THE STORIES ABOUT A TIBETAN DOCTOR DRAMMA TSERING

<正>INTRODUCTION My first encounter with a Tibetan doctor was actually in 2002 when I suffered from severe lumbago and diarrhea.Nam Gyatso’s father suggested me ...     

论“雪域牧耕文明板块”在中国疆域底定过程中的地位

青藏高原特有的高山地带适宜游牧、河谷地带有利农耕的自然条件,带来了该地域定居农业与游牧社会二元分割的态势。因二者势均力敌、彼此难以统合对方,造成该地域在前近代除了吐蕃王朝暂短统一外,大部分时间处于分裂割据状态。此既是藏传佛教趁势崛起之缘由,亦为元、清两朝政治力量始终对该地域起着决定性影响的深层机理。同时,由于藏传佛教通过宗教的力量将雪域高原的文明一体性延续下来,妙用文化的力量参与并深刻地影响着古代中国疆域构建历程,使得该地域在中国疆域底定过程中起着不可替代的作用。     

论旅游开发中的"和而不同"——以丝绸之路为例

旅游开发与规划要协调处理多方面的关系,尤其是对跨地域旅游开发而言,既要强调环境保护,也要体现以人为本;既要坚持特色化,又要争取区域之间的联合与协作."和而不同"思想有助于实现科学统筹部署.它把"人地和谐"作为最高层次的目标,坚持了可持续发展理念;理清了总体目标和个体目标之间的互动关系,并指出上下级组织之间要各自发挥所长,分工协调.这是一个普遍适用的原则,丝绸之路案例着重阐释了"点轴串联模式"下"和而不同"思想的应用.     

LOCAL ECONOMIC IMPACTS OF NATURAL DISASTERS*

ABSTRACT This research uses time‐series analysis under a quasi‐experimental pair‐wise matching design to examine local economic impacts of the 1993 Midwest flood. The data support the concept of overall local economic resiliency to natural disasters. The flood's impacts on total employment were minimal. Although significant drops in personal income were observed in the year of the event, the long‐run effects seemed to be negligible. This study also finds that the flood's negative impacts on agriculture were significant and long lasting to some Midwestern communities. The findings are quite stable with respect to the number of controls selected for each treated unit.     

语文阅读教学中学生想象力的培养

语文阅读是教学过程中很重要的一个环节,阅读过程对于培养学生的想象力具有独特的优势,文章试从激活文字、领悟内涵、凸显个性化解读等方面,对培养学生的想象力进行一些探讨。     

服装陈列形态设计的创新研究

服装陈列伴随服装产业的发展而不断向前,商家在服装销售的终端环节上越来越重视服装陈列技术,陈列水平不断提高。本文从服装陈列形态设计角度着手,深入研究服装陈列形态设计的表现方法以及创新途径,结合市场流行趋势,通过实例论证服装陈列形态设计的发展方向,通过形态设计的创新研究,力求给服装陈列行业提供新思维和新思想。     

Mollusk shells from burials of tuzovskiye bugry-1 As indicators of ethno-cultural processes In southern siberia and western central asia In the 3rd millennium bc

This article focuses on adornments made of mollusk shells from graves of the Tuzovskiye Bugry-1 burial ground in the Altai Territory. The collection includes bivalve shells: Corbicula ferghanensis Kurs. et Star. currently inhabiting the Amu Darya and Syr Darya basins; Corbicula tibetensis Prash. inhabiting the mountain regions of Central Asia, Eastern Kazakhstan, and the Amu Darya and Syr Darya basins; fossil Corbicula similar to Corbicula fl uminalis Mull; swan mussel of the genus Colletopterum inhabiting the Ob basin; and one specimen of Cardiidae sp. of the marine, probably, paleospecies. The most interesting are ancient marine tooth shells related to the genus Dentalium (class Scaphopoda, family Dentaliidae). In the Altai Territory, there are no such deposits that could have contained such shells. These shells were possibly brought by people from other regions. The closest occurrences of Dentaliidae are known in the Aral Sea region. The presence of beads of a truncated cone shape made of Dentalium shells as well as pendants made of Corbicula valves suggest connections between the Altai population and people inhabiting Western Central Asia. These connections might have existed in the form of direct contacts with bearers of the Ust-Narym and Botai cultures or else might have been the result of migration of people from Western Central Asia and Eastern Kazakhstan to the Altai.     

齐白石作品市场价值的意义

齐白石是20世纪中国最伟大的艺术大师,兼画家、书法家、篆刻家、诗人于一身。公元1864年生于湖南湘潭一个贫困家庭,原名纯芝,小名阿芝,字渭清,后改名璜,字濒生,号白石等。12岁学木匠,15岁学雕花木工,人称＂芝木匠＂,27岁开始绘画生涯。先后从师萧乡陔、文少可、胡沁园、谭溥等学画,     

三星堆文化与中原文化关系探微

三星堆文化指分布于成都平原的以广汉三星堆遗址第二至第四期遗存为代表的考古学文化。其文化研究是中国考古学和文化史研究的一个重要课题,三星堆文化的发掘极大地丰富了中原文明的起源说。三星堆文化的起源受到了中原文化的极大影响,采用了中原青铜器及陶器的部分形制,同时也受到中原文化礼仪的影响,因而是中国文明的重要组成部分。     

关于根敦群培二十七幅绘画作品的初步研究（英文）

<正>Although it was difficult,by dint of countless efforts,I made Illustrations unfolding various lands:The regions,houses,men and women,The various sorts of wondrous trees and flowers.dGe vdun chos vphel,the most outstanding twentieth-century Tibetan master of humanism,not only undertook extensive research into such academic fields as history,religion,language and geography,but also had significant achievements in the arts.He broadened the framework of traditional Tibetan art,studied and absorbed Western artistic