Byrsa,The Bull's Hide,at Carthage,and Some Parallels

The colours red, white, and black occur together in folktales, ritual contexts, and traditional art forms around the world. This article draws together research from folklore, linguistics, art history, vision science, perceptual philosophy, and primate biology to propose an evolutionary source underlying the symbolic resonance of these colours.     

Why a resale royalty was rejected in Australia

In 2004 the Australian Opposition party introduced to Parliament a private member’s bill proposing the amendment of Australian copyright law to include an artist’s resale royalty. In response to the bill the Government released the Proposed Resale Royalty Arrangement Discussion Paper, which successfully provided a tangible foundation for discussions and stimulated the first strong academic debate regarding a resale royalty within Australia. Despite overwhelming support from respondents, in May 2006 the Government announced it would not support the adoption of a resale royalty right and the Resale Royalty Bill 2004 failed to pass through Parliament. The rejection of a resale royalty by the Australian Government illustrates the ongoing difficulty of incorporating civil law notions of creative rights, and moral rights in particular, into common law – particularly as the Australian Government’s approach to policy making is increasingly underpinned by economic rationalism.     

The Thaikkal-Kadakkarappally Boat: an Archaeological Example of Medieval Shipbuilding in the Western Indian Ocean

Recent excavations at Kadakkarappally in Kerala, south-west India, have unearthed the remains of an iron-fastened boat, believed to predate the earliest known records for the use of iron in South Asian boatbuilding. The design departs significantly from the traditional view of Indian watercraft, although the use of locally available timber and the suitability of the design for use in the backwaters that characterise the region suggest that it was built and used in India. This is the first excavation of its type to take place in Kerala and contradicts the belief, widely held in Kerala, that the survival of organic remains has been negated by the tropical climate of the region.
© 2004 The Nautical Archaeology Society     

An assessment of the magnetic response of an iron‐smelting site*

The magnetic response derived from an iron‐smelting site was investigated by comparing magnetometry and magnetic susceptibility geophysical survey data and laboratory analyses of the magnetic characteristics of the furnace and slags. Magnetic analysis and microscopy (optical and SEM) of samples from the furnace lining and the slag deposits demonstrated the heterogeneity in the magnetic, morphological and mineral compositions of both materials. The comparison of the magnetic characteristics of the material with the geophysical survey data illustrated the importance of using both magnetometry and magnetic susceptibility survey techniques to maximize the information from an iron‐smelting site. The furnace was dated archaeomagnetically to the 14th century ad . The results demonstrate that the magnetic analysis of iron‐smelting sites is highly valuable, both to characterize sites and to improve the understanding of early iron‐working technology.     

The date of Marvell’s Hortus

A post-Restoration dating of Marvell’s poem The Garden and its Latin companion piece “Hortus” to around 1668 has been generally accepted in recent criticism, despite some counter-arguments from those who defend the traditional dating to Marvell’s period at Nun Appleton (1650–2). None of these analyses, however, have attempted to date the Latin rather than the English poem. This article offers a new dating of “Hortus” to around 1654, during Marvell’s time at Eton as tutor to John Dutton. The argument is based on a series of parallels and allusions to Latin poetry either dating from, or demonstrably particularly fashionable in, the period between 1646 and 1654, as well as close attention to the political resonance and contemporary understanding of the poem’s classical sources. As such, it is also a case study in the dating of neo-Latin verse, of which many thousands of examples survive from seventeenth-century England.     

New Labour’s overseas development aid policy – charity or self-interest?

Robin Cook argued that New Labour’s foreign policy would have ‘ethical dimensions’,(Cook, “Robin Cook’s Speech on the Government’s Ethical Foreign Policy.”) and an assumption is often made, within existing literature, that this is an accurate statement when considering the overseas development agenda of New Labour government’s between 1997 and 2010. Tingley argues that the more left-wing a party, the more likely they are to increase attention on, and funding of, overseas development aid (ODA) projects.(Tingley, “Donors and Domestic Politics.”) This article uses the New Labour governments, from 1997 to 2010, as a case study to test the argument of Tingley and determines that his conclusions are accurate in the case of the UK. This article will then argue, using the work of Breuning that the motivations of the New Labour governments, and the way they conveyed their policy to the electorate changed overtime rather than remaining morally focused for the duration of their time in power.(Breuning, “Words and Deeds.”) By focusing on the rhetoric of the Labour Party, the changes in motivation can be identified in the period 1997–2010, with a distinct move from moral justifications to more self-interested pragmatic reasoning, which confirms Breuning’s argument.     

El padre transgresor: Crisis familiar y crisis social en el teatro popular bonaerense, 1896–1934

This article analyzes how five exemplary works of Argentine popular theater (1896–1934) construct unconventional readings of a perceived social crisis during Argentina's insertion into the global capitalist market. While dominant discourses focused on women's “errant” sexuality as the source of social demise, these works place the father figure —metaphor for social leadership— at the center of the debate to explore the chain of factors that hinder these fathers from fulfilling their “proper” gender roles, which ultimately causes the so-called social crisis. This focus on the paternal figure allows these plays to posit that social crisis stemmed from a destructive capitalistic logic based on the circulation of money, fraud, competition, and theft rather than from “errant” women. The recovery of these unconventional perspectives contributes to a more complex understanding of discourses on gender in the period, as well as of the relationship between discourses on everyday life and modernization.     

Violent histories and the ambivalences of recognition in postcolonial Papua New Guinea*

On the 23 July 2009, in a ceremony at the Bomana War Cemetery near Papua New Guinea’s capital city Port Moresby, 86-year-old Wesley Akove was awarded the first of a series of ‘Fuzzy Wuzzy Angel commemorative medallions’ given by the Australian government to PNG civilians who had assisted Australian troops during the Second World War. If the awarding of Mr Akove’s medallion is in many ways an archetypal enactment of the ‘politics of recognition’, consideration of three other instances of encounter between Orokaiva people in PNG’s Oro Province and Australian colonial forces disrupt the Fuzzy Wuzzy Angel trope on which this recognition ritual hinges. These encounters include the wartime executions of Orokaiva men by Australian forces, recent protests by landowners along the Kokoda Track and the murder of two European gold miners at the beginning of the twentieth century by Orokaiva warriors. Considered together, narratives about these encounters speak to an asymmetrical field of power in which Australia acts to control the terms and temporalities of the recognition it offers to wartime carriers and their descendants, enacting particular, contingent forms of relationality in ways that reproduce colonial hierarchies.