姚华曲学观的“诗统”意识

晚近姚华适为“通人”,他最为世人肯定的学问是曲学。姚华曲学在其“诗统”阐释中彰显出总结性、系统性,以其曲学专著《曲海一勺》为代表,“诗统”的主要内涵有：一、从曲学内部来看,依体制先《原乐》,辞乐合一,诗被管弦,乐变体变,故变而为曲;就诗本而《明诗》,诗关性情,千栽未易,曲最能传情;论功用必《骈史》,声音之道与政相通,可“化民成俗”,诗关世运,世变诗变。如是则曲最应时世。二、由是则形成诗一词——曲的发展统系,此统系皆薪火相传了“诗统”精神。三、今之曲当随世而“通变”,以继“诗统”。三者间,前二者是有意识的阐释,此种“温故”为历代所无;后者是介于有意与无意同的“诗统”续建,此种“知新”则多付阙如。     

近三十年来大陆地区《资治通鉴》研究述评(1983—2011)

近30年来,大陆地区对《资治通鉴》的研究,在校勘与考订、司马光的政治思想与史学思想、编纂方法、参与编纂者、引书数量、对标点本错误的纠谬、史源研究等方面,取得了较为丰硕的成果,开拓出一些新的研究领域,值得重视。但也存在新开拓的研究范围不广、选题过于集中,观点大致相似、总结性著述的缺失的问题,需要学者共同努力,以促进《资治通鉴》研究的深入发展。     

Seeds/fruits,pollen and parasite remains as evidence of site function: piazza Garibaldi – Parma (N Italy) in Roman and Mediaeval times

Archaeobotanical analyses were carried out on layers from the site of Piazza Garibaldi in Parma, a town located in the plain of Emilia Romagna, in northern Italy. The layers dated to the 3rd–2nd centuries BC, around the time of the foundation of the Roman town, and to the 10th–11th centuries AD. According to archaeological data, the site was a sacred area in Roman times, while it was a market square in Mediaeval times. Data from pollen and seeds/fruits were useful for both palaeoenvironmental and palaeoethnobotanical reconstructions, and together with NPPs including parasite remains contributed to add details on the function of the site in the different chronological phases.     

Record of the meso- and neoholocene palaeoenvironmental changes in the Jesionowa landslide peat bog (Beskid Sądecki MTS. Polish Outer Carpathians)

The paper presents an analysis of depositional sequences of landslide peat bog situated in the depressions developed within the landslide landforms Jesionowa in the Beskid Sądecki Mts. (Outer Carpathians). The peat bog, with depositional sequence 2.80 m long, started to form at the beginning of the Atlantic Phase ca. 6390–5910 cal BC. Palynological and lithological analyses as well as several (14) radiocarbon age determinations of different horizons in the sediments enabled the reconstruction of palaeoenvironmental changes during the Meso-and Neoholocene. The increase in climate humidity at the beginning of the Subboreal and Subatlantic Phases was observed as delivery of minerogenic material to the peat bog basin and formation of a mineral horizon and an illuvial level within the peat. The particularly intensive delivery of allochthonous material to the peat bog took place at the beginning of the Subboreal Phase and was the result of both significant humid climate and increased human impact (colonization of the Funnel Beaker Culture) in the landslide area. Similar influence of younger colonisations of landslide area (Przeworsk Culture and, later, Valachian colonisation) was also recorded within the deposits of peat bog (illuvial and mineral horizons) in the early Subatlantic Phase. Rejuvenation of the landslide zone and formation of the younger landslide were connected with the increase in climate humidity at the beginning of the Subboreal Phase. The peat bog deposits situated within this younger landslide, which are ca. 1.8 m thick, are significantly contaminated with mineral material.     

Ian Hunter's Civil Philosophy

Summary

Ian Hunter's normative commitment is to civil philosophy. His sustained critique of metaphysical philosophy is to be understood in the context of his proposition that civil and moral philosophy are at war. Since civil philosophy is the only guarantor of social peace, the stakes are high.     

Hospital Drama: Visual Theatres of the Medical Rendezvous from Asylum to Hospital with Reference to Specific Works by Anna Furse

Abstract

This paper is informed by Furse’s practice as a theatre maker in two fields of output that are connected by two factors: first, the presence of the woman patient — hysteric/subfertile respectively — within the clinical gaze; second, the significance of the womb to each pathology. In the treatment of each (explored in Furse’s theatre), lens based technologies play their part, whilst the cultural and medical can be seen to have overlapped to produce specific meaning with regard to Her body and its spectacularity. The article presents an overview of some of the key issues in precisely how the woman’s body becomes spectacular within this prosthetic medical gaze and how the medical — and theatrically designed spaces to represent these — become meaningful and potent proxemics that in turn inform medical/ theatrical spectatorship. Overarching nineteenth-century protocols at the Salpêtrière Hospital in Paris (where Furse’s Augustine (Big Hysteria) is set) to contemporary imaging technologies used in the treatment of subfertility with Assisted Reproduction Technologies (the topic of her Art of A.R.T. projects), it examines the way in which photography develops through cinema to X-Ray, ultrasound and then 3D/4D ultrasound to ‘capture’ the woman’s body in ways by which she becomes muted and exposed. These occular technologies that extend the gaze, first to an exterior subject and then, eventually, traversing the flesh without knife, lend specific performativity to the ‘patient’ women, within the context of hysterias and reproductive impairments respectively. Finally, issues of suspension of disbelief are addressed. The spectator’s faith in the screen-based image of Her spectacular body is interrupted in Furse’s work, which is also keenly interested in the effect of such imagery on the woman’s sense of Self. The historical and cultural leaps in this article argue that there is indeed a trajectory through the history of medical imaging since the first application of photography to anatomy to the more advanced scoping technologies of medical imaging today, and that in each era, the production of these images remain fraught with cultural implications.     

Houses,Objects, and the Politics of Inheritance in Josep Maria de Sagarra's Vida privada

Josep Maria de Sagarra's novel Vida privada (1932) portrays an upper-class Catalan family, the Lloberolas, as unable to adapt to the new economic and political situation taking place in the city of Barcelona at the end of Primo de Rivera's dictatorship and at the beginning of the Second Republic in the late 1920s and early 1930s. Through a close reading of this family's houses, furniture, and personal belongings, I argue that material elements in this novel are central to the narrator's ethical critique and moral judgment of Barcelona's elite. The Lloberolas treat humans as objects and objects as humans, and I contend that, in an ironic emulation, the narrator also objectifies the Lloberolas and equates them with their objects. This comparison elucidates the family's superficiality and corrupted morals. Objects are also essential in destabilizing public and private boundaries because they often transcend the private domain and expose—to the readers and to the other inhabitants of Barcelona—the protagonists’ personality. Moreover, in Vida privada, houses, furniture, and surnames are understood as an inheritance that transfers very specific ideals of social status from parents to children. By presenting this material heritage with the exemplifying case of the Lloberola family, Sagarra offers a sharp critique of the Catalan upper classes and their superficial values. Their necessity to cling to an inherited world centered on material possessions finally results in their loss of power and evidences their economic and moral decline.     

Saharan prehistoric basketry. Archaeological and archaeobotanical analysis of the early-middle Holocene assemblage from Takarkori (Acacus Mts., SW Libya)

The paper presents the large set of basketry and other worked fibre artefacts constituting the perishable artefacts assemblage from the Takarkori rock shelter. This site is located in southwestern Libya, central Sahara. Its well-preserved Holocene stratigraphy testifies to human occupations by foraging groups (Late Acacus culture; ca. 9000–7400 uncal years bp; ca. 8300–6100 BCE) and herders (Pastoral cultures; ca. 7400–4500 uncal years bp; ca. 6400–3000 BCE).