X-ray fluorescence analysis of late Roman and Sassanian silver plate

About 200 analyses have been made on late Roman and Sassanian silver objects using energy-dispersive X-ray fluorescence. This has shown that the main feature of the composition of the silver throughout the period and across the geographical area studied was towards high fineness (average silver percentage about 95%). Compositional differences are found between Roman and Sassanian silversmiths' products for the elements copper and lead. Much of the material analysed came from hoards, and using a statistical technique on the analytical data (Discriminant Analysis) broad compositional differences between hoards were found to emerge. The use of different compositions of silver for different joined parts of a single object are discussed.     

弦歌台大成殿文物建筑彩绘颜料成分分析

弦歌台又被称为绝粮祠,整体布局以中轴线为中心呈现东西对称,现存建筑的规制为三进院落,从南向北依次为正门、戟门、大成殿、弦歌书院。大成殿作为弦歌台最核心的建筑,外观气势宏伟,彩绘精美绝伦,是我国东部地区规格较高的孔庙建筑之一。弦歌台大成殿在自然环境和人为因素的长期影响下,彩绘表面出现了褪色、龟裂、颜料脱落等多种病害,彩绘修复工作已成为当前文物保护亟待解决的棘手问题。本工作对彩绘样本的层位和形制进行详细分析,从剖面和表面等多角度进行全面研究,发现大部分彩绘样本由内向外的结构依次为基底层、地仗层、颜料层,蓝色彩绘样本所使用的地仗层为传统的单披灰工艺,与之不同的是红色彩绘样本为无地仗彩绘,红色颜料层直接绘制于基底层上,推测这可能与时代的发展及工艺的变化有关。为了更好地服务文物进行科学保护,需要了解大成殿彩绘颜料成分及制作工艺等。采用超景深微观分析、扫描电镜及能谱仪分析、显微拉曼光谱分析等现代技术及方法,对彩绘颜料样本进行了层位结构、微观及成分检测分析。结果表明,在制作工艺上,大成殿彩绘颜料层剖面多为两层以上叠加,是明显的重层彩绘,说明历史上至少经历过两次以上重绘。同时发现大成殿彩绘颜料层既有重...     

山东危山西汉墓出土陶器彩绘颜料研究

为研究山东危山西汉墓出土彩绘陶器颜料成分,采用偏光显微镜、显微拉曼光谱仪和扫描电子显微镜-能谱仪进行了分析。研究结果显示,危山汉墓陶器彩绘颜料有朱砂、铅丹、中国紫(汉紫BaCuSi2O6)、铁红、铁黑、白土等。中国紫颜料首次在山东省的发现,扩大了该颜料的使用区域,具有重要的考古学意义。另外,还在紫色颜料中分析出了BaCu2Si2O7蓝色晶体,这是继中国蓝中国紫之后的又一重大发现。     

The Pyramids—Cement or Stone?

Several samples of pyramids from Giza were obtained. The samples were analysed by scanning electron microscopy, electron diffraction by X-rays, powder X-ray diffraction, inductively coupled plasmography, Fourier-transform infrared spectroscopy and other techniques. Some scientists who have recently studied the pyramids have suggested that the pyramids were poured into place, stone by stone. The prevailing theory among Egyptologists is, of course, that the pyramids were built from blocks of natural stone. All of the results obtained during this study directly support the concept that the pyramids are made of limestone and are not cementitious in nature.     

Can the Raman spectrum of anatase in artwork and archaeology be used for dating purposes? Identification by Raman microscopy of anatase in decorative coatings on Neolithic (Yangshao) pottery from Henan,China

Scanning electron microscopy/energy dispersive X-ray analysis has earlier shown that the white background layer (slip) on painted pottery sherds (Yangshao culture, Henan, China, 4200 BC) is composed of kaolinitic clay containing titanium in the assumed form of TiO₂ at just 1 wt%. The same samples of white slip have now been studied by Raman microscopy, revealing bands characteristic of anatase, but none from the majority species, the matrix of kaolinitic clay. These results highlight the extraordinarily intense Raman scattering from even trace amounts of anatase and thus the need to recognise that, although the colours of archaeological artefacts are almost always determined by the nature of the matrix, the Raman spectrum may be determined by a highly scattering trace component such as anatase. The significance of anatase as a potential date-marker pigment on works of art and archaeological artefacts is discussed.     

利用激光拉曼对宋代官窑青瓷样品釉烧温度的研究

本文利用激光拉曼光谱仪和能量色散X-射线荧光光谱仪对21件取自故宫博物院院藏宋代官窑完整器及42件取自杭州老虎洞官窑窑址的青瓷样品表面釉层进行了测量与分析。通过计算瓷釉样品拉曼光谱中位于500cm-1附近宽带与位于1000cm-1附近宽带的面积比值(Ip值)及利用EDXRF分析样品的元素成分,讨论了这些样品的主要助熔剂成分Ca O、K2O含量与Ip值之间的关系,并通过对成分具有两类典型官窑瓷器釉料特征且在不同烧成温度下烧制的模拟釉块进行拉曼分析,对宋官窑青瓷样品的釉烧温度进行了讨论。