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ABSTRACT

Zambrano is well-known for her critique of the ideal subject, as well as of philosophy and ‘Western’ reason. Despite this critique, notions like the individual and reason in her works has not been thoroughly analysed. Enquist Källgren argues that Zambrano’s texts contains a comprehensive theory of subjectivity. It is shown that Zambrano’s notion of subjectivity presupposes a structure that positions the human being in a modal relation to her surroundings. The human being can be conceived of as a structure of transcendent and transcendental positions in which the individual is the product of an expressive performativity. Zambrano’s theory of subjectivity can be read as an engagement with the thinking of both Aristotle and Kant, placing subjectivity in the tension between embodiment and transcendental capacities. It is concluded that Zambrano’s theory of subjectivity is in fact a modal ontology describing the condition of possibility of human existence. In addition, it is concluded that this modal ontology has important ethical implications since it presupposes the presence of an ‘other’ towards which expressive performativity is directed.  相似文献   
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[I] want to single out one phenomenon that could be called the ‘politics of sources’. It points to the extent to which the histories that both scientists and historians can write are artifacts of the available sources. The Rockefeller Foundation not only opened its archives very early on for historical work but also invested a lot in making the archives readily available for historical exploration. During the 1980s, many young historians took advantage of this opportunity. Thus, in a relatively early phase of the professional historiography of molecular biology, one could have gained the impression that the development of the new biology as a whole was a bio-politically directed enterprise of the Rockefeller Foundation sustained by the vision that social processes could ultimately be controlled by biological processes.  相似文献   
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This article examines the reactions of Finnish cultural policy to the neoliberal turn in its societal environment. The analysis of cultural policy documents in 1990–2010 concentrates on three particular elements of societal change: the reforms in public management, the reorientations in international relations and the paradigm of immaterial production. It is argued here that besides the mythical democratic pluralism of the Nordic welfare states, cultural policy treats newcomers to the political arena selectively. Consequently, the system, constructed originally for protecting free artistic expression and equal distribution of cultural possibilities, has been in the front line of political market orientation in Finland. The orientation is modelled rhetorically after the ideas of cultural pluralism and economic efficiency; in practice, the fight has been a technocratic one between different notions of governmental responsibilities. This mechanism stresses formal procedures at the expense of ad hoc negotiations, leading to a centralised market orientation.  相似文献   
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Urban excavations often uncover complex stratigraphy that is difficult to interpret by archaeological experience alone. Versions of Single Context Recording can be useful tools, but this method is known to be demanding when co‐employed by consulting geologists in the field. Are these difficulties caused by fundamental differences between the views of archaeologists and geologists, or are they mainly a result of lack of mutual understanding? What would happen to field methods and interpretations if a geologist worked alongside an archaeologist at an urban excavation throughout a whole excavation season? This approach was tested at a geoarchaeological excavation in the town of Norrköping, Sweden. The experiment led to the development of a new field procedure involving continuous pilot sampling and on‐site analysis of plant macrofossils. It provided new ways of using natural sediments and redeposited layers in the interpretation of the sites development and clearly confirmed that mutual understanding is the key to interdisciplinary cooperation.  相似文献   
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The literary image in Sappho 1.7–15 of a goddess ascending on and travelling by a chariot which is yoked to birds occurs also of the Daughter of the Sun in hymn 1.118 of the Rigveda. Apart from the image as such, the shared context of prayer in the two poems and certain features common to the identities of both goddesses suggest that the images share a common ancestor in Indo-European religious discourse.

In Sappho 1.18, the emendation πε?θην, together with the understanding of the major ms. tradition in v. 19 as a crasis κ?c?γην?相似文献   
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ABSTRACT

The Kven language that is spoken in northernmost Norway was officially recognized as a language in 2005. The history of the language community dates back to the sixteenth century according to tax books. There is still an ongoing discussion among certain language users, whether Kven is in fact a language or one of the Finnish dialects. The language planning of Kven has started in 2007 by determining the orthography and choosing principles for the standardization. This article discusses the history of the process that led to the recognition of Kven as a language and reviews the progress of the language standardization until the present. The principles of language planning are reviewed through document analysis – earlier literature, minutes or summaries and participant observation of the language board’s meetings, and expert interviews – and analysed according to Lars S. Vikør’s language planning model. Some of the preferred features seem to follow the language planning ideology of the Norwegian standards – Bokmål and Nynorsk – in terms of allowance of variation and parallel forms as well as dialectal diversity.  相似文献   
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