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Andrew Vincent 《History of European Ideas》2017,43(3):251-261
ABSTRACTThe argument focuses on a Victorian perception of spiritual crisis and its unanticipated relation to nationalism. This issue is analyzed in the context of the British Idealist movement for whom the roots of the crisis derived largely from a misleading transcendental understanding of religion. The Idealists re-conceptualized religion as immanent within a humanized incarnational understanding of Christ, which was in turn seen to be implicit in the everyday moral conduct of all humans. This latter idea had immediate social implications. Morality is seen to be rooted within institutions aspiring to achieve the common good. In this context, a specific ‘sense’ of nationalism is seen to embody this aspiration to the common good. There is an explicit distinction between forms of nationalism which facilitate, as against those which hinder, the common good. Thus, the Idealist immanent understanding of religion - configured through the common good - forms the intrinsic value substance to a unique understanding of nationalism. 相似文献
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Vincent Ard 《Oxford Journal of Archaeology》2013,32(4):367-389
Pottery is generally used as the main basis for characterizing Neolithic cultural identities: archaeologists tend to define groups and cultures in time and space on the basis of typological classification. This paper proposes a different approach to the study of pottery that takes into account the various steps of the chaîne opératoire of manufacture, particularly the methods used to form and finish the pots, in order to characterize the cultural landscape of the Late Neolithic II period in west‐central France (3400?2900 BC). This cultural landscape has hitherto been poorly defined and subject to endless debate since the 1950s, largely because the pottery is fairly homogeneous in shape and is mostly undecorated. The technological study presented here, based on the examination of 23 ceramic assemblages and focusing on a variety of stages in the chaîne opératoire, has allowed the definition of three technical traditions. The main characteristics and diagnostic features of these traditions are outlined below, together with their interrelationships. 相似文献
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Vincent Charpentier Alex de Voogt Rémy Crassard Jean‐François Berger Federico Borgi Ali Al‐Mashani 《Arabian Archaeology and Epigraphy》2014,25(1):115-120
During the 2013 fieldwork of the French archaeological mission along the shores of the Arabian Sea, mancala games were discovered on the seashore of Salalah at the site of Ad‐Dahariz. They are cup‐hole carvings made directly into rock slabs and distributed in six distinct zones of the site. They usually consist of fourteen cup‐holes aligned in two lines of seven, two supplementary holes being sometimes present on each side. They are the first of their kind in South Arabia and can be compared to similar configurations of carved games elsewhere in Arabia, such as at Jebel al‐Jassasiya, Qatar. This paper presents the potential origins of this game in the region, as well as a plausible dating of their use. 相似文献
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