国内旅游：重新认识与发展构想

多年来,国内旅游业服务质量低,设施条件差,潜在市场不能及时转化为现实市场。本文分析了制约国内旅游业发展的因素和国内旅游市场的潜力,提出国内旅游业的发展构想。     

An Assessment of the Role of an Open Shelter in Reducing Soiling and Microbial Growth on the Archaeological Site of the Bishop’s Palace,Witney, England

Two sets of twelve Portland limestone tablets were attached to carousels outside and under the open, lightweight shelter at Bishop’s Palace (Witney, England) for 18 months to assess the influence of shelters on soiling and microbiological growth on stone. At the start, and at 6-month intervals, tablets were analysed using microscopy (optical and SEM), colour measurement (spectrophotometry), weight change measurement and salt content determination (ion chromatography). Concentrations of NO₂ and SO₂ were also monitored for a month using diffusion tubes. In addition, results were compared with those obtained by the UK National Materials Exposure Programme (NMEP) on chemical weathering rates. Differences in soiling and biological growth on sheltered and unsheltered samples, and their influence on limestone decay were established. The shelter is likely to reduce biological growth by modifying the micro-environmental conditions. However, it may also exacerbate dust deposition, which might increase decay rates in the long-term.     

“非遗”传承人权利保障机制地方法制评述:兼论“非遗法”的反思与完善

《中华人民共和国非物质文化遗产法》("非遗法")颁布实施以后,我国已就非物质文化遗产(非遗)传承人权利保障相关问题进行地方法制实践。这些地方立法不仅保留了"非遗法"相关规定之精华,同时亦在此基础上进行了创新。这些地方法制的做法不仅具有正当性,还具有诸多亮点和启示。为缓解非遗领域不同位阶法律适用冲突以及平衡、协调非遗传承人权利与义务之间关系,"非遗法"应就非遗传承人权利保障机制等问题进行规定,以最终实现非遗法律体系形式功能与实质功能的统一。     

一种古籍修复用纸伸缩性检测方法的探讨

补纸选配是古籍修复中的重要环节,但其伸缩性尚未引起足够重视。古籍修复补纸均为传统手工抄制,浸水后强度较低。按现行国家标准浸湿法检测补纸伸缩性时易产生撕裂、变形等问题,适用性较差。本研究探讨了一种古籍修复补纸的伸缩性检测方法——喷润法。利用水分检测仪对补纸相对含水量进行测定,从测量时间和可操作性的角度验证了该方法的可行性。通过十余种常用补纸的伸缩性检测结果发现,喷润法与浸湿法所得结果具有较好的一致性。随后探讨了古籍书叶伸缩性检测的适用性,并结合具体案例,建议在修复前分析古籍书叶与补纸的伸缩性匹配度。喷润法有效避免了补纸浸湿后的拉伸变形或破裂,既适用于古籍修复补纸,也适用于古籍书叶的无损检测,可为古籍修复策略的制定提供科学依据和参考。     

1924-1945年国民党海外部与侨务工作考论

针对目前学术界在民国侨务政策、侨务工作方面的研究对象主要是侨委会,对于海外部仅粗略涉及的现状,依据相关档案及其它文献资料,对国民党海外部的沿革、职能、其侨务工作实绩及与侨务委员会之间的关系等方面做了分析和阐述。认为国民政府的侨务委员会与国民党海外党部从党政两个权力系统推展侨务工作,二者分工合作,相辅相成。抗战前,以侨委会为主;抗战爆发后,特别是太平洋战事发生以及日本推行南进政策后,以海外党部为代表的党务系统在侨务工作中发挥了更大的作用。     

青海汉代漆奁的脱水报告

采用聚乙二醇滴渗喷涂、真空冷冻干燥等浸饱水漆木器的脱水处理方法,对北方干燥地区槽朽漆木器进行了脱水保存。处理后器物尺寸稳定,色泽良好,保持了原貌。     

Atomic structures: the architecture of nuclear nationalism in India and Pakistan

Abstract

A half-century after their completion, India’s Bhabha Atomic Research Centre (BARC) and the Pakistan Institute of Nuclear Science and Technology (PINSTECH) stand out as unchallenged architectural advertisements for ‘nuclear nationalism’. Elsewhere, Atoms for Peace reactors made no pretence to architectural refinement. In the right hands, however, ‘Cold War Modern’ could express the hard power of the nuclear age. For India and Pakistan, these nuclear laboratory complexes became the public faces of the peaceful atom that held out the promise, and masked the peril, of the atomic age at home and abroad, and deliberately deflected attention away from clandestine nuclear weapons programmes. BARC and PINSTECH, envisioned as cornerstones for self-confident and self-reliant programmes of nuclear physics, embodied the paradox of postcolonial science, necessarily borrowing from the West but determined to break the cycle of dependency, in defiance of Western expectations.     

闽台财政改革与各方权力纠葛--雍正朝台湾县知县周钟蠧案解析

雍正三年,台湾县知县周钟蠧被控贪污,由于牵涉到闽台财政改革的大背景,此案引起了雍正皇帝的高度关注,并演变为震动闽台官场的一桩大案,涉案人等都被卷入了皇权与地方官员博弈的大漩涡。案件的审理过程,伴随着闽台财政改革的全过程,从清查仓谷亏空,到耗羡归公和养廉银制度化的最终完成。透过考察周钟蠧案,闽台地区财政改革的过程得以完整呈现。在皇权的强势施压下,闽省官员提出的耗羡归公方案显得仓促而草率。     

纸质藏品修复用水考量

本工作借鉴已有的研究成果,并辅以相关调研,试图探究修复用水选择的重要性以及如何选择修复用水的问题。为此,通过对国内外文献的分析以及相关问题的调研,综述了生活饮用水中对纸张长期保存有害的污染物及其对纸张纤维的危害。通过对修复用水实例的讨论,指出:纸质藏品的修复须采用净化水,即通过逆渗透、去离子处理等方法净化后并达到一定电阻率的纯水,在条件许可的情况下,采用电阻率更高的超纯水更好;须现制现用以保证使用过程中净化水不被再次污染;在设备方面,选择小型纯水系统更能保证用水质量。     

Godot’s Shakespeare

While the connection between Samuel Beckett’s Waiting for Godot and King Lear has become something of a critical commonplace, references to other Shakespeare plays can also be found throughout. This essay traces Godot’s debt to two plays in particular. First it argues how Godot not only draws on Hamlet’s graveyard scene for macabre imagery, but how it also construes an extended meta-theatrical parody of Hamlet’s soliloquies about the contrast between acting and talking/thinking. The second half of the essay proposes a number of connections with The Tempest, and specifically with its “salvage and deformed slave” Caliban. It argues how the figure of Caliban not merely functions as a model for a colonial power-dynamic that can be seen to operate here and elsewhere in Beckett, but how Caliban is equally significant as a lyrical figure whose great speech about sleeping, waking, and dreaming informs Beckett’s play in a number of ways.