Influence of Taoism on the invention of the purple pigment used on the Qin terracotta warriors

Until the 19th century, most pigments were based on naturally occurring colored minerals and dyes, with three significant exceptions: Egyptian Blue, Chinese Blue/Purple and Maya Blue. The former two are alkaline-earth copper silicates, and because of this similarity it has been proposed that the Chinese pigments were derived from Egyptian Blue. Herein, we analyzed clumps of pigment from the Qin warriors and discovered that in spite of the structural similarity to Egyptian Blue, the micro-structural morphology of Chinese Purple is very different. Therefore, we believe that the synthesis technology for the Chinese pigments was a by-product of high-refractive index glasses (artificial jades) produced by Taoist monks. Further, the disappearance of these pigments from Chinese art and monuments concurrently with the decline of Taoism not only substantiates the link between the two, but also gives a striking example of how cultural changes in the society affected the scientific developments in ancient China.     

Mast-Step Coins among the Romans

The archaeological evidence of more than a dozen ancient shipwrecks indicates that the tradition of placing a coin inside the mast-step of a ship's hold probably originated with the Romans. The mast-step coin phenomenon, which persisted through the Middle Ages and continues in various forms today, has often been characterized according to the modern concept of 'luck'. The custom was, however, not one of an exclusively maritime nature; rather, it was ultimately derived from a long-standing religious tradition that can be traced back to the consecration of the earliest Greek temples.
© 2007 The Author     

Early Medieval Trade on Japan’s Southern Frontier and its Effect on Okinawan State Development: Grey Stoneware of the East China Sea

In this paper I examine the development of a particular kind of grey stoneware called kamuiyaki which was produced and traded within the Ryukyu Islands, southwestern Japan, in the eleventh to fourteenth centuries. The wares themselves, their chronology, and archaeological context are discussed. The kilns represent the first enterprise in the islands in which a commodity was made for exchange on a substantial scale. The establishment of the kilns in a remote area, with technological borrowing from both Japan and Korea, reflects social and economic trends of the beginning of the Medieval Period in Japan. Greyware production, circulation, and consumption, reconstructed from recent excavations, shows a political economy capable of fostering the development of small states on the island of Okinawa in the thirteenth and fourteenth centuries.     

Ethnoarchaeology: A Non Historical Science of Reference Necessary for Interpreting the Past

Ethnoarchaeology appears nowadays as a poorly formulated field. However, it could become a real science of reference for interpreting the past if it was focused upon well-founded cross-cultural correlates, linking material culture with static and dynamic phenomena. For this purpose, such correlates have to be studied in terms of explanatory mechanisms. Cross-cultural correlates correspond to those regularities where explanatory mechanisms invoke universals. These universals can be studied by reference to the theories found in the different disciplines they relate to and which are situated outside of the domain of archaeology. In the domain of technology, cross-cultural correlates cover a wide range of static and dynamic phenomena. They allow the archaeologist to interpret archaeological facts—for which there is not necessarily analogue—in terms of local historical scenario as well as cultural evolution. In this respect, it is shown that ethnoarchaeology, when following appropriate methodologies and focussing on the universals that underlie the diversity of archaeological facts, does provide the reference data needed to climb up in the pyramid of inferences that make up our interpretative constructs.     

The Art of Taphonomy and the Taphonomy of Art: Layer IV,Molodova I,Ukraine

Level IV of Molodova I, an open-air Middle Paleolithic site in the Ukraine has been described by some researchers as a possible source of evidence for early symbolic behavior. We examined bone objects from this layer that were identified by Ukrainian researchers as exhibiting possible Neandertal produced engravings including two anthropomorphic figures. While we have determined that there is no evidence of symbolic activity at Molodova I, the database we have created, with its systematic recording of traces left by taphonomic agents on faunal remains, provides a better understanding of the overall site taphonomy.