Kang Youwei and Confucianism in Canada and beyond, 1899–1911

ABSTRACT

Based on the new discovery of two of Kang Youwei’s writings composed in Canada in 1899, this article expands the historical research concerning his Confucian religious thoughts and movement within the Canadian context and the period of his overseas exile in 1899–1911. The article first focuses on Kang’s continual pursuit of Confucian religious cosmopolitism from China to Canada, especially his efforts to disseminate Confucianism overseas and to develop a new utopian vision that called for the removal of religious boundaries among human beings worldwide. Its second focus is on Kang’s use of Canada as both a starting point and a turning point in his search for the Confucian State Religion. He consequently sought to develop a conservative nationalism from traditional Chinese culture and through a utilitarian adoption of Christian institutions and Western cultures. The analysis of both Kang’s pursuit of Confucian religious cosmopolitism and his search for the Confucian State Religion reveals their positive and negative impacts on his reformist movement that affected Canadian Chinatowns and on the broader Chinese diaspora from 1899–1911. Kang’s promotion of Confucianism in Canadian Chinatowns and the Chinese diaspora in addition had implications for the failure of his religious movement in the early Republican Period.     

Loyalist,patriot, or colonizer? The three faces of Zheng Chenggong in Meiji Japan and late Qing China

ABSTRACT

This article examines the transformation of Zheng Chenggong’s image in Meiji Japan and late Qing China. Prior to the mid-nineteenth century, Zheng Chenggong was often depicted as a Ming dynasty loyalist in Chinese narratives and as a Japanese hero adventuring in a foreign land in Japanese narratives. The two groups of narratives converged in the late nineteenth and early twentieth centuries, transforming Zheng Chenggong into a patriot, an anti-imperialist hero, and a conqueror and developer of Taiwan. Underlying the convergence of Chinese and Japanese narratives of Zheng Chenggong was surging nationalist sentiment in response to different forms of imperialism. This study aims to show how different nationalist agendas activated efforts to recreate Zheng Chenggong’s image in China and Japan at the turn of the nineteenth century.