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排序方式: 共有253条查询结果,搜索用时 15 毫秒
161.
Tiphaine Dachy François Briois Sylvie Marchand Mathilde Minotti Joséphine Lesur Michel Wuttmann 《African Archaeological Review》2018,35(4):531-566
Within the Egyptian Western Desert, the Kharga Oasis was a particularly favourable and highly frequented area during the Holocene thanks to a permanent ground water supply. The high concentration and accessibility of archaeological sites here allows the cultural and economic changes to be documented at a local scale, when northeastern Africa was experiencing strong climatic variations and the transition to a food production economy. An expansive program led by the Institut français d’archéologie orientale (IFAO) which included systematic survey, sampling collections, tests and stratigraphic excavations has dramatically increased the amount of data available concerning the prehistory of the Kharga Oasis. Typo-technological analyses focusing on the lithic industries, and other aspects of material culture, plus a series of 14C dates have led to the definition of four main successive cultural phases: Kharga A, B, C and D. This paper describes this proposal of a new archaeological sequence for human occupation in the Kharga Oasis and discusses its integration in the wider frame of Egypt and the Eastern Sahara. 相似文献
162.
Thomas Mann (1875–1955), a Nobel Prize recipient rightly considered one of the great novelists of the twentieth century, was one of the most medically perceptive writers of recent times. His novels take place against the background of the different plagues (tuberculosis, cholera) that characterized the eighteenth and nineteenth centuries. One of Mann’s later novels, Doctor Faustus, is set against a background of syphilis. In the 500-page book, which is subtitled The Life of the German Composer Adrian Leverkühn as told by a Friend, we see the theologian turned composer make a pact with the devil. He “voluntarily” contracts syphilis and, as a result of the pact and despite (or because of) the disease, Leverkühn starts a brilliant 24-year career, becoming the greatest German composer of his time. While it is widely thought that Arnold Schoenberg (1874–1951) is the model for Leverkühn, we will show that other composers of the time also inspired the fictitious musician’s life and works. We will also illustrate the parallel between Leverkühn’s disease progression and political events in Germany in the 1930s and 1940s and their similarity with current political events. 相似文献
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François Jacob 《Revue de synthèse / Centre international de synthèse》1986,107(3):237-237
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Erkan Erçel 《Postcolonial Studies》2016,19(1):71-87
In this article, I investigate the surge of scholarly interest in Ottoman minorities since 1980s - a surge that acts in defense of a national culture. What distinguishes the nationalist-cum-Ottomanist historiography of the Turkish historians under study here is the heavy emphasis on notions of tolerance and multiculturalism with direct reference to the imperial era of 15th and 17th centuries. This emerging discourse has been striving to rebut the Orientalist stigmas attributed to Turkish-Ottoman culture and civilization—such as barbaric, despotic and authoritarian—and construct its own tolerant and multicultural historical imagery. Drawing upon the urgent lessons of postcolonial experience, theory and history, I analyze the pitfalls of uncritically clinging to such an imaginary. The emergence of this new Turkish-Ottoman imaginary and its discourse of a Turkish nativism and Occidentalism that emphasizes minority rights, tolerance and the harmonious coexistence of a plurality remains an under-explored territory for postcolonial criticism. The analysis of nostalgic Ottoman literature can illuminate how the ‘Occident/Western’ and ‘Oriental/Derivative’ (i.e. the Ottoman and Turkish) formations of the national imaginary are constructed, remembered and contested in the contemporary global order. 相似文献
170.
François Cornillot 《Indo-Iranian Journal》1981,23(1):29-39
Sans résumé 相似文献