仍然存在较大的困境。本文在分析旅游形象演变典型区域的基础上,提出了旅游形象演变的一般路径,并为澳门实施旅游形象的演变提出了相关策略。     

Colonial encounters,local knowledge and the making of the cartographic archive in the Venetian Peloponnese

Current research on the cartography of the Venetian Empire rests on a state-centred perspective which reduces maps to mere technical tools in the service of maritime expansion and colonial government. In contrast, this paper argues that such an approach cannot sufficiently account for the multiple ethnocartographic transactions between Venetian authorities and local communities which defined Venetian map-making projects. Taking the seventeenth-century conquest of the Peloponnese as its focus, the paper proposes to rethink the Venetian cartographic archive as constituted through a set of socio-cultural and political practices involving both colonial surveyors and native inhabitants. By analysing the assemblage of cartographic knowledge in the context of the encounter between colonisers and colonised, the paper examines topographical surveys as the product of cross-cultural communication shaped through negotiation, competition and unequal dialogue. Ultimately, the paper aims to show the heuristic value of a dialogic approach to cartography for a better understanding of both the colonial society of the Venetian Peloponnese and the making of knowledge in Venice's overseas empire.     

文物CT图像伪影校正方法研究

计算机断层成像(CT)技术具有不受工件材质限制、分辨率高等优点,可以在不损坏物体的前提下获取其三维数字化信息,因此在文物数字化领域具有广阔的应用前景和巨大的发展潜力。然而在CT扫描与图像重建过程中存在系统几何参数偏差与射线硬化等问题,会导致扫描图像质量下降、文物数字化模型的精度受限。本研究针对上述问题,提出了基于扫描数据的参数校准以及硬化校正算法,并对两件文物仿制品进行了CT扫描实验。实验结果表明,经过本研究方法处理后,扫描图像质量明显提升,重影和伪影现象得到了有效抑制,重建得到的数字化模型能清晰完整地还原文物形貌。该方法可被广泛应用于文物CT数字化工作中,有利于文物的复制、保护、展示以及文化的交流传播,具有较强的科学意义和社会经济意义。     

Crowdsourcing Model Research for the Identification of Post-Earthquake Rescue Objects

The quick and accurate identification of post-earthquake rescue objects can minimize the casualties and property loss caused by earthquakes. With the rapid development of remote sensing technology, rescue objects can be identified through high-resolution remote sensing images. There are two main categories of approaches to identify rescue object through high-resolution images: automatic extraction by a computer and visual judgment by professionals. Although results can be obtained quickly by using automatic extraction, the accuracy of the results is unacceptably low. For visual judgment, the large demands for time and professionals restrict its wide practical application. In this study, we introduce crowdsourcing into the identification of post-earthquake rescue objects. First, we integrate the advantages of the computer and crowdsourcing, which means that the computer takes advantage of the speed of information processing, while crowdsourcing makes full use of human recognition capabilities. Second, we take visual judgment tasks out of the hands of professionals and entrust the tasks to workers in a crowdsourcing platform. Not only are the human resources infinite, but we can also improve the efficiency of identifying rescue objects. Third, we propose a crowdsourcing model that improves the quality of the results and saves human resources. Finally, experimental results demonstrate that our solution is feasible.     

芥川龙之介文学中的女性形象

芥川龙之介一生共创作了148个短篇作品,涉猎女性形象的作品共76篇,其中女性形象色彩浓重38篇,涵盖知识女性、劳动女性、农妇甚至妓女等多个层面。这些形形色色的女性形象不仅如实地反映了作者的审美指向及其女性观,也浓缩了当时女性所处的社会地位和境遇。本文将其女性形象分为古典、现代与中国题材三大类,在分析芥川对女性所持态度的同时,考察作为大正时期知识分子的精英,其笔下诸多女性形象的文化内涵。     

Running with the ball? Making a play for sport heritage archives in Higher Education contexts

For considerable time, academia (in particular, the Humanities) has been in an intellectual, economic and pragmatic par des deux with the culture and arts sector (in this case, heritage, museums and archives). In many ways, given their respective pursuits of scientific enquiry and learning, valuable contribution to a knowledge economy, commitment to public enlightenment, and exploration of critical and creative endeavour, a relationship between the sectors makes sense. Unity notwithstanding, the relationships have become increasingly now influenced by (en)forced contextual constraints (e.g. government policy development and intervention, neoliberal market forces, structural and ideological shifts in funding acquisition and allocation, patronage changes and demands, and/or individual political priorities). Drawing on education and heritage scholarship, and theoretical frameworks of sport culture spaces, this paper examines efforts undertaken at one specific Higher Education establishment in the United Kingdom in which institutional agendas (vis-à-vis historical and cultural foci, encouraging ‘impactful’ academic activity, brand exposure, economic efficiency, and community engagement) have contoured, and become entwined with, an embryonic sport heritage and archive project. Recalling similar arrangements elsewhere, the aim of this case study is to explore how the wider education and cultural policy context have precipitated an increasingly symbiotic and dependent relationship between university and cultural/arts initiatives. The paper considers how the impetus to develop a sports-based (basketball) heritage archive and study centre reflects the current fragilities of the two sectors, yet, concomitantly, reveals the potentials that might be developed from fostering greater intellectual and pragmatic alliances. The paper concludes by advocating the practical, political and ideological usefulness of network formation, sustainability measures and continued cross-sector dialogue.     

‘Assisting you to become a local’: NGOs and constructed foreign spouses in Eastern Taiwan

As social and cultural contexts change and globalization spreads, the number of transnational-marriage migrants mainly from Southeast Asia has increased in Taiwan. Using institutional ethnography, this article investigates the roles of local non-governmental organizations (NGOs) and projects aimed at helping foreign spouses to adapt to their new life. I mainly elaborate that NGOs emerge as important actors in assisting and empowering transnational spouses to ‘become locals’. In empowerment projects, foreign spouses are given a voice to elaborate themselves. However, this article elaborates that these projects are a scheme of education to shape each such migrant into a proper ‘Taiwanese wife/mother/daughter-in-law’. Also, these projects particularly promote ‘exoticism’ of migrants and become key sources of how local people understand the images of ‘foreign spouses’. As a result, though NGOs play positive roles in empowering foreign spouses, we need to be aware that NGOs’ efforts may ironically become a mechanism to strengthen transnational spouses’ gender roles and cultural stereotypes.