敦煌石窟艺术研究的一把钥匙——郑炳林、沙武田《敦煌石窟艺术概论》读后

郑炳林教授与沙武田博士编著《敦煌石窟艺术概论》(以下均简称《概论》)一书于2005年8月由甘肃文化出版社出版.作为敦煌学两大主体之一的敦煌艺术研究与敦煌文献研究几乎是同步的.     

基于耦合关系的县域乡村发展格局与优化——以寒亭区为例

基于评价体系和耦合关系,以寒亭区为例探讨县域乡村发展格局及优化,发现:①多数村庄得分较低,中高值村庄集中于寒亭区中南部,各子系统得分结构具有差异化特征,社会经济方面对乡村发展影响较大但空间分异也更明显;②子系统间、子系统与指标间均有一定耦合关系,指标之间的协同优化有助于实现子系统的高效提升;③相当一部分村庄呈中低值、强...     

Revised stratigraphy of the Xiazhen Formation (Upper Ordovician) at Zhuzhai,South China,based on palaeontological and lithological data

Lee, D.-C., Park, J., Woo, J., Kwon, Y.K., Lee, J.-G., Guan, L., Sun, N., Lee, S.-B., Liang, K., Liu, L., Rhee, C.-W., Choh, S.-J., Kim, B.-S. & Lee, D.-J., September 2012. Revised stratigraphy of the Xiazhen Formation (Upper Ordovician) at Zhuzhai, South China, based on palaeontological and lithological data. Alcheringa 36, 393–412. ISSN 0311-5518.

Three exposures of the Upper Ordovician Xiazhen Formation at Zhuzhai, Yushan, Jiangxi Province, China are re-measured and described in detail. Comparison of palaeontological and lithological data from the exposures (designated sub-sections ZU1, ZU2 and ZU3) reveals that the sub-sections overlap stratigraphically. Nearly identical assemblages of trilobites and brachiopods occur in mudstones of ZU1 and ZU3, whereas a different assemblage occurs in those of ZU2. Identical coral species occur in the overlapped intervals of ZU1 and ZU2, and ZU1 and ZU3, respectively. In addition, a distinctive identical lithological succession consisting of brachiopod-bearing nodular limestone at the base to coral floatstone at the top is evident in the overlapped interval of ZU1 and ZU2; prism-cracked algal laminites are found in the same interval; and bioclastic limestone beds, which represent bioherms consisting mainly of corals and stromatoporoids, occur in both ZU1 and ZU3. A thrust fault system appears to be responsible for the repetition in the subsections, and the faulting was probably due to the major post-Ordovician structural movements exerted on the Zhe-Gan Platform of the Jiangnan Region of the South China Block.

Dong-Chan Lee [dclee@hit.ac.kr], Department of Heritage Studies, Daejeon Health Sciences College, 300-711, Daejeon, Republic of Korea; Jino Park [jinopark@korea.ac.kr], Suk-Joo Choh [sjchoh@korea.ac.kr], Department of Earth and Environmental Sciences, Korea University, 136-701, Seoul, Republic of Korea; Jusun Woo [jusunwoo@kopri.re.kr], Division of Polar Earth-System Sciences, Korea Polar Research Institute, 406-840, Incheon, Republic of Korea; Yi Kyun Kwon [kyk70@kigam.re.kr], Marine and Petroleum Division, Korea Institutue of Geoscience and Mineral Resources, 305-350, Daejeon, Republic of Korea; Jeong-Gu Lee [leejg@mest.go.kr], Seung-Bae Lee [sblee@mest.go.kr], Exhibition Planning and Coordination Division, Gwacheon National Science Museum, 427-060, Gwacheon, Republic of Korea; Liming Guan [glm.1103218@yahoo.com], Ning Sun [sun@andong.ac.kr], Kun Liang [ibcaskun@126.com], Lu Liu [liulu323@hotmail.com], Department of Earth and Environmental Sciences, Andong National University, 760-749, Andong, Republic of Korea; Dong-Jin Lee [djlee@andong.ac.kr], Department of Earth and Environmental Sciences, Andong National University, 760-749, Andong, Republic of Korea and College of Earth Science, Jilin University, Changchun 130061, PR China; Chul-Woo Rhee [gloryees@chungbuk.ac.kr], Department of Earth and Environmental Sciences, Chungbuk National University, 361-763, Cheongju, Republic of Korea; Byong-Song Kim [kbs1972@163.com], Department of Resources Exploration Engineering, Kim Chaek University of Technology, Pyongyang, Democratic People's Republic of Korea and College of Earth Science, Jilin University, Changchun 130061, PR China. Received 16.10.2011, revised 4.1.2012, accepted 16.1.2012.     

宁波东钱湖石刻群微生物病害研究

宁波东钱湖石刻群为第五批全国重点文物保护单位,代表了南宋石刻和石雕的艺术成就。由于所处环境和气候条件的影响,石刻群微生物病害情况较严重。为了尝试筛选适宜的微生物去除方法和防止石刻表面生长微生物的材料,通过微生物种属鉴定、清除方法试验以及防止石刻表面生长微生物的材料筛选,确定了石刻上所生长的微生物种类,初步得出了东钱湖石刻群生物病害治理措施,为南方地区潮湿环境下石刻微生物防治提供了借鉴。     

司马金龙墓出土木板漆画屏风残片的初步分析

为了解山西大同北魏司马金龙墓出土木板漆画屏风的颜料使用情况和制作工艺信息,利用Micro-Raman、FrlR、XRF、断面切片等技术,对屏风残片上的四种主要颜色(红,黑,黄,白)、红色漆底层、断面分层进行分析与鉴别,结果如下:(1)屏风所使用的颜料有朱砂、炭黑、雌黄、雄黄、石膏.(2)屏风的红色底层系由生漆与朱砂调和、结膜而成,其中可能未曾添加桐油.(3)屏风彩绘部分的颜料分层十分明确,各层的厚度相对均匀,反映出制作者较为高超的绘画技法.(4)在颜料层、木胎与红色漆底层之间的"过渡层"中,分别观察到一些白色物质.初步分析后认为,"过渡层"中白色物质为羟基磷灰石的可能性较大.颜料层中白色物质的成分和物相仍有待进一步的分析.     

略论成都近郊宋墓中的龙形俑

本文通过对成都周边一带宋墓所出龙形俑的考察,结合以往的相关研究,认为其形象并非四方之灵中的“青龙”,而可能与唐宋文献记载的“伏龙”有关,起护宅镇墓的功用。     

《病榻遗言》与高新郑政治权谋

高拱,字宿卿,河南新郑人,以地望名之高新郑,是明代嘉隆万三朝的重臣。《病榻遗言》是高新郑在神宗初政后被逐出政坛回籍赋闲期间撰写的政治回忆录,是高张（张居正）交恶的一家言。高新郑与张江陵恩怨深结,在该书中是己而非张,攻江陵“附保逐拱”、“矫诏顾命”、“招权纳财”、“谋害元辅”等,对万历十年以后的明代政局影响极深。然而,《病榻遗言》中多有不实之词,真假混杂,虚虚实实,体现了高新郑的政治智慧,更折射着高新郑的政治权谋,今人如欲理解万历政局,必须对其中一些关键说法加以厘清。     

山河精蕴 精华典藏——江西出土玉器展

历年来在江西发现发掘了许多遗存遗迹及墓葬,出土了众多造型丰富琢制精美的玉器。在丰城、新余、德安、靖安、广丰等地零星地发掘出一些新石器时代的玉器。商代玉器要数新干大洋洲出土者最为重要;两周玉器在樟树、贵溪、靖安亦有可见;汉、晋、南朝、唐玉器主要见于南昌地区;宋代玉器以上饶出土的明州观察使赵仲湮器物最为精美;     

25年中国世界遗产之路

25年前,当遗产问题受到世界各国越来越多的关注和重视时,中国作为一个有着5000年文明史的古国顺应国际潮流,加入了《保护世界文化和自然遗产公约》,对国际社会作出了为全人类妥善保护中国境内世界遗产的庄严承诺。在此后的25年间,中国积极参与国际文化和自然遗产的保护,并积极申报世界遗产,成为一个已拥有40处文化和自然遗产的遗产大国。     

古罗马托加的演变及其象征意义

在古罗马,托加经历了一个演变的过程。它起初是古罗马民族的服装,其后成为男性公民的典型衣着,并逐渐发展为仪式性的外袍。托加不仅具有遮盖身体的实用功能,而且也有其文化象征意义。它不仅显示了古罗马人的身份地位,亦反映出他们的社会性别观念。