What Do Objects Want?

This paper develops an argument for the agency of objects, looking at the effects objects have on people. Groups of related objects, such as pots or metal ornaments, create stylistic universes which affect producers and users of new objects, bound by the canons of style. For an object to be socially powerful in a recognized manner, the form of the object lays down certain rules of use which influence the sensory and emotional impacts of the object. Formal properties of artifacts are influenced by the genealogy of the object class, including historical continuities and changes, and also its perceived source. The forms of objects, the historical trajectories of the class of objects and their perceived sources combine to have social effects on people, shaping people as socially effective entities. Britain’s incorporation into the Roman Empire between 150 BC and AD 200 provides an excellent case study through which to look at the changing corpora of objects, which had continuities and changes in form, a set of subtle attributions of sources and a complex range of social effects.     

Re-Inventing Mississippian Tradition at Etowah,Georgia

Frequent population movement and political re-organization spurred a pattern of repeated abandonment at the Mississippian mound center of Etowah in the southeastern United States. These processes also characterized the larger surrounding region in north Georgia and southeast Tennessee. The Etowah abandonments provided inflection points where interest groups were able to distance themselves from previous conventions of structure and reformulate new forms of sociopolitical organization. Re-invented traditions were embedded in changing definitions of genealogical and mythical time, and mediated through the built environment and iconography.     

Being Toured While Digging Tourism: Excavating the Familiar at Chicago’s 1893 World’s Columbian Exposition

Chicago’s Jackson Park witnessed intense and sustained tourism during the 1893 World’s Columbian Exposition. Recent archaeological survey and excavation produced information about the tourist experience of the Fair in a somewhat familiar artifactural form. The dig drew local tourists whose appetites for the Exposition were whetted by a bestselling book. At the heart of these multiple touristic consumptions in, and of, Jackson Park lies the central issue—the way that tourists create themselves as modern subjects through the practice of tourism and how this process can be both helped and hindered by the presence of familiar objects.     

The Poverty Trap: Or,Why Poverty is Not About the Individual

Poverty is often thought of as an inevitable social condition, and the blame for any shortcomings in governmental welfare policies is frequently placed upon the failings of individuals, markets, and demography. By exploring the influence of neoliberal politics on archaeologies of slum-life this article makes the case that less emphasis should be placed upon the perceived failings of individuals and more effort should be placed on recovering the complex social networks which sustained community-life within Hungate and other so-called urban slums.     

Design Space and Cultural Transmission: Case Studies from Paleoindian Eastern North America

Tool design is a cultural trait—a term long used in anthropology as a unit of transmittable information that encodes particular behavioral characteristics of individuals or groups. After they are transmitted, cultural traits serve as units of replication in that they can be modified as part of a cultural repertoire through processes such as recombination, loss, or partial alteration. Artifacts and other components of the archaeological record serve as proxies for studying the transmission (and modification) of cultural traits, provided there is analytical clarity in defining and measuring whatever it is that is being transmitted. Our interest here is in tool design, and we illustrate how to create analytical units that allow us to map tool-design space and to begin to understand how that space was used at different points in time. We first introduce the concept of fitness landscape and impose a model of cultural learning over it, then turn to four methods that are useful for the analysis of design space: paradigmatic classification, phylogenetic analysis, distance graphs, and geometric morphometrics. Each method builds on the others in logical fashion, which allows creation of testable hypotheses concerning cultural transmission and the evolutionary processes that shape it, including invention (mutation), selection, and drift. For examples, we turn to several case studies that focus on Early Paleoindian–period projectile points from eastern North America, the earliest widespread and currently recognizable remains of hunter–gatherers in late Pleistocene North America.     

Agonisme et antagonisme

This essay considers dissensus as the starting point for the construction of a common epistemic space rather than as the acknowledgement of an irreducible disagreement. In the argumentative confrontation and disagreements, we do not want to identify a process which might lead to agreement through rational debate. The aim of this essay is rather to understand how dissensus leads to the constitution of plural communities. It discusses a certain number of texts of political philosophy (Habermas, Mouffe, etc.), where the notion of agreement is crucial to an analysis of argumentative confrontations. This essay uses the hypothesis to analyse the circulation of Leibniz’s dynamics in his correspondence with De Volder. This perspective shows eventually that dissensus is not an obstacle but the basis on which multiple circulations of theories are possible.