Book reviews

City and Village in Iran: Settlement and Economy in the Kirman Basin. By Paul W. English. Madison, Wisc.: The University of Wisconsin Press, 1966. 204 pp. $6.75.

The Conflict of Traditionalism and Modernism in the Muslim Middle East. Edited with an Introduction by Carl Leiden. Austin: The University of Texas, 1966. 160 pp. $4.95.     

Excavation on Nimowa Island,Louisiade Archipelago,Papua New Guinea: Insights Into Cultural Practices and the Development of Exchange Networks in the Southern Massim Region

Small-scale excavation was undertaken at the Malakai site on the small island of Nimowa, located in the Louisiade Archipelago, Massim region, Papua New Guinea. This is the first excavation to be reported in detail from the archipelago, with the Malakai site providing insight into cultural practices on the island and pottery exchange in the southern Massim region. A stratified deposit was revealed with dense cultural material, first inhabited from 1350 to 1290 cal. BP, with a subsequent period of settlement within the last 460–300 cal. years. Pottery, shell, and stone artifacts were recovered, as well as human skeletal remains in a primary burial context, which contributes to understanding regional patterns of prehistoric mortuary activity. It is argued that Nimowa was already part of an exchange network that encompassed many of the southern Massim islands when the Malakai site was first occupied. There is increased diversity in the number of vessel forms in later prehistory, but with remarkable continuity in the decorative motifs over time, suggesting some degree of regional social cohesion in the southern Massim. It appears that the northern Massim islands were not a major supplier of pottery to Nimowa. The implications for the prehistory of the wider region are subsequently discussed.     

New conceptions of transcendence in the thought of the British idealists

ABSTRACT

British Idealism was the philosophical school which dominated during the last quarter of the nineteenth century. Using the ideas of Bernard Bosanquet, John Caird and Andrew Seth Pringle-Pattison as an illustration, this paper looks at some of the ways in which the British Idealists sought to develop new and more subtle conceptions of the transcendent, able to resist the corrosive effects of late nineteenth-century critical and naturalistic thinking. The paper concludes by looking at three fields – philosophy, theology and literature – in which it is possible to discern the ongoing influence into the first half of the twentieth century of their efforts.     

Experimental and Analytical Study of Seismic Soil-Pile-Structure Interaction in Layered Soil Half-Space

The dynamic interaction of pile foundations, embedded in a horizontally stratified soil profile, with superstructures under low to moderate earthquake excitation can be handled in different ways. In this article, the soil-pile-superstructure dynamic interaction problem has been investigated using the coupled finite element-boundary element method. Comparison with shaking table experiments of a small scale model pile shows a good correlation with the proposed method in terms of the kinematic response of pile foundations and the structural response. A parametric study of the proposed model has yielded important results essentially concerning the amplification factors of the pile foundation and the superstructure.     

Tom Stoppard’s Big Picture: The Chaos that is Our World

Abstract

Issues arising from discussions regarding the ‘two cultures’ of science and art are many and varied. Tom Stoppard’s very active utilization of science in many of his plays has resulted in his work — especially the quantum mechanics-informed Hapgood and the chaotics-informed Arcadia — being held up as paradigmatic of one science/art position or another. Often, critical approaches to these plays involve a checklist of scientific facts, implying that the goal of such art is to serve as a delivery device for scientific breakthroughs. While plays, novels, and movies of various sorts may have such goals in mind, Stoppard’s plays do not comfortably fill that agenda, critical arguments to the contrary notwithstanding. Neither do Stoppard’s plays show particular interest in engaging any debate about the superiority of one ‘culture’ over the other. In his two ‘science plays’ in particular, what Stoppard offers is an enrichment of both science and art through metaphorical intertwinings that suggest experience is best served when both camps collaborate. The bigger picture that results argues an overlap in epistemology, namely revealing the uncanny similarity in which artist and scientist approach the material that is our universe.