安徽濉溪县董楼宋墓发掘简报

为配合修建合徐高速公路,安徽省文物考古研究所于2001年对濉溪县马桥乡董楼行政村蒋店的古代墓葬进行了发掘,共清理宋代墓葬51座,多为单室墓,双室和多室墓仅占少数。墓葬平面形制可分为腰鼓形、船形、蝉形、圆形及"中"字形,出土器物较少,仅见铜镜、瓷碗、铜饰品等。这批墓的大致年代当在北宋晚期。     

南阳春秋彭射墓出土青铜兵器初探

南阳春秋彭射墓出土兵器中包括有铁援铜戈、铜铍、铜殳、锥形铜镞等少见器物,在同期墓葬中并不常见。其中铁援铜戈的制作工艺与前期同类器物有着一脉相承的工艺技术。出土的铜殳和铜铍皆为春秋时期同类器物中的较早类型,又有所区别,有着地域性特征。圆锥头形铜镞镂空的装饰手法在同类镞中也较为罕见。这些青铜兵器含有较多楚文化风格,但也不乏淮河上游地区文化因素。     

东魏北齐时期邯郸县设治考——以《窦奉高墓志》为中心

前人对东魏北齐时期邯郸县设治问题的研究存在两种截然相反的观点——"撤治说"和"设治说"。河北省磁县出土的《窦奉高墓志》记载窦氏在北齐时期被授予"邯郸县伯"的爵位,为"设治说"提供了有力证据。     

越窑秘色瓷及相关问题

秘色瓷本是晚唐时期越窑贡瓷的名称,其性质是贡瓷。秘色瓷之得名与釉色相关。作为贡瓷,秘色瓷由“贡窑”所出,在今天的研究中,也可物化体现为越瓷精品。根据法门寺塔地宫出土材料讨论秘色瓷问题,必须纳入贡赋、库藏制度,不可脱离具体的历史背景割裂认识并刻意渲染。     

南京滨江开发区吴墓出土“建衡元年”买地券补释

南京滨江开发区吴墓出土建衡元年买地券券文中未释读、误读或漏读的部分,可补释校订为十一月丁巳朔、丹杨、卜安冢宅、从地主古糸买地、糸卖承买、先立可信等。虽然券文从形式到内容仿照现实生活中的地契,但其中的面积、地价和地主姓名仍有可能出于虚构。     

墓与塔——宋墓中仿木建筑雕饰的来源

本文将晚唐至宋代墓葬中的仿木建筑雕饰与隋唐时期的地上建筑——仿木砖塔的装饰相联系,推断宋墓中流行的仿木建筑雕饰最早应是受到地上仿木砖塔建筑装饰的影响。     

The painting of the Etruscan “Tomba della Quadriga Infernale” (4th century BC), in Sarteano (Siena, Italy): technical features

This work presents the results of an investigation of the painting technique used in the Etruscan tomb “Tomba della Quadriga Infernale”. This tomb was discovered in Sarteano (Siena, Italy) in October 2003 and dated back to the second half of the 4th century BC. Red, dark red, pink, yellow, white, black, and grey colours were used in the tomb in order to create paintings, which now represent a very precious record of the Etruscan art of wall painting in a hypogeal environment. The technical features of the painting were revealed by stratigraphy using optical and electronic microscopy. The components and preparatory layers of the painted areas were characterized using Fourier transform infrared spectroscopy (FTIR), energy dispersive X-ray microanalysis (SEM-EDS), X-ray diffraction (XRD), and gas chromatography/mass spectrometry (GC/MS). XRD, SEM-EDS, and optical microscopic techniques were also used for mineralogical analysis of the rock substrate. The SEM-EDS and FTIR analyses showed that red and yellow ochre, calcite, and vegetable charcoal were used to paint the walls of the tomb: the pigments, either alone or mixed together, were utilized to produce pure colours (red, yellow, white, and black) and intermediate tonalities (pink, dark red, and grey). SEM-EDS, FTIR, and XRD highlighted that the painting was made on a preparatory layer of calcite, applied onto a levelling material made up of calcite, clay minerals, quartz, and iron oxides. GC/MS analyses revealed that egg was used as an organic binder to disperse the pigments.     

试析战国时期巴蜀文化的墓葬形制

文章通过对战国巴蜀文化的墓葬形制的分析,对墓葬可能存在的等级进行划分,并探讨等级在不同时期的变化及原因.     

The Netherlands in the constellation of the eighteenth-century Western revolutions

In the constellation of the eighteenth-century revolutions, the French events have always occupied a dominant position. Consequently the other European upheavals have been considered as being provoked or strongly influenced by France. Yet, the Dutch revolutions in the 1780s and 1790s provide some important nuances to this interpretation. Before the French took over the Bastille, there was already a Dutch revolution with devoted Patriots, speaking about rights of man and constitutions. The Patriots had to flee abroad in 1787. In 1795, thanks to the French Army, they were able to return to their drawing boards, eager to think anew their government and society. This paper investigates how they did it and whether the American and French precedents were so influential after all in the construction of the Batavian Republic.     

新发现的古代瓷器铭文款识考辨

文章对" 色瓶"、" 公用"等几款新发现的古代瓷器铭文作了分析和考证,为中国瓷器发展史补充了珍贵的资料。