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121.
122.
William J. Mander 《History of European Ideas》2017,43(3):241-250
ABSTRACTBritish Idealism was the philosophical school which dominated during the last quarter of the nineteenth century. Using the ideas of Bernard Bosanquet, John Caird and Andrew Seth Pringle-Pattison as an illustration, this paper looks at some of the ways in which the British Idealists sought to develop new and more subtle conceptions of the transcendent, able to resist the corrosive effects of late nineteenth-century critical and naturalistic thinking. The paper concludes by looking at three fields – philosophy, theology and literature – in which it is possible to discern the ongoing influence into the first half of the twentieth century of their efforts. 相似文献
123.
Mohammad Muaz Aldimashki James Mark William Brownjohn Subhamoy Bhattacharya 《Journal of Earthquake Engineering》2014,18(5):655-673
The dynamic interaction of pile foundations, embedded in a horizontally stratified soil profile, with superstructures under low to moderate earthquake excitation can be handled in different ways. In this article, the soil-pile-superstructure dynamic interaction problem has been investigated using the coupled finite element-boundary element method. Comparison with shaking table experiments of a small scale model pile shows a good correlation with the proposed method in terms of the kinematic response of pile foundations and the structural response. A parametric study of the proposed model has yielded important results essentially concerning the amplification factors of the pile foundation and the superstructure. 相似文献
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William W. Demastes 《Interdisciplinary science reviews : ISR》2014,39(3):204-212
AbstractIssues arising from discussions regarding the ‘two cultures’ of science and art are many and varied. Tom Stoppard’s very active utilization of science in many of his plays has resulted in his work — especially the quantum mechanics-informed Hapgood and the chaotics-informed Arcadia — being held up as paradigmatic of one science/art position or another. Often, critical approaches to these plays involve a checklist of scientific facts, implying that the goal of such art is to serve as a delivery device for scientific breakthroughs. While plays, novels, and movies of various sorts may have such goals in mind, Stoppard’s plays do not comfortably fill that agenda, critical arguments to the contrary notwithstanding. Neither do Stoppard’s plays show particular interest in engaging any debate about the superiority of one ‘culture’ over the other. In his two ‘science plays’ in particular, what Stoppard offers is an enrichment of both science and art through metaphorical intertwinings that suggest experience is best served when both camps collaborate. The bigger picture that results argues an overlap in epistemology, namely revealing the uncanny similarity in which artist and scientist approach the material that is our universe. 相似文献
126.
Patrick Maley 《Irish Studies Review》2014,22(2):207-223
The plays of Conor McPherson emphasise a sociality of story, language, and theatre. His theatre demands both that a storyteller be heard and that storytellers acknowledge the reality of their words existing in a social space. Meaning-making in McPherson's monologues must thus be social, shared either between the monologists and the theatrical audience, or between a storyteller and the in-play audience. This essay argues that the dynamic of storytelling in McPherson's theatre epitomises a late-modern humanist pursuit. We encounter his characters on loosely defined linguistic journeys of ontological becoming, and are called upon as audience to become interlocutors, supporting and advancing this humanist process. Ultimately, McPherson's work suggests that dramatic characters and theatrical audience exist in a reciprocal relationship of soliciting and supporting a becoming from one another. 相似文献
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William Lowry 《政策研究杂志》2006,34(3):313-335
Why do policies change dramatically? Most prominent theories and many empirical studies of policy change address that question with attention to external shocks to policy systems or focusing events. These shocks or events are usually described as unplanned, unpredicted jolts such as global crises or natural disasters. I assert a role for focusing projects. These planned activities continue traditional priorities in an issue but do so to a degree perceived as excessive by enough people to shatter seemingly stable policy systems. I then propose a theoretical framework to explain the varying impacts from such projects. The framework uses two dimensions: one that accounts for the mobilization of pro‐change forces and one that assesses policy learning by members of pro‐status quo coalitions. I examine this framework in the context of changes to dam‐building policies in four diverse political settings: United States, Australia, Canada, and China. I find intriguing similarities between the focusing projects in these different contexts but also considerable variation in the extent to which they produce policy change. 相似文献
129.
William H. Walker Michael Brian Schiffer 《Journal of Archaeological Method and Theory》2006,13(2):67-88
This paper explores the materiality of social power relationally through study of social interactions with artifacts. Specifically, it is argued that acquisition of an artifact instantiates social power by imposing interactions on groups taking part in that artifact's life-history activities. We introduce the “performance-preference matrix,” an analytic tool for systematically studying the effects of such acquisition events on activity groups. The use of the performance-preference matrix is illustrated through an example: the acquisition of electric-arc lights for lighthouses in the 19th century. Suggestions are offered for analyzing culture-contact situations and for handling singularized artifacts such as heirlooms and monuments.
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William H. WalkerEmail: |
130.
William J. Carlyle 《The Canadian geographer》2004,48(2):137-151
Specialty crops have risen from being of little to great importance in Saskatchewan agriculture over the past 20 years. Many interrelated factors have contributed to this change. These factors are analysed using a food supply system model that involves inputs, on-farm production variables, research and linkages to farmers, contracting, transportation and processing and market development for specialty crops. Specialty crops, especially the dominant trio of pulse crops, dry field pea, lentil and chickpea, reduce input costs, have proved to be agronomically suitable to fill much of the land made available through the decline of spring wheat and summerfallow in Saskatchewan, have benefited from research and its transfer to farmers and farmers' producer groups, are transported to local or regional processors and have benefited from the development of domestic and foreign markets. Specialty crops as a group tended to be relatively more important in 2001 in the Brown and Dark Brown than the Black and Grey soil zones, although each main specialty crop displayed a distinct geographical pattern. 相似文献