Gender,Power, and the Denial Of Intimacy in Chinese Studies and Beyond

This article identifies and critically examines four recurring concerns in writings on Chinese gender and sexuality: (1) Emphasis on extreme cases of women's suffering to produce a more dramatic effect. (2) Focus only one gender's perspective and disregard of the role of social class. (3) De-emphasis on men's place within the subjective domain and overlooking how emotional bonds unite couples. (4) Depiction of the erotic as simply the manifestation of prevailing sexual ideology, which encourages viewing male/female interaction as an exercise in power and dominance, and discourages interpretation of the erotic as an aesthetic experience.     

HOW THE VISUAL IS SPATIAL: CONTEMPORARY SPATIAL HISTORY,NEO-MARXISM,AND THE GHOST OF BRAUDEL

Contemporary spatial history is founded on the potential for maps and other visualizations to show the historical constructedness of space, usually in broadly neo-Marxist terms, yet neo-Marxist geographical theory is famously critical of visual representation, especially mapping. At stake in this contradiction isn't just the relationship between digital enthusiasm and spatial theory (or the wider spatial turn), but the theoretical status of the visual itself in spatial scholarship. It raises a crucial question: how does visual material—everything from today's statistical maps and cutting-edge data graphics to the broader use of primary-source photographs or drawings—in fact shape our understanding of space, and what theoretical work does it do? By extension, how can humanists make critical theoretical interventions through their own visual production? This article proposes an analytic vocabulary of “visual argument” grounded in an image-focused rereading of two canonical bodies of work: the neo-Marxist theory most cited by spatial history (Henri Lefebvre, David Harvey, Doreen Massey, and Edward Soja) and the conspicuously uncited work of Fernand Braudel. By focusing on how these authors’ illustrations make claims about spatial subjectivity and the historicity of space—especially through visual relationships of background and foreground—I argue for a new way of understanding and responding to this work and to the visual project of spatial history today. A visual analysis highlights not only the limitations of neo-Marxism but also the pervasiveness of certain assumptions—shared across the neo-Marxists, Braudel, and digital visualization—about temporality, the natural/human dichotomy, and the methodological tensions between argument and visualization. I present my own mapping of Phoenix as one possibility for an argument-driven rethinking of familiar visual commitments, which also suggests a broader meditation on the relationship between visual and textual scholarship.     

International nuclear order: a rejoinder

The article‘Nuclear enlightenment and counter‐enlightenment by William Walker opened the special issue of International Affairs which was published in May 2007. In it, he claimed that the United States departed in the late 1990s and early 2000s, at the height of its hegemonic influence, from a conception of international nuclear order that it had held to, with few interruptions, over several decades. By so doing, it contributed substantially to the order's currently perceived demise. In responding to criticisms from other participants in the special issue, William Walker defends his arguments while acknowledging the enlightenment trope's fragility; reemphasizes the essential contractual nature of the Nuclear Non‐Proliferation Treaty (NPT) which some critics denied; stresses the order's reliance on a judicious balancing (which has temporarily been lost) of realist and constitutional strategies; rejects assertions that the NPT is not a disarmament treaty; argues that the‘muddling through’advocated by some authors cannot suffice; and offers reasons why the despondency of several among them may have been overplayed, and why a new phase of consolidation of order might (just might) lie ahead, not least because of the reconsideration of US international strategies that has begun and the widely perceived urgency of preventing further proliferation and avoiding a resumption of arms racing.     

DENDROCHRONOLOGY—A REFERENCE CURVE FOR SLOW GROWN OAKS,A.D. 1230 TO 1546

Details are given of how the widths of the annual rings of oak boards, which form the panels for certain sixteenth-century portraits painted in south-east England or adjacent parts of the Continent, have been matched with one another. A representative ring-width curve based on eighteen trees has been obtained and dated by region-to-region bridging from the master chronology, derived at Munich, for oaks grown in central and southern Germany. The feasibility of dendrochronology for oaks of slow and regular growth in late medieval times has been established for a region which extends beyond south-east England to Oxford on the west and to Flanders and parts of France on the east and south-east.