清代江浙地区栖流所的运营实态及其近代发展

Qiliu hospice in the Qing Dynasty were a sort of charitable organizations established for housing vagrants. According to the distinct functions they served, Qiliu hospice can be divided into different types. Those appeared in Jiangsu and Zhejiang provinces during the periods of Jiaqing and Daoguang were just a countermeasure to prevent the extortion of petty officials, which had very limited relief targets and measures. But in the modern times, with the quick development of society and great impact from the West, not only the sphere of Qiliu hospice’s relief targets expanded but also relief measures they adopted became more active, which show that Qiliu hospice have already started their course of modern transformation. Translated by Zhou Weiwei from Shixue Yuekan 史学月刊 (Journal of Historical Science), 2008, (2): 48–59     

编修年鉴要严把三关

文章结合《张家港年鉴》创品牌的实践指出,为使征稿全面要做到：稳定一支资料员队伍,完善一套征稿细则,规范一套完整的供稿体系。在体现特色方面要做到：围绕全市工作重点、工作成绩,抓出重点调整结构,抓住亮点调整条目;精心编纂特载特辑、大事记。同时,为提高编校质量,要做好“印前捉差错”的工作。     

六安出土铜镜赏

安徽六安,古属六,夏禹封皋陶之后于英、六,为东方偃姓部落的居地,商代为偃姓部落方国地,西周为六国地,春秋战国时期,吴楚争六,后吴为楚灭,六属楚,秦代,于六地置六县,隶九江郡,楚汉之际,项羽,刘邦先后封英布为九江王,淮南王,均建都于六。     

寿山石的盛宴

“金石永寿——中国第一届寿山石篆刻艺术展览”相继在北京中华世纪坛、国家大剧院展出后降下帷幕。邀笔者参与并见证了这次规模宏大、别出新意的展览,感受良多,略记一二。作为“雕虫小技”的篆刻单项展,主办方历来为展出模式的单调乏味而困惑。近年来虽时有放大展出、实物展出等试图变革的例子,但均属小打小闹而未成规模,占主流的仍是在印屏上打点、翻花样、最终还是承袭老套,     

耀州窑宫廷瓷赏析

耀州窑是我国的历史名窑,耀瓷不仅在民间有广阔的市场,也曾被当时宫廷、官府看中,令其作为“贡品”上贡朝廷作御用器。宋代王存《元丰九域志》有耀州华原郡上贡瓷器五十事的记载。《宋史·地理志》陕西条载：“耀州……宗宁户一十万二千六百六十七……贡瓷器”,前后约有数十年上贡历史。在耀州窑遗址发现的五代时期的“官”字款标本、宋代的龙风纹残片以及有些器底刻划“龙”字标记的器物,     

Shape recovery of collapsed archaeological wood ware with active alkali-urea treatment

Most wooden remains from archaeological sites in waterlogged burial environments are found to be intact without shrinkage despite centuries of storage. However, waterlogged wooden remains are subject to shrinkage damage and some even lose up to 80% of their original volume when exposed to air. The shrinkage of archaeological waterlogged wood with the loss of a large part of the initial volume of the wooden remains has been considered irreversible. Here we show that “active alkali-urea”, serving as a re-swelling chemical agent, can almost fully restore the collapsed archaeological wood to its original shape. The restoration experiment showed that the main reason for the restoration of collapsed wood is that the collapsed cell cavity almost completely recovered its original shape during active alkali-urea treatment. We suggest that the shape of collapsed archaeological wood remains can be fully recovered, and that the collapsed archaeological wood can thereby recover its valuable cultural properties.     

王阳明“快乐教育”初探

王阳明有多篇教育论著,其中提出教育儿童“必使其趋向鼓舞,中心喜悦”的要求。为此,提“歌诗”、游戏、郊游等活动,令其“乐习不倦”。这便是东方教育史上“快乐教育”的滥觞。比西方教育史上出现的”快乐之家”早了三百多年。     

人面鸟喙雕像意义的探索

江西新干大洋洲晚商大墓和湖北荆州天星观战国中期二号墓各自出土了一件人面鸟喙雕像,根据<山海经>及民族学等方面的有关证据,笔者认为他们是苗民的祖先神<馬,雚>头(亦写作"兜").     

关于《“扬州八怪”批判》的思考

由徐建融《扬州八怪批判》引发的争论,是近20年扬州八怪研究中最值得引起重视的争论。归纳起来,这些争论和分歧主要集中在扬州八怪成员的人品、画品、绘画商品化、师承、在中国绘画史上的地位几方面。     

赤峰市红山夏家店下层文化石城址调查报告

红山位于英金河右岸,紧邻赤峰城区东北部,是一处相对独立的丘陵山地.英金河由西面至北面环绕红山,是远古人类重要的活动区域,著名的"红山文化"就是在这里发现并命名的.红山地势西高东低,由凤凰峰等9个山峰组成,最高峰海拔746米,总面积约10平方公里,西部山体陡峭基岩裸露,岩体呈红褐色,红山因此而得名,东部及南部地表覆盖着厚厚的砂质黄土,形成略有起伏的缓坡沙地.